Jacqueline Casey
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Jacqueline S. Casey (20 April 1927 – 18 May 1992) was a graphic designer best known for the posters she created for the
Massachusetts Institute of Technology The Massachusetts Institute of Technology (MIT) is a private land-grant research university in Cambridge, Massachusetts. Established in 1861, MIT has played a key role in the development of modern technology and science, and is one of the ...
(MIT). While practicing a functional Modernism, Jacqueline S. Casey was a graphic designer in the Office of Publications (later retitled the Office of Design Services) from 1955 to 1989 and assigned the position as director in 1972. In discussing her design, Casey stated, "My work combines two cultures: The American interest in visual metaphor on the one hand, and the Swiss fascination with planning, fastidiousness, and control over technical execution on the other."


Background

Casey was born in 1927 in Quincy, Massachusetts. She studied for a Bachelor of Fine Arts degree in fashion design and illustration at the
Massachusetts College of Art Massachusetts College of Art and Design, branded as MassArt, is a public college of visual and applied art in Boston, Massachusetts. Founded in 1873, it is one of the nation’s oldest art schools, the only publicly funded independent art school ...
(MassArt), graduating in 1949. After graduating, she had a number of jobs, including work in interior design and advertising, however she never obtained a job she was completely interested in; she stated, "I broke the negative cycle by traveling through Europe for three months" and came back "with the decision to focus my life on something related to the arts... to develop my visual sensitivity." In 1955, Casey designed summer session materials after acquiring a job at MIT’s Office of Publications. This was recommended to her by her friend, Muriel R. Cooper, who also attended MassArt. Casey stated, “In my early days at MIT, a designer working on summer materials would interview faculty and have a mini-course in a subject such as radioisotopes from the professor in charge. There was an opportunity to learn something new every day.”


MIT

The professional quality and creative additions to design are what made the Massachusetts Institute of Technology's campus design group widely respected in the field. MIT is acknowledged as the first American college to employ graphic designers as part of the faculty, and Jacqueline Casey was one of the few who were hired. The prototype for the university press at MIT was implemented by the graphic designers, known for their meticulous and straightforward style of their typography. Campus projects, programs, cultural and scientific events were advertised to society through the group designer's works. In 1955, she was recruited by fellow MassArt alumna
Muriel Cooper Muriel Cooper (1925 – May 26, 1994) was a pioneering book designer, digital designer, researcher, and educator. She was the first design director of the MIT Press, instilling a Bauhaus-influenced design style into its many publications. She move ...
to work at the Office of Publications at MIT. In 1972, Casey became Director, taking over this position as her colleague joined the MIT faculty. The two women were among the few working at this professional level at MIT of the time. During her tenure as Director, Casey became known for designing distinctive publicity posters for MIT events, working alongside Ralph Coburn and Dietmar Winkler. Casey's designs were influenced by the
International Typographic Style The International Typographic Style, also known as the Swiss Style, is a graphic design style that emerged in Russia, the Netherlands, and Germany in the 1920s and was further developed by designers in Switzerland during the 1950s. The Internati ...
recently developed in Switzerland, particularly designers such as Karl Gerstner,
Armin Hofmann Armin Hofmann ( HonRDI) (29 June 1920 – 18 December 2020) was a Swiss graphic designer. He began his career in 1947 as a teacher at the Allgemeine Gewerbeschule Basel School of Art and Crafts at the age of twenty-six. Hofmann followed Emil Ru ...
and
Josef Müller-Brockmann Josef Müller-Brockmann (9 May 1914 – 30 August 1996) was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. Müller-Brockmann is re ...
. Casey's posters generally consisted of a striking image or bold typography, accompanied by informational details in smaller text. She often used typographic wordplay and
visual pun A visual pun is a pun involving an image or images (in addition to or instead of language), often based on a rebus. Visual puns in which the image is at odds with the inscription are common in cartoons such as ''Lost Consonants'' or ''The Far ...
s in her work. Speaking of her designs in 1988, she said: "My job is to stop anyone I can with an arresting or puzzling image, and entice the viewer to read the message in small type and above all to attend the exhibition." As well as being used for promotion of on-campus events and in MIT publications, Casey's work was exhibited at MIT, the
Chelsea School of Art Chelsea College of Arts is a constituent college of the University of the Arts London based in London, United Kingdom, and is a leading British art and design institution with an international reputation. It offers further and higher educat ...
in London, and the
London College of Printing The London College of Communication is a constituent college of the University of the Arts London. It specialises in media-related subjects including advertising, animation, film, graphic design, photography and sound arts. It has approximately ...
. Casey retired from her role as director in 1989, but continued to work as a visiting scholar at the
MIT Media Laboratory The MIT Media Lab is a research laboratory at the Massachusetts Institute of Technology, growing out of MIT's Architecture Machine Group in the School of Architecture. Its research does not restrict to fixed academic disciplines, but draws from ...
.


