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Jhinjhoti is a Hindustani classical raga from the
Khamaj Thaat Khamaj () is one of the ten thaats (parent scales) of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. The Khamaj thaat can be obtained by replacing the Shuddha Nishad of Bilaval by Komal Nishad. Th ...
. This is a light and playful raga.


Theory

Aarohana Arohana, Arohanam or Aroha, in the context of Indian classical music, is the ascending scale of notes in a raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The pitch increases as we ...
Avaroha An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitch ...
Pakad In Hindustani music, a ''pakad'' (Hindi: पकड़) is a generally accepted musical phrase (or set of phrases) thought to encapsulate the essence of a particular raga. The pakad contains the melodic theme of the raga, on listening to the paka ...
/ Chalan Vadi Ga
Samavadi The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A '' ...
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Raga description

This is a light and playful Raga, apt for instrumental music. In this Raga mostly light mood Bandishs are rendered.


Songs in this Raga

A famous rendition of this raga is
Abdul Karim Khan Ustad Abdul Karim Khan (Devanagari: उस्ताद अब्दुल करीम ख़ान, Persian: ) (11 November 1872 – 27 October 1937)Thumri Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dra ...
"Piya Bin Nahi Aavat Chain" which
Bhimsen Joshi Pandit Bhimsen Gururaj Joshi BR (; ; 4 February 1922 – 24 January 2011), also known by the honorific prefix Pandit, was one of the greatest Indian vocalists from Karnataka, in the Hindustani classical tradition. He is known for the '' khaya ...
had heard as a child and which left a lasting impression on him. ''Gulon mein rang bhare,'' a ghazal by
Faiz Ahmad Faiz Faiz Ahmad ''Faiz'' (13 February 1911 – 20 November 1984; Urdu, Punjabi: فیض احمد فیض) was a Pakistani poet, and author of Urdu and Punjabi literature. Faiz was one of the most celebrated Pakistani Urdu writers of his time. Out ...
, sung by
Mehdi Hassan Mehdi Hassan Khan ( ur, مہدی حسن خاں , translit=) 18 July 1927 – 13 June 2012) was a Pakistani ghazal singer and playback singer for Lollywood. Widely considered one of the greatest and most influential figures in the history of gh ...
, is set to Jhinjhoti.


References

{{Reflist Hindustani ragas