Josef O'Connor

Josef O'Connor (born 20 January 1990) is a British-Irish artist and curator. His multi-disciplinary works include interactive media and digital content.Butter, Susanna

''London Evening Standard'', 2 November 2012. Retrieved 10 February 2019 He is the founder and artistic director of CIRCA.Holmes, Hele
“New, Optimistic Billboards by David Hockney Will Be On Display All Over the World”
'' Observer'', 29 April 2021. Retrieved 25 May 2021

Life and work

Josef O’Connor was born in 1990 in London, England and sold his first painting at the age of 13. He was educated at Cardinal Vaughan Memorial School and Tiffin Boys School “Is it worthless or is it art?”
BBC, 18 May 2009. Retrieved 10 February 2019 before dropping out at 18 and starting "Pollocks," a digital art platform designed for young creatives to share and discuss their work online.Harries, Rhianno
“Close-up: Josef O'Connor”
''The Independent'', 29 June 2008. Retrieved 10 February 2019Philby, Charlott

''The Independent'', 10 October 2009. Retrieved 10 February 2019

In 2007, O'Connor launched the digital art platform "Pollocks" in an attempt to challenge the traditional gallery model, by providing a virtual space for young creatives to upload and share their work online.Bubble, Susi

''Style Bubble'', 30 January 2008. Retrieved 10 February 2019

In 2008, starting with the re-appropriation of empty retail space on London's Carnaby Street, O’Connor invited members of the public to contribute to the evolution of "Blank Canvas". The performance ran for two weeks, with live musical performances from Laura Marling and Ladyhawke. Other notable contributors included Annie Lennox, Levi Palmer, Marc Quinn and photographer Rankin. Later in the year, O’Connor exhibited alongside Marlene Dumas as part of the Free Art Fair“The Free Art Fair 2009”
''The Free Art Fair'', 2009. Retrieved 10 February 2019 at The Barbican Centre in London.

Inspired by the Global Financial Crisis, O’Connor presented 'Worthless', a live art installation that parodied the iconic retail giant Woolworths, the public was encouraged to submit their 'worthless' item and have it transformed into a work of art.Hasel Friederike, Veren
“Umsonst und drinnen”
''Der Spiegel'', 2009. Retrieved 10 February 2019 Once transformed, participants were invited to buy back the works, for the sum of money that they believed it was worth.Brown, Hele
“Worthless junk or priceless art?”
''The Guardian'', 28 May 2009. Retrieved 10 February 2019Carter, Imoge
“Who says it's worthless?”
''The Guardian'', 24 May 2009. Retrieved 10 February 2019

To celebrate the Chinese New Year of the Tiger, O’Connor was commissioned to curate a series of art installations across the UK.“Dazed and Tiger are gearing up for their Chinese New Year's event in London's Chinatown, which is part of Tiger's Lucky 8 programme.”
'' Dazed and Confused Magazine'', 5 February 2010. Retrieved 10 February 2019 Developing a concept in response to the elements of the Chinese Zodiac, O'Connor brought together a program that involved site-specific sculpture, performance and musical collaborations with William Orbit and Joe Rush. The project launched with O’Connor commissioning Creatmosphere to light up Brighton's iconic West Pier with 3D mapping and laser technology.“Brighton’s West Pier lit up by lasers”
''Creative Review'', 12 February 2010. Retrieved 10 February 2019 The structure was illuminated by computer-controlled laser drawings to make it appear and disappear on the horizon. The image of the illuminated pier featured on the cover of the Evening Standard and Brighton and Hove Official Calendar, 2010.“Brighton's West Pier lit up by green lasers”
'' The Argus'', 10 February 2010. Retrieved 10 February 2019

In response to the 2010 General Election, O’Connor launched ‘Billbored’- a non-partisan viral art initiative that allowed the general public, artists and designers to submit a digital billboard artwork featuring their personal political slogans and manifestos for change.Alderwick, Willia
“Billbored”
''Don't Panic Online'', 4 May 2010. Retrieved 10 February 2019 Designs were projected in a guerilla campaign onto famous London landmarks, including Big Ben, Tate Modern, St Paul's Cathedral and The Bank of England.“Billbored: Make your own slogan”
'' Creative Review'', 6 May 2010. Retrieved 10 February 2019

