Jonty Harrison
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Jonty Harrison is an
electroacoustic music Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instrumen ...
composer born 27 April 1952 in
Scunthorpe Scunthorpe () is an industrial town and unparished area in the unitary authority of North Lincolnshire in Lincolnshire, England of which it is the main administrative centre. Scunthorpe had an estimated total population of 82,334 in 2016. A pre ...
, and currently living in
Birmingham Birmingham ( ) is a city and metropolitan borough in the metropolitan county of West Midlands in England. It is the second-largest city in the United Kingdom with a population of 1.145 million in the city proper, 2.92 million in the West ...
, England.


Career

Jonty Harrison studied with
Bernard Rands Bernard Rands (born 2 March 1934 in Sheffield, England) is a British-American contemporary classical music composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Mader ...
at the
University of York , mottoeng = On the threshold of wisdom , established = , type = Public research university , endowment = £8.0 million , budget = £403.6 million , chancellor = Heather Melville , vice_chancellor = Charlie Jeffery , students ...
, graduating with a DPhil in Composition in 1980. Between 1976 and 1980 he lived in London, working at the National Theatre (where he produced the tape components for many productions, including ''Tamburlaine the Great'', ''Julius Caesar'', ''Brand'' and ''Amadeus'') and City University. In 1980 he joined the music department of the
University of Birmingham , mottoeng = Through efforts to heights , established = 1825 – Birmingham School of Medicine and Surgery1836 – Birmingham Royal School of Medicine and Surgery1843 – Queen's College1875 – Mason Science College1898 – Mason Univers ...
, where he was Professor of Electroacoustic Composition, as well as Director of BEAST (Birmingham ElectroAcoustic Sound Theatre) and the Electroacoustic Music Studios; for ten years he was Artistic Director of the department's annual Barber Festival of Contemporary Music. He has played an active role in musical life, making conducting appearances with the
Birmingham Contemporary Music Group Birmingham Contemporary Music Group (BCMG) is a British chamber ensemble based in Birmingham, England specialising in the performance of new and contemporary music. BCMG performs regularly at the CBSO Centre and Symphony Hall in Birmingham, tour ...
(most notably conducting
Stockhausen Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groun ...
's ''Momente'' in Birmingham, Huddersfield and London), the University New Music Ensemble and the University Orchestra (most recently in
Stravinsky Igor Fyodorovich Stravinsky (6 April 1971) was a Russian composer, pianist and conductor, later of French (from 1934) and American (from 1945) citizenship. He is widely considered one of the most important and influential 20th-century clas ...
's and Vic Hoyland's ''Vixen''). He was a board member of
Sonic Arts Network Sonic Arts Network was a UK-based organisation, established in 1979, that aimed to enable both audiences and practitioners to engage with the art of sound through a programme of festivals, events, commissions and education projects. Its honorary ...
(SAN) for many years (and Chair between 1993 and 1996). He has also been on the Council and Executive Committee of the
Society for the Promotion of New Music The Society for the Promotion of New Music (SPNM), originally named The Committee for the Promotion of New Music, was founded in January 1943 in London by the émigré composer Francis Chagrin, to promote the creation and performance of new music in ...
and was a member of the Music Advisory Panel of the
Arts Council of Great Britain The Arts Council of Great Britain was a non-departmental public body dedicated to the promotion of the fine arts in Great Britain. It was divided in 1994 to form the Arts Council of England (now Arts Council England), the Scottish Arts Council (l ...
. As a composer he has received several prizes and mentions in the Bourges International Electroacoustic Music Awards (including a Euphonie d'or for ''Klang'' in 1992 cited as “one of the most significant works” in the Bourges competition's history), two Distinctions and two Mentions in the Prix Ars Electronica (Linz, Austria), First Prize in the Musica Nova competition (Prague), a Lloyds Bank National Composers' Award, a PRS Prize for Electroacoustic Composition, an Arts Council Composition Bursary and research grants from the Leverhulme Trust and from the Arts and Humanities Research Board. Commissions have come from many leading performers and studios, including two each from the
Groupe de recherches musicales A group is a military unit or a military formation that is most often associated with military aviation. Air and aviation groups The terms group and wing differ significantly from one country to another, as well as between different branches ...
(Ina-GRM, Paris) and the Institut international de musique électroacoustique de Bourges ( IMEB – formerly the Groupe de musique expérimentale de Bourges), the International Computer Music Association ( ICMA),
MAFILM Mafilm was established in 1948. It has been the largest and most significant film studio in Hungary and a strategic base for the Hungarian film industry. Mafilm's history has lived days of glory, just as it has survived severe deaths. The roots ...
/Magyar Rádió (Budapest),
IRCAM IRCAM (French: ''Ircam, '', English: Institute for Research and Coordination in Acoustics/Music) is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is ...
/
Ensemble intercontemporain The Ensemble intercontemporain (EIC) is a French music ensemble, based in Paris, that is dedicated to contemporary music. Pierre Boulez founded the EIC in 1976 for this purpose, the first permanent organization of its type in the world. Organi ...
(Paris), the
BBC #REDIRECT BBC #REDIRECT BBC Here i going to introduce about the best teacher of my life b BALAJI sir. He is the precious gift that I got befor 2yrs . How has helped and thought all the concept and made my success in the 10th board exam. ...
...
, Birmingham City Council, the
Birmingham Contemporary Music Group Birmingham Contemporary Music Group (BCMG) is a British chamber ensemble based in Birmingham, England specialising in the performance of new and contemporary music. BCMG performs regularly at the CBSO Centre and Symphony Hall in Birmingham, tour ...
, the Fine Arts Brass Ensemble, the
Nash Ensemble The Nash Ensemble of London is an England, English chamber ensemble. It was founded by Artistic Director Amelia Freedman and Rodney Slatford in 1964, while they were students at the Royal Academy of Music, and was named after the Regent's Park, N ...
, Singcircle,
John Harle John Harle (born 20 September 1956) is an English saxophonist, composer, educator and record producer. He is an Ivor Novello Award winner and has been the recipient of two Royal Television Society awards. Biography Harle was born in Newcastl ...
, Beverly Davison,
Harry Sparnaay Harry Sparnaay (14 April 1944, Amsterdam – 12 December 2017, Lloret de Mar, Girona, Spain) was a noted Dutch bass clarinetist, composer, and teacher. Biography Harry Sparnaay studied at the Conservatory of Amsterdam with Ru Otto. After gradua ...
, and Jos Zwaanenburg. Despite renouncing instrumental composition in 1992, he wrote ''Abstracts'', a work for 8-channel tape and large orchestra, in 1998. His 60-minute multi-channel piece Going/Places was premiered at the Huddersfield Festival in November 2015. His music is performed and broadcast worldwide, and several works are available on empreintes DIGITALes, SAN/NMC, Cultures électroniques/Mnémosyne Musique Média, and CDCM/Centaur.


