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also known as , was one of the most famous and popular Japanese
Kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to ...
actors of all time. Throughout his career, Danjūrō would hold some of the highest ranks in the '' hyōbanki'', an annual Edo publications which evaluated actors and performances. At one point in 1782, he was even granted the rank of . He is depicted in countless '' ukiyo-e'' actor prints (''
yakusha-e ''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the '' ukiyo-e'' style popular through the Edo period (1603–1867) and ...
''), and unlike many actors who focus on one type of role, Danjūrō excelled at many types of roles, playing heroes, villains, samurai, peasants, and beautiful women with equal skill. One of his most famous roles is that of the hero in ''
Shibaraku ''Shibaraku'' (暫, しばらく) is a play in the Kabuki repertoire, and one of the celebrated '' Kabuki Jūhachiban'' ("Eighteen Great Plays"). The play is noted for its flamboyantly dramatic costumes and makeup (''kumadori''). {{citation nee ...
'', a scene contained within full plays.


Names

Like most kabuki actors, and many artists, of his time, Danjūrō had a number of names. He was the fifth to be called
Ichikawa Danjūrō is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. There are a number of ...
, and though not the first to be known as
Ichikawa Ebizō is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. Ebizō, like other acto ...
, he used different kanji (characters) than his predecessors in writing the name. He was a member of the guilds Naritaya and Kōraiya, and could be referred to by these names (see ''
yagō , literally meaning "house name", is a term applied in traditional Japanese culture to names passed down within a guild, studio, or other circumstance other than blood relations. The term is synonymous with and . The term most often refers to th ...
''). Other names he used on stage include Ichikawa Hakuen I, Matsumoto Kōshirō III, Matsumoto Kōzō, Matsumoto Umimaru, and Naritaya Shichizaemon (I). In poetry circles, he often used the names Baidō, Omegawa, Sanshō, and Hakuen.


Lineage

He was the fifth in the line of Ichikawa Danjūrō, his father, grandfather, and great-grandfather being the fourth, second, and first in the line respectively (his father and grandfather were also known as Ebizō II and III). He had a son, named Momotarō, who died at a very young age, but Danjūrō also adopted a son who would succeed him and become Ichikawa Danjūrō VI. Danjūrō VII and IX were his grandsons.


