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Josiah Wedgwood (12 July 1730 – 3 January 1795) was an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the
industrialisation Industrialisation ( alternatively spelled industrialization) is the period of social and economic change that transforms a human group from an agrarian society into an industrial society. This involves an extensive re-organisation of an econo ...
of the manufacture of European pottery. The renewed classical enthusiasms of the late 1760s and early 1770s were of major importance to his sales promotion. His expensive goods were in much demand from the upper classes, while he used emulation effects to market cheaper sets to the rest of society. Every new invention that Wedgwood produced – green glaze, creamware, black basalt, and jasperware – was quickly copied. Having once achieved efficiency in production, he obtained efficiencies in sales and distribution. His showrooms in London gave the public the chance to see his complete range of tableware. Wedgwood's company never made porcelain during his lifetime, but specialised in fine
earthenware Earthenware is glazed or unglazed nonvitreous pottery that has normally been fired below . Basic earthenware, often called terracotta, absorbs liquids such as water. However, earthenware can be made impervious to liquids by coating it with a ce ...
s and stonewares that had many of the same qualities, but were considerably cheaper. He made great efforts to keep the designs of his wares in tune with current fashion. He was an early adopter of transfer printing which gave similar effects to hand-painting for a far lower cost. Meeting the demands of the consumer revolution that helped drive the Industrial Revolution in Britain, Wedgwood is credited as a pioneer of modern marketing. He pioneered direct mail, money back guarantees, self-service, free delivery,
buy one get one free "Buy one, get one free" or "two for the price of one" is a common form of sales promotion. Economist Alex Tabarrok has argued that the success of this promotion lies in the fact that consumers value the first unit significantly more than the sec ...
, and illustrated catalogues. A prominent abolitionist fighting slavery, Wedgwood is remembered too for his ''Am I Not a Man And a Brother?'' anti-slavery medallion. He was a member of the Darwin–Wedgwood family, and he was the grandfather of
Charles Charles is a masculine given name predominantly found in English language, English and French language, French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic, Proto-Germanic name (in runic alphabet) or ''*k ...
and Emma Darwin.


Early life

Born in Burslem,
Staffordshire Staffordshire (; postal abbreviation Staffs.) is a landlocked county in the West Midlands region of England. It borders Cheshire to the northwest, Derbyshire and Leicestershire to the east, Warwickshire to the southeast, the West Midlands Cou ...
, the eleventh and last child of potter Thomas Wedgwood (d. 1739) and Mary Wedgwood (''née'' Stringer; d. 1766), Josiah was raised within a family of
English Dissenters English Dissenters or English Separatists were Protestant Christians who separated from the Church of England in the 17th and 18th centuries. A dissenter (from the Latin ''dissentire'', "to disagree") is one who disagrees in opinion, belief and ...
; he was the grandson of a Unitarian minister and was an active Unitarian. By the age of nine, he was proving himself to be a skilled potter. He survived a childhood bout of smallpox to serve as an apprentice potter under his eldest brother
Thomas Wedgwood IV Thomas Wedgwood IV (1716, Burslem–23 February 1773, Burslem) was an English master potter who taught his illustrious youngest brother Josiah Wedgwood the trade. Wedgwood was the son of the potter Thomas Wedgwood III and his wife Mary Stringer. ...
. Smallpox left Josiah with a permanently weakened knee, which made him unable to work the foot pedal of a potter's wheel. As a result, he concentrated from an early age on designing pottery and then making it with the input of other potters. The pottery created in his father's and brother's business was inexpensive and low quality, black and mottled in color. In his early twenties, Wedgwood began working with the most renowned English pottery-maker of his day, Thomas Whieldon, who eventually became his business partner in 1754. Wedgwood also began to study the new science of
chemistry Chemistry is the science, scientific study of the properties and behavior of matter. It is a natural science that covers the Chemical element, elements that make up matter to the chemical compound, compounds made of atoms, molecules and ions ...
, seeking to understand the materials science of fire, clay, and minerals and to develop better clays and glazes for potter-making. Following an accident in 1762, Wedgwood met Joseph Priestley, another Dissenter and a chemist who gave Wedgwood advice on chemistry. Wedgwood's experimentation with a wide variety of techniques coincided with the burgeoning of the nearby industrial city of Manchester. Inspired, Wedgwood leased the Ivy Works in the town of Burslem. From 1768 to 1780 he partnered with Thomas Bentley, a businessman from a landowning family who was socially sophisticated and had an astute taste. Over the course of the next decade, his experimentation (and a considerable injection of capital from his marriage to a richly endowed distant cousin) transformed the sleepy artisan works into the first true pottery factory.


