HOME

TheInfoList



OR:

is a Western term for a brightly-coloured style of
Japanese export porcelain Japanese export porcelain includes a wide range of porcelain that was made and decorated in Japan primarily for export to Europe and later to North America, with significant quantities going to south and southeastern Asian markets. Production for ...
made in the area of Arita, in the former
Hizen Province was an old province of Japan in the area of the Saga and Nagasaki prefectures. It was sometimes called , with Higo Province. Hizen bordered on the provinces of Chikuzen and Chikugo. The province was included in Saikaidō. It did not in ...
, northwestern
Kyūshū is the third-largest island of Japan's five main islands and the most southerly of the four largest islands ( i.e. excluding Okinawa). In the past, it has been known as , and . The historical regional name referred to Kyushu and its surroun ...
. They were exported to Europe in large quantities, especially between the second half of the 17th century and the first half of the 18th century. Typically Imari ware (in the English use of the term) is decorated in
underglaze Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely ...
blue, with red, gold, black for outlines, and sometimes other colours, added in overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it. Sometimes the different overglaze styles of Kakiemon and Kutani ware are also grouped under Imari ware. The name derives from the port of
Imari, Saga is a city located in Saga Prefecture on the island of Kyushu, Japan. Imari is most notable because of Imari porcelain, which is the European collectors' name for Japanese porcelain wares made in the town of Arita, Saga Prefecture. The porcela ...
, from which they were shipped to
Nagasaki is the capital and the largest city of Nagasaki Prefecture on the island of Kyushu in Japan. It became the sole port used for trade with the Portuguese and Dutch during the 16th through 19th centuries. The Hidden Christian Sites in the Na ...
, where the
Dutch East India Company The United East India Company ( nl, Verenigde Oostindische Compagnie, the VOC) was a chartered company established on the 20th March 1602 by the States General of the Netherlands amalgamating existing companies into the first joint-stock ...
and the Chinese had trading outposts. In the West the multi-coloured or "enamelled" wares became known as "Imari ware", and a different group kakiemon, while blue and white wares were called "Arita ware"; in fact the types were often produced at the same kilns. Today, the use of "Imari" as a descriptor has declined, and they are often called Arita wares (or Hizen wares, after the old province). Imari ware was copied in both China and Europe, and has been continuously produced to the present day. "Early Imari" (''shoki imari'') is a traditional and somewhat confusing term used for very different wares that were made around Arita before about 1650. The porcelains are generally small and sparsely painted in underglaze blue for the domestic market, but there are also some large green
celadon ''Celadon'' () is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware" (the term specialists now tend to use), and a type of transparent glaze, often with small cracks, that wa ...
dishes, apparently made for the southeast Asian market, in a porcellaneous
stoneware Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non- refractory fire clay. Whether ...
.


