Julianos Kattinis
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Julianos Kattinis (born 1934) is a Greek
painter Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ...
who lives and works in
Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
,
Italy Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical re ...
.


Biography

He was born in
Damascus )), is an adjective which means "spacious". , motto = , image_flag = Flag of Damascus.svg , image_seal = Emblem of Damascus.svg , seal_type = Seal , map_caption = , ...
in 1934 to Theodoros Katinis and Despina Peridakis. His father worked as a Greek engineer and built roads in the
Middle East The Middle East ( ar, الشرق الأوسط, ISO 233: ) is a geopolitical region commonly encompassing Arabian Peninsula, Arabia (including the Arabian Peninsula and Bahrain), Anatolia, Asia Minor (Asian part of Turkey except Hatay Pro ...
, causing his family to move often.


The Middle East

He attended the French private school “Frères Lazaristes” in Damascus and spent long periods in
Jerusalem Jerusalem (; he, יְרוּשָׁלַיִם ; ar, القُدس ) (combining the Biblical and common usage Arabic names); grc, Ἱερουσαλήμ/Ἰεροσόλυμα, Hierousalḗm/Hierosóluma; hy, Երուսաղեմ, Erusałēm. i ...
,
Cairo Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metro ...
and
Amman Amman (; ar, عَمَّان, ' ; Ammonite language, Ammonite: 𐤓𐤁𐤕 𐤏𐤌𐤍 ''Rabat ʻAmān'') is the capital and largest city of Jordan, and the country's economic, political, and cultural center. With a population of 4,061,150 a ...
. In Damascus, Kattinis took an active part in the cultural and intellectual life of the time. He was strongly attracted by the Archeological Museum of Damascus and Palmira, full of
Mesopotamian Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the F ...
,
Greek Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor ...
, and
Roman Art The art of Ancient Rome, and the territories of its Republic and later Empire, includes architecture, painting, sculpture and mosaic work. Luxury objects in metal-work, gem engraving, ivory carvings, and glass are sometimes considered to be mi ...
, from which he absorbed much of his inspiration and imagination for his work. The town of
Deir ez-Zor , population_urban = , population_density_urban_km2 = , population_density_urban_sq_mi = , population_blank1_title = Ethnicities , population_blank1 = , population_blank2_title = Religions , population_blank2 = ...
near the
Euphrates The Euphrates () is the longest and one of the most historically important rivers of Western Asia. Tigris–Euphrates river system, Together with the Tigris, it is one of the two defining rivers of Mesopotamia ( ''the land between the rivers'') ...
and
Maaloula Maaloula or Maʿlūlā ( arc, ܡܥܠܘܠܐ in Eastern Aramaic Syriac script, ' in Western Aramaic Maalouli script; ar, مَعلُولَا) is a town in the Rif Dimashq Governorate in Syria. The town is located 56 km to the northeast of Dama ...
were a source of stimulation for his artistic life. The sky of the desert and the white and
terracotta Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, a ...
colors of Maaloula strongly attracted him and affected his way of
painting Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ...
. In 1957 he was invited by the Egyptian Cultural Center of Damascus for his first exhibition. In 1961 the Modern Art Gallery in Damascus invited him to exhibit his work at the Salon National de Printemps and
Salon d’Automne The Salon d'Automne (; en, Autumn Salon), or Société du Salon d'automne, is an art exhibition held annually in Paris, France. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The f ...
, where he could display the variety of forms and techniques, he had long experimented.