Marriage and children

In January 1764 Wedgwood married Sarah Wedgwood (1734–1815), his third cousin. They had eight children: *
Susannah Wedgwood Susannah Darwin (née Wedgwood, 3 January 1765–15 July 1817) was the wife of Robert Darwin, a wealthy doctor, and mother of naturalist Charles Darwin, and part of the Wedgwood pottery family. Life She was the daughter of Josiah and Sarah Wedg ...
(3 January 1765 – 1817) married Robert Darwin and became the mother of the English naturalist Charles Darwin. Charles married Emma Wedgwood, his cousin. * John Wedgwood (1766–1844), joined the business rather reluctantly, mainly interested in horticulture * Richard Wedgwood (1767–1768) (died as a child) *
Josiah Wedgwood II Josiah Wedgwood II (3 April 1769 – 12 July 1843), the son of the English potter Josiah Wedgwood, continued his father's firm and was a Member of Parliament (MP) for Stoke-upon-Trent from 1832 to 1835. He was an abolitionist, and detested ...
(1769–1843) (father of Emma Darwin, cousin and wife of Charles Darwin) * Thomas Wedgwood (1771–1805) (no children), best known as a pioneer photographer * Catherine Wedgwood (1774–1823) (no children) * Sarah Wedgwood (1776–1856) (no children, very active in the abolition movement and founding member of
Birmingham Ladies Society for the Relief of Negro Slaves The Birmingham Ladies Society for the Relief of Negro Slaves, also known as the Birmingham and West Bromwich Ladies Society for the Relief of Negro Slaves, was founded in Birmingham, England, on 8 April 1825. It was the first anti-slavery societ ...
, the first anti-slavery society for women) * Mary Anne Wedgwood (1778–86) (died as a child)