Legacy

Casey's work is held in the permanent collections of the
Library of Congress The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is ...
, the
Museum of Modern Art The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. It plays a major role in developing and collecting modern art, and is often identified as one of ...
in New York, and the
Cooper-Hewitt Museum Cooper Hewitt, Smithsonian Design Museum is a design museum housed within the Andrew Carnegie Mansion in Manhattan, New York City, along the Upper East Side's Museum Mile. It is one of 19 museums that fall under the wing of the Smithsonian Inst ...
. The
MIT Museum The MIT Museum, founded in 1971, is located at the Massachusetts Institute of Technology in Cambridge, Massachusetts. It hosts collections of holography, technology-related artworks, artificial intelligence, architecture, robotics, maritime histor ...
mounted an exhibition of Casey's graphic work in 1992, and again in 2012. In addition to the MIT holdings, the
Rochester Institute of Technology Rochester Institute of Technology (RIT) is a private research university in the town of Henrietta in the Rochester, New York, metropolitan area. The university offers undergraduate and graduate degrees, including doctoral and professional ...
has a collection of 99 posters, donated posthumously at the designer's request.


Works & Exhibitions

Massachusetts Institute of Technology ''Give Blood''. 1983. ''Arts on the Line''. 1980. Poster for ''Coffee Hour''. 1979. ''Ger Dekkers (New Dutch Landscape)'' Exhibition Poster. 1979. ''Mediums of Language''. 1977. ''Art and Environment''. Poster for MIT’s ''Center for Advanced Visual Studies'', 1972. Poster for ''Octave of Prayer''. 1972. ''Goya: The Disasters of War''. 1971. ''Six Artists'' Exhibition Poster. 1970. Poster for ''Open House''. 1969. Poster for ''The Moon Show''. 1969. Poster for ''Center for Space Research''. 1968. ''Light 7'' Exhibition Poster. 1968. ''Miscellaneous Motions of Kinetic Sculpture''. 1967. Poster for ''Boston Visual Arts Union''. Hayden Gallery. Poster for ''MIT Gospel Choir: God Is...'' Poster for ''MIT Gospel Choir: There Is NoGreaterLove''. ''LincolnLab Recruitment Poster''. ''Walking in the Spirit: A Celebration of Gospel Music''. North Carolina State University ''Furniture by Architects'' Exhibition Poster. 1981. Two Views/Peter Berg, Two Sculptures/Ed Rothfarb. 1979. ''MIT Symphony Orchestra Tour 1973''. 1973. ''Medicine of the Future''. 1971. ''Monuments to Malcolm X Poster''. 1970. ''Stop Oil Pollution''. 1970. ''Library Booklet Cover''. 1967. ''Ocean Engineering Recruitment Poster''. 1967. ''Humanities Series Concerts''. 1966. ''Corners'' Exhibition Poster. ''Presidents' Ball Poster''. ''Technology and Policy Program at MIT''. Rochester Institute of Technology ''Jacqueline Casey''. 1990. ''Academic Honesty: Are Our Standards Clear?.'' 1984. ''Elijah: Felix Mendelssohn''. 1984. ''James Turrell: An Installation''. Wallace Library. 1983. ''Constructed Color: Sculpture by James Biederman, James Hoberman, Steve Keister, Lizbeth Marano, George Mayocole''. Wallace Library. 1982. ''Great Big Drawings''. Wallace Library. 1982. ''Intimate Architecture: Contemporary Clothing Design''. Wallace Library. 1982. ''4 Painters''. Wallace Library. 1981. ''Body Language''. Wallace Library. 1981. ''The Computer: From Counting To Cognition''. 1979. ''Chemistry at MIT''. 1978. ''Cancer:'' S''ymposium on the Occasion of the Dedication of the Seeley G. Mudd Building''. 1975. ''Brassai, The Eye of Paris: An Exhibition of Photographs''. 1974. ''Fredrich St. Florian Projects''. Wallace Library. 1973. ''A Spring Festival of Music 1972 in Honor of Klaus Liepmann''. 1972. Poster for ''Faculty-Student Exchange Program''. 1972. ''Lift Equilibrium: An Outdoor Experiment''. 1969. ''Hans Haacke'' Exhibition Poster. Wallace Library. 1967. ''Aesthetics of Progress''. ''Helène Aylon''. ''Seven Montreal Painters''. Other Casey, Jacqueline S. & Small, David. ''Fives''. Visible Language Workshop, October 1990. ''Russia, USA Peace''. 1985. Judge at ''Creativity on Paper'' exhibition. Sponsored by ''Art Direction'' magazine, 1966.


Awards and honors

Casey has received numerous awards and honors for her work, including: *William J. Gunn Award, Creative Club of Boston. 1988. *Honorary doctorate of fine arts, Massachusetts College of Art. 1990. *Appointed by the late President Bartlett A. Giamatti of Yale University to the Visiting Committee of the Yale School of Graphic Design. *Member of the Alliance Graphique Internationale and of the American Institute of Graphic Arts.


Further reading

*''Posters: Jacqueline S. Casey, Thirty Years of Design at MIT''. Cambridge, Mass.: MIT Museum, 1992.


References

{{DEFAULTSORT:Casey, Jacqueline American graphic designers Women graphic designers 1927 births 1992 deaths Massachusetts College of Art and Design alumni Massachusetts Institute of Technology staff