Jerónimo Cosida
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Jerónimo Vicente Vallejo Cósida (1510 – 5 April 1592) was a Spanish
Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass id ...
painter, sculptor, goldsmith and architect.


Overview

Born in a noble family, Cósida specialized in mural paintings and
altarpiece An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting ...
s (of which he came to decorate over twenty five, although most are now lost). He was active in the province of
Zaragoza Zaragoza, also known in English as Saragossa,''Encyclopædia Britannica'"Zaragoza (conventional Saragossa)" is the capital city of the Zaragoza Province and of the autonomous community of Aragon, Spain. It lies by the Ebro river and its tribut ...
, and performed meticulous work, especially in the treatment of the feminine figure, and had great capacity for work dedicating nearly sixty years of his life to painting.


Style

He is credited with having introduced the style of
Raphael Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual ...
in Spain, perhaps as a result of having trained in
Valencia Valencia ( va, València) is the capital of the autonomous community of Valencia and the third-most populated municipality in Spain, with 791,413 inhabitants. It is also the capital of the province of the same name. The wider urban area al ...
with Vicente Masip, as he never traveled to Italy. He also demonstrated the influences of Albrecht Dürer; especially in his drawing. A great innovator and pioneer of Renaissance painting in
Aragon Aragon ( , ; Spanish and an, Aragón ; ca, Aragó ) is an autonomous community in Spain, coextensive with the medieval Kingdom of Aragon. In northeastern Spain, the Aragonese autonomous community comprises three provinces (from north to so ...
, together with the Italian Tomás Peliguet, his style highlights the intricacy of detail, the elegance of gestures and faces, the stylization of the canon and elaborate spatial compositions.


Works

He was artistic adviser to
Hernando de Aragón Hernando de Aragón y de Gurrea, OCist (25 July 1498 – 29 January 1575), Archbishop of Zaragoza and Lieutenant General of Aragon, was an Aragonese humanist and historian. Family Born in Zaragoza, Aragón was the second illegitimate so ...
,
Archbishop of Zaragoza The Archdiocese of Saragossa ( la, Archidioecesis Caesaraugustana) is a Roman Catholic ecclesiastical territory located in north-eastern Spain, in the province of Zaragoza (Saragossa in English), part of the autonomous community of Aragón. The a ...
(who in turn was his main sponsor), which allowed him to work in the local Cathedral and maintain a workshop in the city. His earliest surviving work consists of some paintings and the Altarpiece of San Juan Bautista de Tarazona Cathedral, dating around the 1530s. His style evolved in the middle of the sixteenth century into a mannerism where he absorbed the lessons of masters like Raphael or inspiring
Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially re ...
, as shown in table ''Birth of St. John the Baptist'' altarpiece of the
Charterhouse of Aula Dei The Charterhouse of Aula Dei ( es, Cartuja de Aula Dei) is a Carthusian monastery, or charterhouse, located about 10 kilometers north of the city of Zaragoza in Aragon, north-eastern Spain. It was declared a national monument on 16 February 198 16th ...
, painted around 1580, one of his best works. One work executed by Cósida ''The Glorification of the Virgin'' is part of the National Inventory of Continental European Paintings collection.


References

* SERVANT MAINAR, Jesus Fermin; Concha and Oscar Dominguez Alonso Oliva Ortúzar, "Restoration of the altarpiece of the Beheading of St. John the Baptist Parish Calcena (Zaragoza)" Turiaso, No. 12, 1995, p. 279–302. ISSN 0211-7207 * MORTE Garcia, Carmen (ed.) And Margarita Castillo Montolar (coord.), The splendor of the Renaissance in Aragon, Zaragoza, Aragon Government; Museum of Fine Arts in Bilbao; Generalitat Valenciana, 2009 . Exhibition Catalogue. Brief Guide. 1510 births 1592 deaths Spanish Renaissance painters Spanish sculptors Spanish male sculptors Spanish architects {{Spain-painter-stub