Jan Josef Ignác Brentner
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Jan Josef Ignác Brentner (''Johann Joseph Ignaz'', surname also spelled Brenntner, Brendner, Brendtner, or Prentner; he preferred the name Joseph) (November 3, 1689 – June 28, 1742), was a
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composer of the
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era.


Biography

Jan Josef Ignác Brentner was born into the family of the mayor of the small town of Dobřany in Western
Bohemia Bohemia ( ; cs, Čechy ; ; hsb, Čěska; szl, Czechy) is the westernmost and largest historical region of the Czech Republic. Bohemia can also refer to a wider area consisting of the historical Lands of the Bohemian Crown ruled by the Bohem ...
. He seems to have preferred his middle name Josef/Joseph. What we know about him comes mostly from time he spent in Prague, from 1717 to about 1720, where he published four collections of music. Brentner's opuses 1 and 3 are collections of sacred arias for voice, strings, and continuo, ''Harmonica duodecatomeria ecclesiastica'' (1716) and ''Hymnodia divina'' (1718 or 1719). In addition, Brentner published a collection of six offertories for chorus, strings, and continuo entitled ''Offertoria solenniora'' (1717) as his opus 2 and a collection of six chamber concertos, ''Horae pomeridianae seu Concertus cammerales'' (1720) as his opus 4. Brentner's patron was Raymond Wilfert, abbot of the
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(Norbertine) monastery in
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, to whom the Op. 2 was dedicated. Brentner's funeral motets were written specifically for the Brotherhood of St. Nicholas Church in
Prague Prague ( ; cs, Praha ; german: Prag, ; la, Praga) is the capital and largest city in the Czech Republic, and the historical capital of Bohemia. On the Vltava river, Prague is home to about 1.3 million people. The city has a temperate ...
. Brentner died in his home town of Dobřany. Although a great many of Brentner's works are known to be lost, a scattering of manuscript copies survive throughout the
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and a large number of them are located in the Music Archive of the Bendiktinerstift in Göttweig, Austria. Still others have turned up, in modified versions, in Bolivia; no one knows how Brentner's music managed to travel to
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. Registries of lost collections belonging to provincial churches in central Europe bear witness to Brentner's works that are no longer extant. Brentner's music fuses a simple and direct melodic component with a complex and highly ornamented instrumental accompaniment. Although Brentner has never been a famous name, his music has proved enduring—it was still being performed in Prague and Vienna (Hofkapelle) in the mid-nineteenth century, and they have never stopped playing it in
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.


Compositions

* ''Harmonica duodecatomeria ecclesiastica op. 1'' (Prague 1716) * ''Offertoria solenniora op. 2'' (Prague 1717) * ''Hymnodia divina op. 3'' (Prague 1719) * ''Horae pomeridianae seu Concertus cammerales sex, op. 4'' (Praha 1720) * ''Laudes matutinae'' (= ''Offertoria solenniora op. 2'')


Recordings

* Concertos & Arias p. 4 a selection from op. 1 Hana Blažíková – soprano, Collegium Marianum, Jana Semerádová, Prague 2009, Supraphon SU 3970-2, (Music from Eighteenth-Century Prague). * Vesperae cum ordinariis psalmis, election fromHymnodia divina op. 3 (Music of baroque Bohemia). Ensemble Inégal, Pražští barokní sólisté (
Gabriela Eibenová Gabriela Eibenová (born 1972) is a Czech soprano in opera and concert, specialising in music of the Baroque and classical period in historically informed performance. Born in Prague, she studied there at the Prague Conservatory and then o ...
, Barbora Sojková – sopranos, Lester Landenoye, Marta Fadljevičová – altos, Jaroslav Březina, Hasan El Dunia – tenors, Tomáš Král, Jaromír Nosek – basses), Adam Viktora. Praha 2008, Nibiru 0148-2211. * election from Motetti pro defunctis, Offertoria solenniora op. 2 and Harmonica duodecatometria ecclesiastica op. 1 Ensemble Inégal (Gabriela Eibenová – soprano, Jaroslav Březina – tenor, Mathias Gerchen – bas, Hasan El Dunia, Martin Prokeš, Marián Krejčík, Helena Zemanová), Adam Viktora, Praha 2003, Nibiru 0144-2211. * Music from the Missions and La Plata (Bolivian baroque Vol. 2), Florilegium and Arkaendar Bolivia Choir, Channel classics, 2006. Contains Brentner’s Gloria et honore from op. 2. * San Ignacio. L’opéra perdu des missions jésuites de l’Amazonie, anciennes réductions de Chiquitos et Moxos, Bolivie (Musique Baroque à la Royale Audience de Chacras 2), Gabriel Garrido, L’Ensemble Elyma, K617, 1996. Contains Brentner’s Cantemus Domino from op. 2.


References


External links


Václav Kapsa: Joseph Brentner. A Catalogue of His Works (Brk), Ústav dějin umění Akademie věd ČR, Praha 2019–21
* {{DEFAULTSORT:Brentner, Jan Josef Ignac 1689 births 1742 deaths Czech Baroque composers Czech male classical composers People from Dobřany 18th-century classical composers 18th-century male musicians 18th-century musicians