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The phonology of Italian describes the sound system—the phonology and phonetics—of Standard Italian and its geographical variants.


Consonants

Notes: * Between two vowels, or between a vowel and an approximant () or a liquid (), consonants can be both singleton or geminated. Geminated consonants shorten the preceding vowel (or block phonetic lengthening) and the first geminated element is unreleased. For example, compare ('fate') with ('fact'). However, , , , , are always geminated intervocalically. Similarly, nasals, liquids, and sibilants are pronounced slightly longer in medial consonant clusters. * , , and are the only consonants that cannot be geminated. * are
laminal A laminal consonant is a phone (speech sound) produced by obstructing the air passage with the blade of the tongue, the flat top front surface just behind the tip of the tongue in contact with upper lip, teeth, alveolar ridge, to possibly, as ...
denti-alveolar , commonly called "dental" for simplicity. * are pre-velar before . * have two variants: ** Dentalized laminal
alveolar Alveolus (; pl. alveoli, adj. alveolar) is a general anatomical term for a concave cavity or pit. Uses in anatomy and zoology * Pulmonary alveolus, an air sac in the lungs ** Alveolar cell or pneumocyte ** Alveolar duct ** Alveolar macrophage * ...
(commonly called "dental" for simplicity), pronounced with the blade of the tongue very close to the upper front teeth, with the tip of the tongue resting behind lower front teeth. ** Non-retracted apical alveolar . The stop component of the "apical" affricates is actually laminal denti-alveolar. * are apical alveolar in most environments. are laminal denti-alveolar before and palatalized laminal
postalveolar Postalveolar or post-alveolar consonants are consonants articulated with the tongue near or touching the ''back'' of the alveolar ridge. Articulation is farther back in the mouth than the alveolar consonants, which are at the ridge itself, but no ...
before . is velar before . * and do not contrast before and , where they are pronounced and , respectively. * and are alveolo-palatal. In a large number of accents, is a fricative . * Intervocalically, single is realised as a trill with one or two contacts. Some literature treats the single-contact trill as a tap .Luciano Canepari
''A Handbook of Pronunciation''
chapter 3: «Italian».
Single-contact trills can also occur elsewhere, particularly in unstressed syllables. Geminate manifests as a trill with three to seven contacts. * The phonetic distinction between and is neutralized before consonants and at the beginning of words: the former is used before voiceless consonants and before vowels at the beginning of words; the latter is used before voiced consonants. The two can contrast only between vowels within a word, e.g. fuːzo'melted' vs. fuːso'spindle'. According to Canepari, though, the ''traditional'' standard has been replaced by a modern ''neutral pronunciation'' which always prefers when intervocalic, except when the intervocalic ''s'' is the initial sound of a word, if the compound is still felt as such: for example, ''presento'' ('I foresee', with ''pre'' meaning 'before' and ''sento'' meaning 'I perceive') vs ''presento'' ('I present'). There are many words for which dictionaries now indicate that both pronunciations, either or , are acceptable. Word-internally between vowels, both phonemes have merged in many regional varieties of Italian, as either (Northern-Central) or (Southern-Central).