Career and Work


Pottery

Wedgwood was keenly interested in the scientific advances of his day and it was this interest that underpinned his adoption of its approach and methods to revolutionise the quality of his pottery. His unique glazes began to distinguish his wares from anything else on the market. By 1763, he was receiving orders from the highest-ranking people, including Queen Charlotte. Wedgwood convinced her to let him name the line of pottery she had purchased "
Queen's Ware Creamware is a cream-coloured refined earthenware with a lead glaze over a pale body, known in France as '' faïence fine'', in the Netherlands as ''Engels porselein'', and in Italy as ''terraglia inglese''.Osborne, 140 It was created about 175 ...
", and trumpeted the royal association in his paperwork and stationery. Anything Wedgwood made for the Queen was automatically exhibited before it was delivered.McKendrick 1982, p. 121. In 1764, he received his first order from abroad. Wedgwood marketed his Queen's Ware at affordable prices, everywhere in the world British trading ships sailed. In 1767 he wrote, "The demand for this sd. Creamcolour, Alias, Queen Ware, Alias, Ivory, still increases – It is amazing how rapidly the use of it has spread over the whole Globe." He first opened a warehouse at Charles Street, Mayfair in London as early as 1765 and it soon became an integral part of his sales organization. In two years, his trade had outgrown his rooms in
Grosvenor Square Grosvenor Square is a large garden square in the Mayfair district of London. It is the centrepiece of the Mayfair property of the Duke of Westminster, and takes its name from the duke's surname "Grosvenor". It was developed for fashionable re ...
. In 1767, Wedgwood and Bentley drew up an agreement to divide decorative wares between them, the domestic wares being sold on Wedgwood's behalf.Coutts, Howard. ''The Art of Ceramics. European Ceramic Design 1500–1830'', p. 180. A special display room was built to beguile the fashionable company. Wedgwood's in fact had become one of the most fashionable meeting places in London. His workers had to work day and night to satisfy the demand, and the crowds of visitors showed no sign of abating. The proliferating decoration, the exuberant colours, and the universal gilding of rococo were banished, the splendours of
baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
became distasteful; the intricacies of '' chinoiserie'' lost their favour. The demand was for purity, simplicity and antiquity.McKendrick 1982, p. 114. To encourage this outward spread of fashion and to speed it on its way Wedgwood set up warehouses and showrooms at Bath, Liverpool and Dublin in addition to his showrooms at Etruria and in Westminster. Great care was taken in timing the openings, and new goods were held back to increase their effect. The most important of Wedgwood's early achievements in vase production was the perfection of the black stoneware body, which he called "basalt". This body could imitate the colour and shapes of Etruscan or Greek vases which were being excavated in Italy. In 1769, "vases was all the cry" in London; he opened a new factory called
Etruria Etruria () was a region of Central Italy, located in an area that covered part of what are now most of Tuscany, northern Lazio, and northern and western Umbria. Etruscan Etruria The ancient people of Etruria are identified as Etruscan civiliza ...
, north of Stoke. Wedgwood became what he wished to be: "Vase Maker General to the Universe". Around 1771, he started to experiment with Jasperware, but he did not advertise this new product for a couple of years. Sir George Strickland, 6th Baronet, was asked for advice on getting models from Rome.
Gilding Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was tradi ...
was to prove unpopular, and around 1772, Wedgwood reduced the amount of "offensive gilding" in response to suggestions from Sir William Hamilton. When English society found the uncompromisingly naked figure of the classics "too warm" for their taste, and the ardor of the Greek gods too readily apparent, Wedgwood was quick to cloak their pagan immodesty – gowns for the girls and fig leaves for the gods were usually sufficient. Just as he felt that his flowerpots would sell more if they were called "Duchess of Devonshire flowerpots", his creamware more if called Queensware, so he longed for Brown, James Wyatt, and the brothers Adam to lead the architect in the use of his chimneypieces and for George Stubbs to lead the way in the use of Wedgwood plaques. Wedgwood hoped to monopolise the aristocratic market and thus win for his wares a special social ''cachet'' that would filter to all classes of society. Wedgwood fully realised the value of such a lead and made the most of it by giving his pottery the name of its patron: Queensware, Royal Pattern, Russian pattern, Bedford, Oxford and Chetwynd vases for instance. Whether they owned the original or merely possessed a Wedgwood copy mattered little to Wedgwood's customers. In 1773 they published the first ''Ornamental Catalogue'', an illustrated catalogue of shapes. A plaque, in Wedgwood's blue pottery style, marking the site of his London showrooms between 1774 and 1795 in Wedgwood Mews, is located at 12, Greek Street, London, W1. In 1773, Empress
Catherine the Great , en, Catherine Alexeievna Romanova, link=yes , house = , father = Christian August, Prince of Anhalt-Zerbst , mother = Joanna Elisabeth of Holstein-Gottorp , birth_date = , birth_name = Princess Sophie of Anhal ...
ordered the (Green) Frog Service from Wedgwood, consisting of 952 pieces and over a thousand original paintings, for the Kekerekeksinen Palace (''palace on a frog swamp'' ), later known as Chesme Palace. Most of the painting was carried out in Wedgwood's decorating studio at Chelsea. Its display, Wedgwood thought, 'would bring an number of People of Fashion into our Rooms. For over a month the fashionable world thronged the rooms and blocked the streets with their carriages. (Catharine paid £2,700. It can still be seen in the Hermitage Museum.) Strictly uneconomical in themselves, these productions offered huge advertising value.


Later years

As a leading industrialist, Wedgwood was a major backer of the
Trent and Mersey Canal The Trent and Mersey Canal is a canal in Derbyshire, Staffordshire and Cheshire in north-central England. It is a "narrow canal" for the vast majority of its length, but at the extremities to the east of Burton upon Trent and north of Middle ...
dug between the River Trent and River Mersey, during which time he became friends with
Erasmus Darwin Erasmus Robert Darwin (12 December 173118 April 1802) was an English physician. One of the key thinkers of the Midlands Enlightenment, he was also a natural philosopher, physiologist, slave-trade abolitionist, inventor, and poet. His poems ...
. Later that decade, his burgeoning business caused him to move from the smaller Ivy Works to the newly built Etruria Works, which would run for 180 years. The factory was named after the
Etruria Etruria () was a region of Central Italy, located in an area that covered part of what are now most of Tuscany, northern Lazio, and northern and western Umbria. Etruscan Etruria The ancient people of Etruria are identified as Etruscan civiliza ...
district of Italy, where black porcelain dating to Etruscan times was being excavated. Wedgwood found this porcelain inspiring, and his first major commercial success was its duplication with what he called "Black Basalt". He combined experiments in his art and in the technique of mass production with an interest in improved roads, canals, schools, and living conditions. At Etruria, he even built a village for his workers. The motto, ''Sic fortis Etruria crevit,'' was inscribed over the main entrance to the works. Not long after the new works opened, continuing trouble with his smallpox-afflicted knee made necessary the
amputation Amputation is the removal of a limb by trauma, medical illness, or surgery. As a surgical measure, it is used to control pain or a disease process in the affected limb, such as malignancy or gangrene. In some cases, it is carried out on indi ...
of his right leg. In 1780, his long-time business partner Thomas Bentley died, and Wedgwood turned to Darwin for help in running the business. As a result of the close association that grew up between the Wedgwood and Darwin families, Josiah's eldest daughter would later marry Erasmus' son. To clinch his position as leader of the new fashion, he sought out the famous Barberini vase as the final test of his technical skill. Wedgwood's obsession was to duplicate the Portland Vase, a blue-and-white glass vase dating to the first century BC. He worked on the project for three years, eventually producing what he considered a satisfactory copy in 1789. In 1784, Wedgwood was exporting nearly 80% of his total produce. By 1790, he had sold his wares in every city in Europe. To give his customers a greater feeling of the rarity of his goods, he strictly limited the number of jaspers on display in his rooms at any given time.


