''Jewels of Thought'' is an album by the American jazz saxophonist
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", San ...
. It was recorded at Plaza Sound Studios in
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
on October 20, 1969, and was released on
Impulse! Records
Impulse! Records (occasionally styled as "¡mpulse! Records" and "¡!") is an American jazz record company and label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positi ...
in the same year. The 1998 reissue merged "Sun In Aquarius" into one 27-minute-long track.
Reception
In a review for
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
, Thom Jurek wrote: "''Jewels of Thought'' sees Sanders moving out from his signature tenor for the first time and delving deeply into reed flutes and bass clarinet. The plethora of percussion instruments utilized by everyone is, as expected, part of the mix..." Regarding "Sun in Aquarius", Jurek commented: "It's more like a finished exorcism... but it is one of the most astonishing pieces by Sanders ever."
Regarding "Hum-Allah-Hum-Allah-Hum-Allah", Daniel Martin-McCormick, in a review for
Pitchfork
A pitchfork (also a hay fork) is an agricultural tool with a long handle and two to five tines used to lift and pitch or throw loose material, such as hay, straw, manure, or leaves.
The term is also applied colloquially, but inaccurately, to th ...
, commented: "By allowing soulful prettiness alongside more vicious passages, Sanders opens the album up, connecting the dots between joyful communion and unflinching catharsis. A squalling solo toward the end of the side sounds like a cry from the deepest, most tortured part of his soul, but it's supported by an unerringly mellow piano accompaniment... It's a moment of deep vulnerability in a genre can often devolve into macho blowing contests." Martin-McCormick stated that "Sun in Aquarius" "yawns out like a terrifying chasm before letting Lonnie Liston Smith's piano boil over for the better part of five minutes. Sanders is in devastating form, screaming through his tenor. Even after a mid-side comedown and a breathtaking bass duet from Cecil McBee and Richard Davis, he leaps back in undeterred, firing out one of his heaviest solos like a machine gun."
A review at Soundohm states: "The compositional minimalism of ''Jewels of Thought'' is a major thread through Sanders albums of this period, setting up a sparse canvas for colorful tenor saxophone meditations. In one instance Sanders' playing may be soft, beckoning and glad, while elsewhere his saxophone becomes a crazed, outraged beast unleashing its fury on the world. Regardless of which way these compositions lead, listeners are made to feel more like sonic travelers than mere consumers."
Writing for Treblezine, Jeff Terich remarked: "''Jewels of Thought''... heightens the juxtaposition of Sanders' more mellifluous compositions against his most radical. Its first side, 'Hum-Allah-Hum-Allah-Hum-Allah,' begins with a plea for peace and a vocal delivery from Leon Thomas that's nearly as far-out as Sanders' saxophone is on its flipside. Yet ultimately this composition—a soulful call for understanding and love—is among Sanders' most hypnotic grooves, a breathtaking 15 minutes driven largely by Lonnie Liston Smith's stunning piano. The two-part 'Sun In Aquarius,' by comparison, is a furious exploration of dissonance and abrasion. Its first movement is darkly atmospheric, driven by Smith's menacing stabs of piano, a far cry from his glorious chords from 'Hum-Allah.' Yet the second half undergoes a thrilling transformation from free-jazz screech back to soul-jazz transcendence and eventually some strange hybrid of the two. It's not Sanders' most immediate composition, though as one of his most challenging it warrants revisiting and reexamining."
In a review for
Aquarium Drunkard
''Aquarium Drunkard'' is an online music magazine launched in 2005 by Justin Gage, and based in Los Angeles, California. The name "Aquarium Drunkard" is a play on a lyric by the band Wilco. The website was originally created by Gage to share mu ...
, M. Garner wrote: "Smith's playing is bright, easy, lyrical, and, perhaps most importantly given the level of questing going on around it, familiar. On... 'Hum-Allah-Hum-Allah-Hum-Allah,' he gives Sanders a spruced-up base from which to launch, but Sanders seems just as happy to follow his pianist. The two play around one another cheerfully, each occasionally departing to take a solo trip through the sky before returning to the ground. Around them, the song develops with the same natural grace. Even as Sanders trills and Roy Haynes and Idris Muhammad count out counter-rhythms, a feeling of mutual wonder permeates the playing."
Track listing
#"Hum-Allah-Hum-Allah-Hum-Allah" (P. Sanders, L. Smith, Jr., Amosis Leontopolis Thomas) – 15:04
#"Sun In Aquarius (Part I)" (P. Sanders, L. Smith, Jr.) – 8:22
#"Sun In Aquarius (Part II)" (P. Sanders, L. Smith, Jr.) - 19:56
Personnel
*
Pharoah Sanders
Pharoah Sanders (born Ferrell Lee Sanders; October 13, 1940 – September 24, 2022) was an American jazz saxophonist. Known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound", San ...
– tenor saxophone,
contrabass clarinet
The contrabass clarinet (also pedal clarinet, after the pedals of pipe organs) and contra-alto clarinet are the two largest members of the clarinet family that are in common usage. Modern contrabass clarinets are transposing instruments pitched ...
, reed flute,
kalimba
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and pl ...
, orchestra chimes, percussion
*
Leon Thomas
Amos Leon Thomas Jr. (October 4, 1937 – May 8, 1999), known professionally as Leon Thomas, was an American jazz and blues vocalist, born in East St. Louis, Illinois, and known for his bellowing glottal-stop style of free jazz singing in the l ...
– vocals, percussion
*
Lonnie Liston Smith
Lonnie Liston Smith Jr. (born December 28, 1940) is an American jazz, soul, and funk musician who played with such jazz artists as Pharoah Sanders and Miles Davis before forming Lonnie Liston Smith and the Cosmic Echoes, recording a number of ...
– piano, African flute,
kalimba
Mbira ( ) are a family of musical instruments, traditional to the Shona people of Zimbabwe. They consist of a wooden board (often fitted with a resonator) with attached staggered metal tines, played by holding the instrument in the hands and pl ...
, percussion
*
Cecil McBee
Cecil McBee (born May 19, 1935) is an American jazz bassist. He has recorded as a leader only a handful of times since the 1970s, but has contributed as a sideman to a number of jazz albums.
Biography Early life and career
McBee was born in Tu ...
– bass, percussion
*
Richard Davis – bass, percussion (on #2-3 only)
*
Idris Muhammad
Idris Muhammad ( ar, إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such a ...
– drums, percussion
*
Roy Haynes
Roy Owen Haynes (born March 13, 1925) is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jazz ...
– drums (on #1 only)
References
{{Authority control
Pharoah Sanders albums
1969 albums
Impulse! Records albums