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Ferenc Joachim (May 21, 1882 – September 16, 1964) was a Hungarian painter of portraits and landscapes in oil, watercolors and pastels on canvas, board and paper. He studied and painted in Budapest and Western Europe. As an untitled member of the minor nobility, Joachim was entitled to bear the honorary prefix '' Csejtei'', so prior to the Communist abolition of honorifics in 1947 his name might be found in the form "Csejtei Joachim Ferenc" (or "Cs. Joachim F.") in Hungarian, or in German "Franz Joachim von Csejthey".


Early life

Joachim's parents were Ferenc Joachim and Emilia Metz of Szeged, Hungary. He had two brothers, Jozsef and Károly, and four sisters, Gizella, Mariska, Jolán, and Mici. The family was Roman Catholic. Some of his siblings were also artists in their own right: Jozsef was a sculptor and painter while Gizella became a stage actress. Ferenc Joachim was born in Szeged, in what was at that time the
Austro-Hungarian Empire Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of ...
. For the first 36 years of his life he lived and worked in Hungary and in various parts of Western Europe. Little is known about the first 30 years of Joachim's life. It appears that Joachim was married twice. He married Margit Gráf (1892–1965) around 1912. They had three children: one daughter, Piroska (1913–2007), and two sons, Ferenc Gabriel (1920–1989) and Attila (1923–1947). Joachim studied painting in Budapest ( Hungary), Vienna ( Austria), Munich ( Germany), and Paris ( France). He studied with Hungarian art educator
Simon Hollósy Simon Hollósy; (2 February 1857, Máramarossziget (now Sighetu Marmației, Romania) – 8 May 1918, Técső (now Tiachiv, Ukraine) was a Hungarian painter of Armenian ancestry; original name was: Choriban (Korbuly).Gudenus János József:Ör ...
at his private school in Munich, and periodically visited Hollósy's
Nagybánya artists' colony The Nagybánya artists' colony was an art colony in Nagybánya, a town in eastern Hungary that became Baia Mare in Romania after World War I. The colony started as a summer retreat for artists, mainly painters from Simon Hollósy's ''szabadiskola' ...
in Transylvania.


Painting career

While his principal residences and studios were in his birthplace of Szeged and in Budapest, Joachim also painted in Rome,
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
,
Marseilles Marseille ( , , ; also spelled in English as Marseilles; oc, Marselha ) is the prefecture of the French department of Bouches-du-Rhône and capital of the Provence-Alpes-Côte d'Azur region. Situated in the camargue region of southern Franc ...
, and the south of France. During his time in France he went by the name ''François Joachim''. His works were exhibited in Paris, Rome, Venice, Berlin and Munich. Joachim was a proponent of the late 19th-century concept of leaving the studio and painting in nature. One of his most productive periods was during one of his stays in Marseilles and along the Mediterranean coast, where he painted over a hundred canvases. In Szeged he was active in promoting the arts in the region. Articles from ''Művészet'' in both 1910 and 1913 show him with other local artists. A publication from Hódmezővásárhely dated 15 April 1910 reports the annual spring exhibition of artists in Szeged, with Joachim Ferenc cited as the most modern of them, with a first-class sensibility for colors. Joachim's paintings were exhibited at the Salon d'Automne (1911) and Salon des Indepenedents (1913) in Paris, and at the Nemzeti Szalon (National Salon) in Budapest. His paintings were also exhibited at the Szépműveszeti Múzeum or
Museum of Fine Arts (Budapest) The Museum of Fine Arts ( hu, Szépművészeti Múzeum seːpmyveːsɛti ˈmuːzɛum is a museum in Heroes' Square, Budapest, Hungary, facing the Palace of Art. It was built by the plans of Albert Schickedanz and Fülöp Herzog in an eclecti ...
. An article documents that in April 1919 Joachim was a member of the committee of the Szeged Museum trying to save and catalogue the museum's collections following the ravages and chaos of World War I (during which Joachim had served in the '' Kaiserlich und königlich'' forces of the Austro-Hungarian Army). Another document, dated January 15, 1928, shows Ferenc Joachim to be a founding member of the "Alföld Artists Association" ("Alföldi Müvészek Egyesülete") in Szeged. Today a small collection of his paintings (partly owned and partly on loan) is preserved in the repository of the ''"Móra Ferenc Múzeum"'' in Szeged. One painting, "Kőbánya Albániában" (Stone Quarry in Albania), is owned by the Hungarian National Gallery. All other paintings are in private hands, occasionally appearing at public art auctions in Hungary and the US.


Family difficulties

During the years of the
Great Depression The Great Depression (19291939) was an economic shock that impacted most countries across the world. It was a period of economic depression that became evident after a major fall in stock prices in the United States. The economic contagio ...
the family was reduced to poverty; in an interview in 1935 Joachim attributed his daughter's attempted suicide to their financial straits. During the Second World War a number of Joachim's relatives and in-laws were persecuted or murdered. Both of his sisters-in-law (one of whom, Julia Gráf, had sat for a portrait with him in 1938), their husbands and children died in the Budapest holocaust, while the fate of his three brothers-in-law is unknown. Joachim's younger son, Attila, enrolled as a student at the Hungarian Academy of Fine Arts in 1941, and graduated in 1946. His early death, the year after his graduation, was attributed to complications arising from internal injuries received from beatings by Hungarian Fascists and German Nazis, during the Budapest holocaust.


Later life

The final 20 years of Joachim's life, from 1944 to 1964, were spent in
Communist Communism (from Latin la, communis, lit=common, universal, label=none) is a far-left sociopolitical, philosophical, and economic ideology and current within the socialist movement whose goal is the establishment of a communist society, a s ...
Hungary.Private communication from Mrs. Piroska Porkoláb, Joachim's daughter, aged 92, in conversations during July, August, September, October and November 2005: "He had a voracious intellectual curiosity which he fed incessantly by avid reading of literature, history, science, newspapers. He had many friends and acquaintances amongst his contemporaries and colleagues in the arts including painters, sculptors, writers, and musicians. He had never renounced anyone for any reasons. He had always protected anyone seeking his assistance. The last twenty-five years of his life, from the onset of World War II to his death, he lived under extreme adversity and hardships due to the German Nazi and then Russian communist occupations causing deprivations of basic human rights, human dignity, jobs, income, livelihood, artistic supplies and materials, artistic integrity." His two surviving children, Piroska and Ferenc Gabriel, fled the country after the Hungarian Revolution of 1956, and found refuge in Canada, both later moving to the United States. Ferenc Gabriel, under the name Frank G. Joachim, became a research biologist and entomologist with the United States Department of Agriculture ( USDA) Metabolism and Radiation Laboratory. In their old age, Joachim and his wife were moved to separate old age homes: Joachim went to Gyula, where he died and was buried on September 16, 1964, at age 82; Margit went to Szentgotthárd, where she died and was buried at age 73 in 1965.


References

{{DEFAULTSORT:Joachim, Ferenc 1882 births 1964 deaths People from Szeged People from the Kingdom of Hungary Hungarian painters Modern painters