Death

After passing on his company to his sons, Wedgwood died at home, probably of cancer of the jaw, in 1795. He was buried three days later in the parish church of Stoke-on-Trent. Seven years later a marble memorial tablet commissioned by his sons was installed there.


Legacy and influence

One of the wealthiest entrepreneurs of the 18th century, Wedgwood created goods to meet the demands of the consumer revolution and growth in prosperity that helped drive the Industrial Revolution in Britain. He is credited as a pioneer of modern marketing, specifically direct mail, money back guarantees, travelling salesmen, carrying pattern boxes for display, self-service, free delivery,
buy one get one free "Buy one, get one free" or "two for the price of one" is a common form of sales promotion. Economist Alex Tabarrok has argued that the success of this promotion lies in the fact that consumers value the first unit significantly more than the sec ...
, and illustrated catalogues. Wedgwood is also noted as an early adopter/founder of managerial accounting principles in Anthony Hopwood's "Archaeology of Accounting Systems." Historian Tristram Hunt called Wedgwood a "difficult, brilliant, creative entrepreneur whose personal drive and extraordinary gifts changed the way we work and live." He was a friend, and commercial rival, of the potter John Turner the elder; their works have sometimes been misattributed. For the further comfort of his foreign buyers he employed French-, German-, Italian- and Dutch-speaking clerks and answered their letters in their native tongue. Wedgwood belonged to the fifth generation of a family of potters whose traditional occupation continued through another five generations. Wedgwood's company is still a famous name in pottery today (as part of Waterford Wedgwood; see Waterford Crystal), and "Wedgwood China" is sometimes used as a term for his Jasperware, the coloured stoneware with applied relief decoration (usually white), still common throughout the world.


Abolitionism

Wedgwood was a prominent slavery abolitionist. His friendship with Thomas Clarkson – abolitionist campaigner and the first historian of the British abolition movement – aroused his interest in slavery. Wedgwood mass-produced cameos depicting the seal for the Society for Effecting the Abolition of the Slave Trade and had them widely distributed, which thereby became a popular and celebrated image. The Wedgwood anti-slavery medallion was the most famous image of a black person in all of 18th-century art. The actual design of the cameo was probably done by either William Hackwood or Henry Webber who were modellers in his
Stoke-on-Trent Stoke-on-Trent (often abbreviated to Stoke) is a city and Unitary authorities of England, unitary authority area in Staffordshire, England, with an area of . In 2019, the city had an estimated population of 256,375. It is the largest settlement ...
factory. From 1787 until his death in 1795, Wedgwood actively participated in the abolition-of-slavery cause. His ''Slave Medallion'' brought public attention to abolition. Wedgwood reproduced the design in a cameo with the black figure against a white background and donated hundreds to the society for distribution. Thomas Clarkson wrote: "ladies wore them in bracelets, and others had them fitted up in an ornamental manner as pins for their hair. At length the taste for wearing them became general, and thus fashion, which usually confines itself to worthless things, was seen for once in the honourable office of promoting the cause of justice, humanity and freedom". The design on the medallion became popular and was used elsewhere: large-scale copies were painted to hang on walls and it was used on clay tobacco pipes.


Inventions

He was elected to the Royal Society in 1783 for the development of a pyrometer, a device to measure the extremely high temperatures that are found in kilns during the firing of pottery. He was an active member of the Lunar Society of Birmingham often held at Erasmus Darwin House and is remembered on the Moonstones in Birmingham.