Life and career

The actor who would later be known as Ichikawa Danjūrō V was born in
Edo Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of ...
(now Tokyo) in August 1741, and appeared on stage for the first time at the age of four. His first role in a play was in 1754, at the age of thirteen, in '' Miura no Ōsuke Bumon no Kotobuki'' at the
Nakamura-za was one of the three main ''kabuki'' theatres of Edo alongside the Morita-za and Ichimura-za. History It was founded in 1624 by Nakamura Kanzaburō 1st. The Nakamura-za relocated to the new capital Tokyo in 1868 and reopened under Nakamura ...
in Edo. Until 1770, his stage name was Matsumoto Kōshirō (III). In 1760, the Nakamura-za and
Ichimura-za The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly thre ...
theaters were destroyed by a fire, called the Akashiya fire after the shop where it began, which claimed a fair portion of the city as well. Kōshirō aided in the reconstruction of the theaters, and performed at the Ichimura-za the following month. Like all Kabuki actors, Kōshirō would devote his life almost exclusively to the theater. By the age of 29, he had performed in at least 35 plays, quite possibly many more. In November 1770, Kōshirō, aged 29, took part in a grand naming ceremony (襲名, ''
shūmei ''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, gran ...
'') at the Nakamura-za and took the name Ichikawa Danjūrō. This was followed by a performance of '' Nue no Mori Ichiyō no Mato'', in which Danjūrō would perform the lead role of ''Shibaraku'' for the first time. This role was nearly always played by a member of the Ichikawa Danjūrō line, and it would become one of Danjūrō V's most famous roles. The following year, Danjūrō became the head (座頭, ''zagashira'') of the
Morita-za {{Infobox Theatre , name = Morita-za森田座 , image = Stele of Morita-za site 02.jpg , caption = Stele of Saruwaka-machi Morita-za in Asakusa , address = , city = Edo , country = {{flagicon, Japan ...
troupe and left the Nakamura-za, where his father still performed. He would return to the Nakamura-za in 1773, but left it again the following year along with a number of other actors, returning once more to the Morita-za. Danjūrō's son Momotarō, born in 1768, died in 1776 at the age of eight. Danjūrō began performing at the Ichimura-za, leaving the Morita-za again. At this point, according to the book ''Yakusha Sensakuron'' (役者詮索論, "About Actors Prying"), he was living in the town of Sakai in Sumiyoshi district, and earning 800 '' ryō'' a year. August 1778 marks another major event in Danjūrō's life, and in the kabuki world as a whole. As a result of Danjūrō's growing influence among patrons and within other elements of the kabuki world had created enmities among a number of other actors. Accused of misappropriation of funds, Danjūrō was forced to give up his name to another actor, Matsumoto Kōshirō IV, and to take on the name Ichikawa Ebizō for himself. After showing his anger on stage, and accusing Matsumoto Kōshirō IV and Iwai Hanshirō IV in public of plotting against him, Danjūrō was forced to leave the stage for a time. Though he returned to performing three months later at the Morita-za, Danjūrō would not return to the Nakamura-za for a full year. In November 1779, he did so and became troupe head (''zagashira''). Seven years later, Kōshirō IV would join Danjūrō in performing at the
Kiri-za The was a major kabuki theatre in the Japanese capital of Edo (later, Tokyo), for much of the Edo period, and into the 20th century. It was first opened in 1634 and was run by members of the Ichimura family for much of the following nearly thre ...
, and reconcile the dispute. Danjūrō formally took on the name Ebizō at a ceremony at the Ichimura-za in 1791. However, in writing "Ebizō" he chose different kanji (characters) from those used by his father and grandfather. Ebizō had formerly been written as "海老蔵", but the new Ebizō would instead use "鰕蔵". Five years later, Ebizō announced his retirement; he was 55. He took on the name Naritaya Shichiemon and moved to a small hut on the tiny island of Ujishima, near Mukōjima. The following month, the ''hyōbanki'' would give his rank as ''sanga no tsu murui-dai-shigoku-jô-jô-kichi-murui'' (山河の津無類大至極上々吉無類, "Unequaled in the Three Capitals - grand - exceedingly - superior - superior - excellent). He returned to the stage shortly after the death of his adopted son, Ichikawa Danjūrō VI, in 1799, taking on the name Ichikawa Hakuen. His definitively final performance, after countless performances in an incredible variety of roles and at a number of theaters, would be in March 1802, at the
Kawarazaki-za The was one of the major kabuki theatres in Edo (modern-day Tokyo) during the Edo period and into the Meiji period. Not being one of the four theatres formally licensed by the Tokugawa shogunate, the theatre was largely inactive for long stret ...
. Ichikawa Hakuen died in October 1806, in his small hut on Mukōjima. He had many disciples, including Matsumoto Kōshirō IV, Ichikawa Omezō I, Ichikawa Tatsuzō I (Hanai Saizaburō IV), Ichikawa Mitsuzō (Nakamura Matsue II), Ichikawa Takizō, Ichikawa Hamazō, Ichikawa Tomiemon, and Ichikawa Kosanza.


See also

*
Shūmei ''Shūmei'' (, "name succession") are grand naming ceremonies held in kabuki theatre. Most often, a number of actors will participate in a single ceremony, taking on new stage-names. These stagenames, most often those of the actor's father, gran ...


Sources


Ichikawa Danjūrō V at Kabuki21.com
Accessed 6 September 2006.


External links


Ukiyo-e prints at Kabuki21.com

New York Public Library Digital Gallery, image of actor Ichikawa Hakuen (Ichikawa Danjûrô V)
{{DEFAULTSORT:Ichikawa, Danjuro 05 Kabuki actors 1741 births 1806 deaths People from Tokyo Male actors from Tokyo