Europe

In 1961 Kattinis decided to leave the Middle East to go to
Europe Europe is a large peninsula conventionally considered a continent in its own right because of its great physical size and the weight of its history and traditions. Europe is also considered a Continent#Subcontinents, subcontinent of Eurasia ...
, wanting to engage in the culture of 60s Europe. He settled in Rome, the town that mostly suited his idea of beauty, and here he attended the Academy of Fine Arts, where he met and made friends with his teachers, the famous painters
Mario Mafai Mario Mafai (12 February 1902 – 31 March 1965) was an Italian painter. With his wife Antonietta Raphaël he founded the modern art movement called the Scuola Romana, or Roman school. Biography Mafai left school very early, preferring to att ...
, Nino Maccari, and Giuseppe Canali, and in 1964 got his Diploma in Fine Arts. In the same year he took part in the XXXII International Venice Biennal of Art with his abstract painting extremely in vogue during that time in Italy. During the long periods spent in several European towns such as Paris, Athens, Vienna, Genève, Munich, Innsbruck, he visited their museums and came into contact with the cultural life of other countries. All this strongly affected him, causing a more independent turn of his painting into a personal sort of expressionism. He went back to the Middle East in 1965, invited by the French Cultural Center in Amman (Jordan) for a solo exhibition and, in Beirut (Lebanon), for a solo exhibition at the Amateur d’Art gallery. In addition, the Sursock Museum of Beirut invited him for a group exhibition where he had an opportunity to meet and confront artists of different countries. A year spent in Innsbruck (Austria) (1967–68), surrounded by the beauty of the white mountains that strongly inspired him, gave way to a new phase of his art, where symbolism and expressionism merge into strongly colored images of landscapes and human beings. During this year Kattinis was invited for a solo show at the Zentrun 107 gallery in Innsbruck and at the Schuhmacher gallery in Munich (Germany). The two exhibitions were extremely successful. Captured by Kattinis’ way of painting, Hans Lang Beton Firm in Innsbruck commissioned him a large, oil painting on plywood On this occasion Professor Heinz von Mackovitz wrote of him “…Kattinis’ colors light up and shine with a brightness full of tension, without becoming violent, so that Kattinis’ painting arouses in the spectators a feeling of perpetual forces...”


Italy and Rome

When he went back to Italy, Kattinis set up his studio in Trastevere Rome, where, in 1969, the Poliedro gallery invited him for a solo exhibition which was introduced by writings of the famous poets, writers and journalists Leonardo Sinisgalli, Ugo Mannoni, Renato Civello and Giancarlo Fusco. It was an extremely lively time in Rome, one of the European cinema’s most fertile periods, when many artists from all over the world lived and worked in Trastevere and Via Margutta. The American psychologist Giorgina Nathan Burdett got interested in his work and organized an exhibition in her studio. John Hart of the Daily American wrote: “... Kattinis has limitless imagination and prolific technical command, which lets him treat solemn themes with seemingly irreverent levity...” In 1972 Kattinis was invited at the famous Museum Palazzo Braschi of Rome, for a solo exhibition of his paintings, where the figure of man, fixed out of his temporal significance, becomes a dominant theme of his work. The art critic Rolando Meconi curated the catalog and the issuing of Kattinis’ first album of handmade linoleum etchings in relief “Vasi Antichi“ In the following year appeared his beautiful album of 6 handmade linoleum etchings “GLI ASTRONAUTI” edited by IL Poliedro and accompanied by an introduction of Leonardo Sinisgalli 0and writings of Sandra Giannattasio, Pietro Bianchi, Heinz Von Mackowitz. In 1977 the Greek government organized a retrospective of his work at the Municipal Theatre (Dimotikò Thèatro) of Piraeus- Athens (Greece), and later on at Kyklos Gallery in Thessaloniki (Greece). Curator: the Greek art critic Eleni Gyzi, with articles on the Greek art magazine Kaleidoscope and Greek newspapers. 1In Italy he was commissioned an oil painting on iron for one of the twelve doors of the old stadium by the Municipality of Bari and the Greek Embassy of Rome(1997) 2In 2002 Kattinis was invited by The Municipality of Pisa – for an exhibition entitled ”Cantami o Diva” held in Santacroce in Fossabanda in Pisa and in Montecatini (Italy). 3In 2003 the ( Magi’ 900) Museo d’Arte delle Generazioni Italiane del 900. G. Bargellini published the catalog “ 4 MAESTRI DELL‘INCISIONE” with the pictures of all Kattinis’ highly skilled etchings and engravings . Nicola Micieli wrote “…what mostly characterizes Kattinis’ scheme of printing, revealing his vision of the world, is his informal method used in combining and manipulating different graphic and chalcographic techniques within the same piece of work...” 4During the years he has been commissioned exterior and interior large murals and frescoes, among which the three large frescoes inside the suites of “ Le Fabbre – Fattoria Pianetti (Manciano) Italy, inspired by the spirit of the ancient Etruscan civilization 5 together with a beautiful album of 12 multicolor etchings “ Gli Etruschi” 6One of his works has just appeared within the exhibition entitled “Pittori del ‘900 e Carte da Gioco”, organized by Museo di Roma Palazzo Braschi 7