Other

* Erasmus Darwin House, Erasmus Darwin Museum house and gardens * A locomotive named "Josiah Wedgwood" ran on the Cheddleton Railway Centre in 1977. It returned in May 2016 following ten years away. * Commemorating the landing of the
First Fleet The First Fleet was a fleet of 11 ships that brought the first European and African settlers to Australia. It was made up of two Royal Navy vessels, three store ships and six convict transports. On 13 May 1787 the fleet under the command ...
at
Sydney Cove Sydney Cove (Eora: ) is a bay on the southern shore of Sydney Harbour, one of several harbours in Port Jackson, on the coast of Sydney, New South Wales. Sydney Cove is a focal point for community celebrations, due to its central Sydney locatio ...
in January 1788, Wedgwood made the Sydney Cove Medallion, using a sample of clay from the cove from Sir
Joseph Banks Sir Joseph Banks, 1st Baronet, (19 June 1820) was an English naturalist, botanist, and patron of the natural sciences. Banks made his name on the 1766 natural-history expedition to Newfoundland and Labrador. He took part in Captain James ...
, who had himself received it from Governor
Arthur Phillip Admiral Arthur Phillip (11 October 1738 – 31 August 1814) was a British Royal Navy officer who served as the first governor of the Colony of New South Wales. Phillip was educated at Greenwich Hospital School from June 1751 unti ...
. Wedgwood made the commemorative medallion showing an allegorical group described as, "Hope encouraging Art and Labour, under the influence of Peace, to pursue the employments necessary to give security and happiness to an infant settlement".; Robert J. King, "'Etruria': the Great Seal of New South Wales", Journal of the Numismatic Association of Australia, vol.5, October 1990, pp.3–8

; :File:Sydney Cove medallion 1789 Josiah Wedgwood a928587.jpg, photo of example


Notes


References

* Dolan, Brian (2004). ''Wedgwood: The First Tycoon''. Viking Adult. * McKendrick, Neil. "Josiah Wedgwood and the Commercialization of the Potteries", in: McKendrick, Neil; Brewer, John & Plumb, J.H. (1982), ''The Birth of a Consumer Society: The commercialization of Eighteenth-century England''


Further reading

* Hunt, Tristram. ''The Radical Potter: Josiah Wedgwood and the Transformation of Britain'' (2021) * Burton, Anthony. ''Josiah Wedgwood: A New Biography'' (2020) * Koehn, Nancy F. ''Brand New : How Entrepreneurs Earned Consumers' Trust from Wedgwood to Dell'' (2001) pp. 11–42. * Langton, John. "The ecological theory of bureaucracy: The case of Josiah Wedgwood and the British pottery industry." ''Administrative Science Quarterly'' (1984): 330–354. * McKendrick, Neil. "Josiah Wedgwood and Factory Discipline." ''Historical Journal'' 4.1 (1961): 30–55
online
* McKendrick, Neil. "Josiah Wedgwood and cost accounting in the Industrial Revolution." ''Economic History Review'' 23.1 (1970): 45–67
online
* McKendrick, Neil. "Josiah Wedgwood: an eighteenth-century entrepreneur in salesmanship and marketing techniques." ''Economic History Review'' 12.3 (1960): 408–433
online
* Meteyard, Eliza. ''Life and Works of Wedgwood'' (2 vol 1865
vol 1 online
als
vol 2 online
* Reilly, Robin, ''Josiah Wedgwood 1730–1795'' (1992), scholarly biography * Wedgwood, Julia, and Charles Harold Herford. ''The Personal Life of Josiah Wedgwood, the Potter'' (1915
online


External links


Wedgwood website
* Vaizey, Marina
"Science into Art, Art into Science"
''The Tretyakov Gallery Magazine'', No 2, 2016 (51) (good online summary)
Wedgwood collection
at th
Lady Lever Art GalleryWedgwood MuseumThe Great Crash
by Jenny Uglow, The Guardian, 7 February 2009
National Museum of Australia
The Sydney Cove Medallion (Flash required for close-up viewing).
The Story of Wedgwood

Josiah Wedgwood Correspondence (transcripts)
John Rylands Library, Manchester. {{DEFAULTSORT:Wedgwood, Josiah 1730 births 1795 deaths 18th-century English people Burials in Staffordshire Ceramics manufacturers of England Darwin–Wedgwood family English abolitionists English amputees English chief executives English company founders English potters English Unitarians Fellows of the Royal Society Creators of temperature scales Members of the Lunar Society of Birmingham Neoclassical artists People from Burslem People of the Industrial Revolution Staffordshire pottery Wedgwood pottery English inventors