Jan Baptist Tijssens The Younger
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Jan Baptist Tijssens the Younger (1660–1723) was a Flemish painter mainly known for his 'guardroom scenes' and still lifes.Jan Baptist Tijssens (II)
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...
He was also active as an art dealer.Het Antwerps kunstenaarsgeslacht Tijssens (Thyssens) uit de 17e en het begin van de 18e eeuw en zijn stamvader Augustijn Tijssens de Oude
at the Genootschap voor Antwerpse Geschiedenis


Life

Jan Baptist Tijssens the Younger was baptized on 21 September 1660 in Antwerp as the third son of Augustijn Tijssens the Younger (1623–1675) and Maria Laureyssens, a niece of Jacob Jordaens. His father was a
landscape art Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composi ...
ist and painter. His grandfathers Augustijn Tijssens the Elder and Peter Laureyssens were art dealers. His uncle Jan Baptist Tijssens the Elder was a landscape and religious painter. Jan Baptist Tijssens the Younger and Jan Baptist Tijssens the Elder are often confused with each other. His younger brother Jacobus or Jacomo became a portrait and landscape painter. He was a pupil of his father and
Anton Goubau Anton Goubau or Anton Goebouw (1616 in Antwerp – 1698 in Antwerp) was a Flemish Baroque painter. He spent time in Rome where he moved in the circle of the Bamboccianti, Dutch and Flemish genre painters who created small cabinet paintings of th ...
, a leading genre and history painter who had studied in Italy. He became a master in the
Guild of Saint Luke The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was ide ...
in 1689/90 and was active in Antwerp from 1688 to 1691. In 1691 he became co-dean of the Guild but bought himself free from his Guild obligations with a picture. He travelled to Italy. He was recorded in
Düsseldorf Düsseldorf ( , , ; often in English sources; Low Franconian and Ripuarian language, Ripuarian: ''Düsseldörp'' ; archaic nl, Dusseldorp ) is the capital city of North Rhine-Westphalia, the most populous state of Germany. It is the second- ...
where he worked for a while as an art dealer for the
Elector Elector may refer to: * Prince-elector or elector, a member of the electoral college of the Holy Roman Empire, having the function of electing the Holy Roman Emperors * Elector, a member of an electoral college ** Confederate elector, a member of ...
. He was in Rotterdam in 1695 and is also recorded in Breda and in England. As an art dealer he is known to have traded two Ribera's and Rubens works with Suzanna Forchondt, daughter of
Guillam Forchondt Willem Forchondt, or Guillam Forchondt the Elder (1608–1678) was a Flemish painter, cabinet maker and art dealer. He operated a successful painting workshop and a profitable are dealership which extended throughout Europe through the satellite ...
and Mary Lemmens. The documents showed a wax seal on the back with the initials P and L. The letters refer to the name of his grandfather Peter Laureyssens. Jann Baptist had inherited this mark from his grandfather. Tijssens died in his birthplace Antwerp on 4 October 1723.


Work

He is mainly known for his genre scenes and still lifes but also painted mythological and Christian religious scenes. His still lifes are mainly still lifes of armour in addition to a few hunting pieces. He was specialized in 'guardroom scenes', a type of genre scene that had become popular in the mid-17th century, particularly in the Dutch Republic. In Flanders there were also a few practitioners of the genre including David Teniers the Younger,
Abraham Teniers Abraham Teniers (1 March 1629 – 26 September 1670) was a Flemish painter and engraver who specialized in genre paintings of villages, inns and monkey scenes. He was a member of artist family Teniers which came to prominence in the 17th century. ...
, Tijssens' master Anton Goubau,
Cornelis Mahu Cornelis Mahu (1613 – 16 November 1689) was a Flemish painter of still lifes, genre paintings and seascapes who showed a very high level of craftsmanship in his compositions. Life Mahu was born in Antwerp. Nothing is known about his train ...
and
Gillis van Tilborch Gillis van Tilborgh or Gillis van Tilborch (''c''. 1625 – ''c''. 1678) was a Flemish painter who worked in various genres including portraits, 'low-life' and elegant genre paintings and paintings of picture galleries. He became the keeper of ...
. A guard room scene typically depicts an interior scene with officers and soldiers engaged in merrymaking. Guardroom scenes often included mercenaries and prostitutes dividing booty, harassing captives or indulging in other forms of reprehensible activities. Tilborch painted a '' Guardroom Interior with Armour and a Standard Behind'' (sold at Sotheby's on 10 July 2004 in London, lot 172), which depicts two soldiers and a woman drinking and smoking in a room. The soldiers are almost completely hidden behind a pile of weapons and a war standard. In its general arrangement and specific details such as the figures and the armour on the floor the painting is based on the signed composition of Tijssens' master Anton Goubau in the
National Gallery The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director ...
in Prague. The Goubau painting continues to the left into a horizontal composition. It is likely that Tijssens' painting was cut down as on the extreme left margin the nose, moustache and chin of the figure next to the woman are visible. The original painting may therefore have been similar in composition to that of Goubau. The armour depicted in the picture was already out of date at the time it was painted since metal armours, breast plates and helmets fell out of use from the 1620s. It is possible that in line with the moralizing intent of the genre, the armour is a reference to the
vanitas A ''vanitas'' (Latin for 'vanity') is a symbolic work of art showing the temporality, transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-kn ...
motif of the transience of power and fame.''Guardroom'' painting at the Kurpfälzisches Museum
in Heidelberg


References


External links

{{DEFAULTSORT:Tijssens, Jan Baptist the Younger 1660 births 1723 deaths Flemish Baroque painters Flemish genre painters Flemish still life painters Flemish art dealers Painters from Antwerp