Jingwan (; died 639) was a Buddhist monk who flourished in the 7th century, based at
Yunju Temple
Yunju Temple () is a Buddhist temple located in Fangshan District, southwest of Beijing and contains the world's largest collection of stone Buddhist sutra steles in the world. Yunju Temple also contains one of only two extant woodblocks for ...
,
Fangshan,
China. Inspired by apocalyptic stories of the decline of Buddhism, in about 609 CE he conceived a project to carve Buddhist sutras onto stone tablets or steles to preserve them. The project began ca. 611 with major donations from the empress and her brother
Xiao Yu
Xiao Yu (575 – 19 July 648), courtesy name Shiwen, posthumously known as Duke Zhenbian of Song, was an imperial prince of the Western Liang dynasty who later became an official under the Sui and Tang dynasties. He served as a chancellor dur ...
in 611 CE. Other donations soon followed and Leiyin Cave was completed ca 616 CE. Once begun, the project was to continue, off and on, for 1000 years and produced the most extensive collection of sutra engravings in China.
Jingwan lived in a tumultuous period of Chinese history. He lived through the persecution of Buddhism during the Northern Zhou dynasty. The
Sui dynasty finally reunited China as one empire after almost two centuries of division, but then rapidly seemed to lose control. A series of failed military campaigns against Korea, by
Emperor Yang led to widespread rebellion and the eventual assassination of the Sui Emperor in 618. The
Tang dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdom ...
quickly replaced the Sui, but it took some years to impose order on the empire, and thus for much of Jingwan's career there was social and political turmoil, which seems to have fuelled his apocalyptic tendencies.
Jingwan left notes on his progress and in them also a moving account of his belief that the world was falling into a dark period in which Buddhism would disappear completely.
Like Christian
millennialists,
Buddhist eschatology
Buddhist eschatology, like many facets of modern Buddhist practice and belief, came into existence during its development in China, and, through the blending of Buddhist cosmological understanding and Daoist eschatological views, created a comp ...
had long predicted the end of the world, although in Buddhist terms this was a cyclic phenomena, occurring in
three ages
''Three Ages'' is a 1923 black-and-white American feature-length silent comedy film starring comedian Buster Keaton and Wallace Beery. The first feature Keaton wrote, directed, produced, and starred in (unlike ''The Saphead'', in which he only ...
. Jingwan had used scriptural references to determine that he was living in the age of the End of the Dharma (末法 Mòfǎ), in which the Buddha's teachings would completely disappear. Indeed, he estimated that the dark age had begun in 553. Unlike Christian eschatology, after a long period of no Buddhism, the Dharma would be re-established by the next Buddha
Maitreya.
The 17th century travelogue ''Dìjīng jǐngwù è'' (帝京景物略) by
Liu Tong
Liu Tong (, c. 1593–1637) was a Chinese politician and writer from Macheng in Huanggang. He was a figure in the Ming Dynasty's Jingling school () of Chinese prose literature in contrast to the Gongan school () and the well known Yuan Hongdao ...
links Jìngwǎn to the Tiantai monk and noted prophet of the decline of Buddhism,
Huìsī; however, there are no surviving earlier references to this association.
Stone sutras
Phase One
Jingwan's initial effort was create the Leiyin or Thunder Sound Cave and line the walls with Buddhist sutras, primarily the ''Saddharmapuṇḍarikā-sūtra'', the ''Vimalakīrti-nirdeśa'', and the ''Prajñāpāramitā-vajracchedikā'', along with extracts from a variety of other texts. The cave was probably developed from a natural opening in the cliff face in a ridge now called Shijingshan or Stone Sutra Mountain, one of a complex of peaks in the Fangshan complex. In all 19 texts, engraved on 147 stone slabs were set into the walls of the cave in two or three registers.
Leiyin cave seems to have intended to be an open shrine where people could come in and read (and likely worship) the sutras.
Phase Two
Having completed the Leiyin Cave, Jingwan began to expand, eventually creating a total of nine caves. However, in these subsequent caves the stone slabs were not installed on the walls, but densely stacked. Once a cave was full, it was sealed with a heavy stone door. Jingwan had expressed his wish that the collections not be disturbed unnecessarily.
Lothar Ledderose has characterised this change as "changing the audience" and has suggested that it was a gradual transition. In phase one, the sutras in Leiyin Cave were meant to be read by living people. With the subsequent caves the audience was imagined to be people in the future.
[Ledderose 2004: 390 ff.]
Notes
Bibliography
* Ledderose, Lothar (2004). 'Changing the Audience' in ''Religion and Chinese Society (Vol. 1). A Centennial Conference of the École franşaise d'Extrême-Orient.'' John Lagerwey Ed., p385-409
* Lee, Sonya S. (2010) 'Transmitting Buddhism to a Future Age: The Leiyin Cave at Fangshan and Cave-Temples with Stone Scriptures in Sixth-Century China.' ''Archives of Asian Art''. Vol. 60 (2010), pp. 43–78.
* Yong You & Yongyou Shi (2010) ''The Diamond Sutra in Chinese Culture''. Buddha's Light Publishing.
{{Authority control
Year of birth missing
639 deaths
Northern Zhou Buddhist monks
Sui dynasty Buddhist monks
Tang dynasty Buddhist monks