John Gurney (bass-baritone)

John R. Gurney (June 13, 1902 — August 6, 1997) was an American bass-baritone who had an active career as an opera, concert, vaudeville, and musical theatre performer from the 1920s through the 1940s. He was a principal artist at the Metropolitan Opera from 1936 through 1945 where he performed a total of 331 times. On the international stage he performed in operas at the Teatro Colón in Buenos Aires and the Theatro Municipal in Rio de Janeiro. He is best remembered for creating roles in the world premieres of Walter Damrosch's ''The Man Without a Country'' (1937, Colonel Morgan) and Douglas Moore's ''The Devil and Daniel Webster'' (1939, Jabez Stone). He recorded the role of Don Basilio in Rossini's ''The Barber of Seville'' which was release by RCA Camden in 1957. Gurney's son is racecar driver Dan Gurney.

Education and performance career

Born in Jamestown, New York, Gurney was the son of F. W. Gurney; the founder and industrialist of the Gurney Elevator Company. He graduated from Oberlin College’s Conservatory of Music in 1924 and then earned an M.A. from the Harvard Business School before pursuing music studies in Paris with Jean Mauran in the 1920s. At Oberlin he performed in the Oberlin College Quartet, and at Harvard University he was a member of the Harvard Glee Club (HGC). He was mentored by the HGC's director, Archibald Thompson Davison, who encouraged him to pursue a career in opera.

Gurney first performed in the United States with the touring American Opera Company in productions of Puccini's ''Madama Butterfly'' and Gounod's ''Faust'' in 1928. In 1930 he starred in the musical revue ''Aladdin'' and Gilbert and Sullivan's ''H.M.S. Pinafore'' at the Roxy Theatre. He made his Broadway debut as a member of the ensemble in the '' Ziegfeld Follies of 1931''. That same year he became a member of the National Music League. In 1932 he toured in vaudeville in concerts with pianist Mike Bernard, and also toured the United States in the Roxy Theatre's "Roxy Gang".

Gurney made his debut at the Metropolitan Opera (Met) in New York City on May 13, 1936, as Sparafucile in Verdi's ''Rigoletto'' with Carlo Morelli in the title role and Gennaro Papi conducting. At the Met he portrayed the roles of Pietro and Giotto in the United States premiere of Richard Hageman's ''Caponsacchi'' on February 4, 1937; and in 1937 he created the role of Colonel Morgan in the world premiere of Damrosch's ''The Man Without a Country''. Other roles he performed on the Met stage included Abimélech in Saint-Saëns's ''Samson and Delilah'' (1936, 1937), Ahmad in Henri Rabaud's '' Mârouf'' (1937), Antonio and Jarno in Thomas's ''Mignon'' (1938—1945), Cappadocian in Strauss's ''Salome'' (1938), Ferrando in Verdi's ''Il trovatore'' (1937—1943), King Heinrich in Wagner's ''Lohengrin'' (1938), Nikitich in Mussorgsky's ''Boris Godunov'' (1939), Pinellino in Puccini's ''Gianni Schicchi'' (1938), the Ragpicker in Charpentier's ''Louise'', Ramfis in Verdi's ''Aida'' (1936—1945), Schwarz in Wagner's ''Die Meistersinger von Nürnberg'' (1937—1945), and Tobias in Smetana's ''The Bartered Bride'' (1936–1942).

In 1939 Gurney created the Faust-like role of Jabez Stone in the world premiere of Moore's ''The Devil and Daniel Webster'' at Broadway's Martin Beck Theatre on May 18, 1939. Directed by John Houseman and conducted by Fritz Reiner, it was the first opera presented by the American Lyric Theatre. In 1940 he was the soloist in Bach's Mass in B minor with the Oratorio Society of New York and conductor Albert Stoessel at Carnegie Hall. In 1942 he was committed to the Teatro Colón in Argentina and the Theatro Municipal in Rio de Janeiro performing many of the roles he sang at the Met. In 1944 he performed the title role in Mendelssohn's ''Elijah'' at The Town Hall.

Gurney portrayed Captain Dick Warrington in Herbert's '' Naughty Marietta'' at the Grand Rapids Municipal Opera in 1944 with Marita Farell portraying the title role. That same year he performed the role of the Sheriff of Nottingham in De Koven's ''Robin Hood'' with the Civic Light Opera Association of Detroit. He starred in Herbert's '' The Fortune Teller'' and Rudolf Friml's ''The Three Musketeers'' with Patricia Bowman at The Municipal Opera Association of St. Louis in the summer of 1945. That same year Gurney performed the title role in Verdi's ''Rigoletto'' with the Charles Wagner Opera Company which began its national tour in November 1945 at the Birmingham Municipal Auditorium.

In 1946 Gurney toured with Fortune Gallo's San Carlo Opera Company; performing in ''Rigoletto'', ''Aida'', ''La bohème'', and ''Faust''. He portrayed Devilshoof in Balfe's ''The Bohemian Girl'' in 1946 and the De Koven's Sheriff of Nottingham in 1947 with the Memphis Open Air Theatre.

Later life and death

Gurney retired from the stage in 1947 and then moved to California where he resided first in Riverside and then Corona del Mar, Newport Beach. In 1961 he came out of retirement briefly to portray Pimen in ''Boris Godunov'' with the Phoenix Grand Opera. In the latter part of his life he worked as a furniture designer and builder, and as a portrait artist. He was married to Roma Gurney (née Sexton), with whom he had two children. They are the parents of Dan Gurney, the famous racing driver and builder of race cars. On several occasions Gurney sang "The Star-Spangled Banner" for the opening of major racing events in his son's career.

Gurney died at the age of 95 on August 6, 1997, in Newport Beach, California.

References

External links

John Gurney at IBDB

{{DEFAULTSORT:Gurney, John
1902 births
1997 deaths
American opera singers
Harvard Business School alumni
Oberlin College alumni
Operatic bass-baritones
People from Jamestown, New York