History

"Imari" was simply the trans-shipment port for Arita wares, from where they went to the foreign trading outposts at
Nagasaki is the capital and the largest city of Nagasaki Prefecture on the island of Kyushu in Japan. It became the sole port used for trade with the Portuguese and Dutch during the 16th through 19th centuries. The Hidden Christian Sites in the Na ...
. It was the
kiln A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay int ...
s at Arita which formed the heart of the Japanese
porcelain Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises mai ...
industry. Arita's kilns were set up in the 17th century, after
kaolin Kaolinite ( ) is a clay mineral, with the chemical composition Al2 Si2 O5( OH)4. It is an important industrial mineral. It is a layered silicate mineral, with one tetrahedral sheet of silica () linked through oxygen atoms to one octahedral s ...
was discovered in 1616. A popular legend attributes the discovery to an immigrant Korean potter, Yi Sam-pyeong (1579–1655), although most historians consider this doubtful. After the discovery, some kilns began to produce revised Korean-style blue and white porcelains, known as Early Imari, or "Shoki-Imari". In the mid-17th century there were also many Chinese refugees in northern Kyushu due to the turmoil in China, and it is said that one of them brought the overglaze enamel coloring technique to Arita. Thus Shoki-Imari developed into Ko-Kutani, Imari, and later Kakiemon, which are sometimes taken as a wider group of Imari wares. Ko-Kutani was produced around 1650 for both export and domestic market. Kutani ware is characterized by vivid green, blue, purple, yellow and red colors in bold designs of landscapes and nature. Blue and white porcelain pieces continued to be produced and they are called Ai-Kutani. Ko-Kutani Imari for the export market usually adopted Chinese design structure such as kraak style, whereas Ai-Kutani for the domestic market were highly unique in design and are accordingly valued very much among collectors. Ko-Kutani style evolved into Kakiemon-style Imari, which was produced for about 50 years around 1700. Kakiemon was characterized by crisp lines, and bright blue, red and green designs of dramatically stylized floral and bird scenes. Imari achieved its technical and aesthetic peak in the Kakiemon style, and it dominated the European market. Blue and white Kakiemon is called Ai-Kakiemon. The Kakiemon style transformed into Kinrande in the 18th century, using underglaze blue and overglaze red and gold enamels, and later additional colors. Imari began to be exported to Europe when the Chinese kilns at
Jingdezhen Jingdezhen is a prefecture-level city, in northeastern Jiangxi province, with a total population of 1,669,057 (2018), bordering Anhui to the north. It is known as the "Porcelain Capital" because it has been producing Chinese ceramics for at leas ...
were damaged in the political chaos and the new
Qing dynasty The Qing dynasty ( ), officially the Great Qing,, was a Manchu-led imperial dynasty of China and the last orthodox dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speak ...
government halted trade in 1656–1684. Exports to Europe were made through the
Dutch East India Company The United East India Company ( nl, Verenigde Oostindische Compagnie, the VOC) was a chartered company established on the 20th March 1602 by the States General of the Netherlands amalgamating existing companies into the first joint-stock ...
, and in Europe the designation "Imari porcelain" connotes Arita wares of mostly Kinrande Imari. Export of Imari to Europe stopped in mid-18th century when China resumed export to Europe, since Imari was not able to compete against Chinese products due to high labor costs. By that time, however, both Imari and Kakiemon styles were already so popular among Europeans that the Chinese export porcelain copied both, a type known as Chinese Imari. At the same time, European kilns, such as
Meissen Meissen (in German orthography: ''Meißen'', ) is a town of approximately 30,000 about northwest of Dresden on both banks of the Elbe river in the Free State of Saxony, in eastern Germany. Meissen is the home of Meissen porcelain, the Albrechts ...
and English potteries such as Johnson Bros. and (Royal) Crown Derby, also imitated the Imari and Kakiemon styles. Export of Imari surged again in late 19th century (Meiji era) when
Japonism ''Japonisme'' is a French term that refers to the popularity and influence of Japanese art and design among a number of Western European artists in the nineteenth century following the forced reopening of foreign trade with Japan in 1858. Japon ...
flourished in Europe. Thus in the western world today, two kinds of true Japanese Imari can be found: that exported in the mid-Edo period, and that exported in the Meiji era. From the viewpoint of collectors, these two types are completely different, though Kinrande appearances are similar.


Characteristics

Though there are many types of Imari ware, the type usually so called in the West is called ''kinrande'' in Japanese, and was produced for export in large quantities from the mid-17th century until the export trade tailed off around 1740. ''Kinrande'' has underglaze cobalt blue and overglaze red and gold, and sometimes other colors. The color combination was not seen in China at that time. Traditional Ming dynasty color porcelain used dominantly red and green, probably due to scarcity of gold in China, whereas gold was abundant in Japan in those days. The subject matter of Arita is diverse, ranging from foliage and flowers to people, scenery and abstractions. Some designs such as Kraak porcelain were adopted from China, but most designs were uniquely Japanese owing to the rich Japanese tradition of paintings and costume design. The porcelain has a gritty texture on the base, where it is not covered by glaze.