To commemorate Summer Solstice in 2010, O’Connor created a large-scale aerial sculpture that was architecturally constructed from over 5,000 helium balloons that were each illuminated by flashing L.E.D lights.“Diesel, Josef O’Connor and Gary Fairfull come together to bring about a modern day Stonehenge”
'' Dazed and Confused Magazine'', 18 June 2010. Retrieved 10 February 2019“Urban pagans mark solstice with marriage of city, country and me”
''The Times'', 21 June 2010. Retrieved 10 February 2019

In 2012, O'Connor entered into the Gagosian Gallery's 'Spot Challenge'.“Above average chance of you owning a Hirst”
''London Evening Standard'', 2 February 2012. Retrieved 10 February 2019 Utilizing social media with the #AVERAGEJOE hashtag, he crowdfunded £10,000 in a week to fund a trip around the world and making a global community of 286 shareholders the unlikely winners of a Damien Hirst Spot Print.“Not So Average”
''Vogue'', 2 February 2012. Retrieved 10 February 2019 Mirroring a period of extreme disadvantage and political upheaval, O’Connor's multidisciplinary artwork is currently being made into a film.“#AVERAGEJOE BY Josef O'Connor”
''Purple Magazine'', 2 February 2012. Retrieved 10 February 2019“Average Joe Vs Damien Hirst”
''Dazed and Confused Magazine'', 1 February 2012. Retrieved 10 February 2019

CIRCA

In October 2020,
''The New York Times'', 29 April 2021. Retrieved 25 May 2021 expanding on themes of connectivity and possibility consistent within his practice, O'Connor launched CIRCA,“New public art project in London will show works by Ai Weiwei and Eddie Peake on Europe's largest billboard”
''The Art Newspaper'', 24 September 2020. Retrieved 25 May 2021 a platform dedicated to showcasing digital art in the public sphere on London's Piccadilly Lights screen.

Every evening at 20:20 GMT, the adverts on Europe's largest billboard were paused for two minutes to take a non-commercial break devoted to art. ''By pausing commercial adverts, we’re essentially pausing capitalism and using that time to present new and meaningful ideas to help guide us all forward. The combined screen time on the Piccadilly Lights is worth more than £1m, so it needs to be used wisely. From Ai Weiwei amplifying his activist message to Tony Cokes displaying Elijah McClain’s last words ‘I can’t breathe’, we’ve set out as a platform to create space for two paradigms to coexist and work together to achieve something meaningful.''“How Josef O’Connor and David Hockney are lighting up the world”
''Soho House'', 20 May 2021. Retrieved 25 May 2021

After initially approaching the site owners, Landsec, via Twitter to propose a one-off project, O'Connor established the digital art platform as a daily incarnation on the iconic billboard screen. The first artist commissioned by Circa to present work on the screen was Ai Weiwei. ''Circa offers a very important platform for artists to exercise their practice and to reach out to a greater public''. The Chinese artist created a 60-minute film that played in 2-minute instalments throughout the month. On 31 October 2020, a world record was set when O'Connor arranged for Ai Weiwei's 70-minute film to be shown on the screen.“Halloween with Ai Weiwei: artist's new film screens in Piccadilly Circus and online tonight”
''The Art Newspaper'', 31 October 2020. Retrieved 25 May 2021

In May 2021, O'Connor commissioned British artist David Hockney to create a digital artwork titled “Remember you cannot look at the sun or death for very long,” The work was shown on a global network of outdoor screens in London's Piccadilly Circus, Times Square in New York and Pendry West Hollywood in LA, Coex K-Pop Square (the largest LED screen in Korea), and Yunika Vision in Tokyo, Japan.“Hockney and the art of making a splash”
''The Financial Times'', 21 May 2020. Retrieved 25 May 2021

Recognition

In 2012, O’Connor was selected as one of the Top 25 inspiring talents from London's 1000 most influential people list, in association with Burberry and the Evening Standard. “London's 1000 most influential people 2012: Generation Next, Rising Stars Under 25”
''London Evening Standard'', 9 November 2012. Retrieved 10 February 2019

In 2013, O’Connor was publicly voted into ''The Guardian''s 100 most influential and innovative people working across arts, culture and the creative industries in the UK, alongside artists Jeremy Deller and Mike Nelson.“The Hospital Club 100 list 2013”
''The Guardian'', 19 November 2013. Retrieved 10 February 2019

Notes and references

External links

* – official site
* – official site

{{DEFAULTSORT:OConnor, Josef
1990 births
Living people
English contemporary artists
Artists from London