Notes


References

* 1) Catalog: la Galerie ESPACE Sous le patronage du Ministre de la culture et de l’orientation 2 OCT. 1965 * 2) XXXII Biennale Internazionale d’Arte di Venezia SAC rchivio Storico delle Arti ContemporaneeFondazione La Biennale di Venezia OPAC SBN 32. biennale internazionale d'arte Venezia S.l. : 1964 – 322 p.; Bolaffi d’arte moderna 1964 ed. Giulio Bolaffi p. 159 * 3) Catalog: CENTRE CULTUREL FRANCAIS – AMMAN Sous le patronage du ministre d’etat M.Said Dajani 27 Nov. 1965 * 4) Expo des Artistes- Musée Sursock –Coshran Beiut –Lebanon 1966 * 5) Catalog: GALERIE ZENDRUM 107 – Innsbruck,(Austria ) Sadrach 33 20 marz 1968 * 6) Hans Lang Beton Firm- oil painting on wood, 6x2m (commissioned by the management) Tiroler Tageszeitung 11 Marz 1968 number 59; Dachauer 22 June 1968 No 96 by Karl Lemke; Tiroler Nachrichten 25 Marz 1968 number 70 by H.C.P. * 7) Tirolen Nachrichten 19 June 1968 number 139 by Prof Heinz von Mackovitz * 8) Daily American Sunday- Monday, May 25–26, 1975 by John Hart * 9) Catalog: MUSEO DI ROMA – PALAZZO BRASCHI S.P.Q.R.Curator Rolando Meconi Album of multicolor original etchings “Vasi Antichi” Ed.Il Triangolo Roma 197

* 10) Gli Astronauti Ed. Il Poliedro, Roma 197

* 11) Catalog: ed . Kaleidoskopio. Curator: the Greek art critic Eleni Gyzi Athens 1976–1977 Kaleidoskopio Magazine- Athens 1976 p. 27 by Eleni Gyzi www.worldcut.org (Julianos Kattinis) * 12) In the project “Le porte del Mediterraneo”,on the occasion of the XIII Mediterranean Sport Games, Kattinis represented Greece of the 12 Mediterranean countries – Bari 1997. * 13) “Cantami o Diva…” Pisa, aprile 2002 Montecatini Terme, agosto –settembre 2002 Comune di Pisa pac SBN T\ICCU\MOD\0807844 or Julianos Kattinis Internet Culturale * 14) Magi’900 Confronti da Museo – 4 Maestri dell’Incisione, - curated by Nicola Micieli Bologna ed. Bora,
003 003, O03, 0O3, OO3 may refer to: *003, fictional British 00 Agent *003, former emergency telephone number for the Norwegian ambulance service (until 1986) *1990 OO3, the asteroid 6131 Towen * OO3 gauge model railway *''O03 (O2)'' and other related ...
pac SBN T\ICCU\RER\0099384 or Julianos Kattinis Internet Culturale * 15) “ The four Elements – Water, Earth, Fire, Air” “The two Words” ”Paradise” Giornale dell’Arte “ Supplemento a “ Il giornale dell’Arte” N. 227, Dicembre 2003” * 16) “GLI ETRUSCHI IERI, OGGI E DOMANI” ED. TIPOGRAFIA AQUILAGRAFICA Roma Guzzetti, 2008

* 17) “PITTORI DEL 9OO E CARTE DA GIOCO” La collezione di Paola Masino – 14 dic.2016 Museo di Roma Palazzo Braschi.


External links

* Official website: http://www.julianoskattinis.it {{DEFAULTSORT:Kattinis, Julianos 1934 births Living people Greek painters Artists from Damascus