Chinese Imari

Though sophisticated wares in authentic Japanese styles were being made at Arita for the fastidious home market, European–style designations of Arita porcelain were formed after blue and white kraak porcelains, imitating Chinese underglaze "blue-and-white" wares, or made use of enamel colors over
underglaze Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely ...
s of
cobalt blue Cobalt blue is a blue pigment made by sintering cobalt(II) oxide with aluminum(III) oxide (alumina) at 1200 °C. Chemically, cobalt blue pigment is cobalt(II) oxide-aluminium oxide, or cobalt(II) aluminate, CoAl2O4. Cobalt blue is lighte ...
and iron red. The ware often used copious
gilding Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was tradi ...
, sometimes with spare isolated sprigged vignettes, but often densely patterned in compartments. There were two quite different styles in these wares.Oliver Impey, "Japanese export art of the Edo Period and its influence on European art", ''Modern Asian Studies'' 18.4, Special Issue: Edo Culture and Its Modern Legacy (1984, pp. 685–697) p. 695. "On the one hand a gaudy, brash brightly coloured and highly decorated style, the Imari style." Globular Imari
teapot A teapot is a vessel used for steeping tea leaves or a herbal mix in boiling or near-boiling water, and for serving the resulting infusion which is called tea. It is one of the core components of teaware. Dry tea is available either in tea ba ...
s with swan-necked spouts helped establish the classic European form for these new necessities of life. Dutch traders had a monopoly on the insatiable export trade, the first large order being placed at Arita by the Dutch East India Company in 1656. The trade peaked in the late 17th century and was slowly replaced by Chinese kilns in the early 18th century; it ended in 1756, as social conditions in China settled with the full establishment of the Qing Dynasty. Imitating Arita designs, fine "Chinese Imari" export wares were produced in the 18th century, eclipsing the original Japanese exports.


European Imari

European centers imitated the style of Imari wares, initially in
faience Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major a ...
at
Delft Delft () is a city and municipality in the province of South Holland, Netherlands. It is located between Rotterdam, to the southeast, and The Hague, to the northwest. Together with them, it is part of both the Rotterdam–The Hague metropolitan ...
in the Netherlands. Imari patterns, as well as "Kakiemon" designs and palette of colors, influenced some early
Orient The Orient is a term for the East in relation to Europe, traditionally comprising anything belonging to the Eastern world. It is the antonym of '' Occident'', the Western World. In English, it is largely a metonym for, and coterminous with, the ...
alizing wares produced by the porcelain manufactories at
Meissen Meissen (in German orthography: ''Meißen'', ) is a town of approximately 30,000 about northwest of Dresden on both banks of the Elbe river in the Free State of Saxony, in eastern Germany. Meissen is the home of Meissen porcelain, the Albrechts ...
, Chantilly, or later at
Vincennes Vincennes (, ) is a commune in the Val-de-Marne department in the eastern suburbs of Paris, France. It is located from the centre of Paris. It is next to but does not include the Château de Vincennes and Bois de Vincennes, which are attache ...
and in
Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ...
. It was also produced in the early 19th century at Robert Chamberlain's
Worcester porcelain Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown D ...
factory at
Worcester Worcester may refer to: Places United Kingdom * Worcester, England, a city and the county town of Worcestershire in England ** Worcester (UK Parliament constituency), an area represented by a Member of Parliament * Worcester Park, London, Engl ...
, as well as Crown Derby porcelain, where Imari patterns remain popular to the present.


Notes


References

*Ford, Barbara Brennan, and Oliver R. Impey, ''Japanese Art from the Gerry Collection in The Metropolitan Museum of Art'', 1989, Metropolitan Museum of Art,
fully online
* Impey, Oliver (1990), in Battie, David, ed., ''Sotheby's Concise Encyclopedia of Porcelain'', 1990, Conran Octopus. * Henry Trubner, "Japanese Ceramics: A Brief History", in Seattle Art Museum, ''Ceramic Art of Japan'', 1972. * Tsuneko S. Sadao and Stephanie Wada, ''Discovering the Arts of Japan: A Historical Overview'', 2003


Further reading

* *


External links


Japanese Porcelain Marks – Gotheborg.com, Jan Erik NilssonImari ware at the British MuseumImari ware at the Holburne MuseumImari ware at the University of Michigan Museum of ArtImari ware at the Portland Museum of Art
{{Authority control Culture in Saga Prefecture Japanese porcelain Japanese pottery