Works

* ''Postcards Home'' (2017) * ''Going/Places'' (2015) * ''Afterthoughts'' (2007) * ''Undertow'' (2007) * ''Free Fall'' (2006) * ''Internal Combustion'' (2005–06) * ''Rock 'n' Roll'' (2004) * ''Streams'' (1999) * ''Splintering'' (1997) * ''Surface Tension'' (1996) * ''Unsound Objects'' (1995) * ''Sorties'' (1995) * ''Hot Air'' (1995) * ''…...et ainsi de suite…...'' (1992) * ''Aria'' (1988) * ''Klang'' (1982) * ''EQ'' (1980), soprano saxophone, and tape * ''Pair / Impair'' (1978)


Recordings

* ''Voyages'' (empreintes DIGITALes, IMED 07, 2016) * ''Environs'' (empreintes DIGITALes, IMED 0788, 2007) * ''Etc'' with
Horacio Vaggione Horacio Vaggione (born 21 January 1943) is an Argentinian composer of electroacoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers (mixed ...
,
Trevor Wishart Trevor Wishart (born 11 October 1946) is an English composer, based in York. Wishart has contributed to composing with digital audio media, both fixed and interactive. He has also written extensively on the topic of what he terms " sonic art", a ...
( EMF, EMF 053, 2004) * ''Évidence matérielle'' (empreintes DIGITALes, IMED 2052, 2000) * ''Articles indéfinis'' (empreintes DIGITALes, IMED 9627, 1996)


References

*''empreintes'' DIGITAL''es''. "Jonty Harrison Artist Biography." http://www.electrocd.com/en/bio/harrison_jo (with permission) *Kennedy, Michael. ''The Oxford Dictionary of Music''. 2006. 985 pages, *Montague, Stephen. "Harrison, Jonty ouglas Jonathan Taylor" ''The New Grove Dictionary of Music and Musicians'', second edition. Edited by
Stanley Sadie Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was publ ...
and John Tyrrell. London: Macmillan Publishers, 2001.


Further reading

*Harrison, Jonty. â
[TES 2011 Keynote] The Final Frontier?: Spatial strategies in acousmatic composition and performance
" ''eContact! 14.4 – TES 2011: Toronto Electroacoustic Symposium / Symposium électroacoustique de Toronto'' (March 2013). Montréal: CEC. *Palmer, John.
In Conversation with Jonty Harrison
" ''eContact! 10.2 – Interviews (1)'' (July 2008). Montréal: CEC.


External links


Official webpageStaff profile
on the website of the University of Birmingham's Music Department
BEAST
– Birmingham ElectroAcoustic Sound Theatre {{DEFAULTSORT:Harrison, Jonty Living people Electroacoustic music composers British composers 1952 births Alumni of the University of York