Vowels

In Italian there is no phonemic distinction between long and short vowels, but vowels in stressed open syllables, unless word-final, are long at the end of the intonational phrase (including isolated words) or when emphasized. Adjacent identical vowels found at morpheme boundaries are not resyllabified, but pronounced separately ("quickly rearticulated"), and they might be reduced to a single short vowel in rapid speech. Although Italian contrasts
close-mid A close-mid vowel (also mid-close vowel, high-mid vowel, mid-high vowel or half-close vowel) is any in a class of vowel sound used in some spoken languages. The defining characteristic of a close-mid vowel is that the tongue is positioned one th ...
() and
open-mid An open-mid vowel (also mid-open vowel, low-mid vowel, mid-low vowel or half-open vowel) is any in a class of vowel sound used in some spoken languages. The defining characteristic of an open-mid vowel is that the tongue is positioned one third ...
() vowels in stressed syllables, the distinction is neutralised in unstressed position in which only the close-mid vowels occur. The height of such vowels in unstressed position is context-sensitive; they are somewhat lowered () in the vicinity of more open vowels. The distinction between close-mid and open-mid vowels is lost entirely in a few Southern varieties of Regional Italian, especially in Northern Sicily (e.g.
Palermo Palermo ( , ; scn, Palermu , locally also or ) is a city in southern Italy, the capital (political), capital of both the autonomous area, autonomous region of Sicily and the Metropolitan City of Palermo, the city's surrounding metropolitan ...
), where they are realized as open-mid , as well as in some Northern varieties (in particular in Piedmont), where they are realized as mid . Word-final stressed is found in a small number of words: ''però'', ''ciò'', ''paltò''. However, as a productive morpheme, it marks the first person singular of all future tense verbs (e.g. ''dormirò'' 'I will sleep') and the third person singular preterite of
first conjugation First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and reco ...
verbs (''parlò'' 's/he spoke', but ''credé'' 's/he believed', ''dormì'' 's/he slept'). Word-final unstressed is rare, found in
onomatopoeic Onomatopoeia is the process of creating a word that phonetically imitates, resembles, or suggests the sound that it describes. Such a word itself is also called an onomatopoeia. Common onomatopoeias include animal noises such as ''oink'', ''m ...
terms (''babau''), loanwords (''guru''), and place or family names derived from the
Sardinian language Sardinian or Sard ( , or ) is a Romance languages, Romance language spoken by the Sardinians on the Western Mediterranean island of Sardinia. Many Romance linguists consider it the language that is closest to Latin among all its genealogica ...
(''Gennargentu'', ''Porcu''). When the last phoneme of a word is an unstressed vowel and the first phoneme of the following word is any vowel, the former vowel tends to become
non-syllabic In phonetics and phonology, a semivowel, glide or semiconsonant is a sound that is phonetically similar to a vowel sound but functions as the syllable boundary, rather than as the nucleus of a syllable. Examples of semivowels in English are the ...
. This phenomenon is called synalepha and should be taken into account when counting syllables, e.g. in poetry. In addition to monophthongs, Italian has
diphthong A diphthong ( ; , ), also known as a gliding vowel, is a combination of two adjacent vowel sounds within the same syllable. Technically, a diphthong is a vowel with two different targets: that is, the tongue (and/or other parts of the speech o ...
s, which, however, are both phonemically and phonetically simply combinations of the other vowels. Some are very common (e.g. ), others are rarer (e.g. ) and some never occur within native Italian words (e.g. ). None of the diphthongs is, however, considered to have distinct phonemic status since their constituents do not behave differently from how they occur in isolation, unlike the diphthongs in other languages like English and German. Grammatical tradition distinguishes 'falling' from 'rising' diphthongs, but since rising diphthongs are composed of one semiconsonantal sound or and one vowel sound, they are not actually diphthongs. The practice of referring to them as 'diphthongs' has been criticised by phoneticians like Luciano Canepari.


Phonotactics


Onset

Italian allows up to three consonants in syllable-initial position, though there are limitations: CC * + any voiceless stop or . E.g. ''spavento'' ('fright') * + any voiced stop, . E.g. ''srotolare'' ('unroll') * , or any stop + . E.g. ''frana'' ('landslide') * , or any stop except + . E.g. ''platano'' ('planetree') * , or any stop or nasal + . E.g. ''fiume'' ('river'), ''vuole'' ('he/she wants'), ''si''amo ('we are'), ''su''ono ('sound') * In words of foreign (mostly Greek) origin which are only partially assimilated, other combinations such as (e.g. ''pneumatico''), (e.g. ''mnemonico''), (e.g. ''tmesi''), and (e.g. ''pseudo-'') occur. As an onset, the cluster + voiceless consonant is inherently unstable. Phonetically, word-internal ''s''+C normally syllabifies as ' 'toad', ' (neighborhood of Rome). Phonetic syllabification of the cluster also occurs at word boundaries if a vowel precedes it without pause, e.g. ' 'the history', implying the same syllable break at the structural level, , thus always latent due to the extrasyllabic , but unrealized phonetically unless a vowel precedes. A competing analysis accepts that while the syllabification is accurate historically, modern retreat of ''i''-
prosthesis In medicine, a prosthesis (plural: prostheses; from grc, πρόσθεσις, prósthesis, addition, application, attachment), or a prosthetic implant, is an artificial device that replaces a missing body part, which may be lost through trau ...
before word initial +C (e.g. erstwhile ''con isforzo'' 'with effort' has generally given way to ''con sforzo'') suggests that the structure is now underdetermined, with occurrence of or variable "according to the context and the idiosyncratic behaviour of the speakers." CCC * + voiceless stop or + . E.g. ''spregiare'' ('to despise') * + voiced stop + . E.g. ''sbracciato'' ('with bare arms'), ''sdraiare'' ('to lay down'), ''sgravare'' ('to relieve') * + + . E.g. ''sclerosi'' ('sclerosis') * + + . E.g. ''sbloccato'' ('unblocked') * or any stop + + . E.g. ''priego'' (antiquated form of ''prego'' 'I pray'), ''proprio'' ('(one's) own' / proper / properly), ''pruovo'' (antiquated form of ''provo'' 'I try') * or any stop or nasal + + . E.g. ''quieto'' ('quiet'), ''continuiamo'' ('we continue') The last combination is however rare and one of the approximants is often vocalised, e.g. ''quieto'' , ''continuiamo''


Nucleus

The nucleus is the only mandatory part of a syllable (for instance, ''a'' 'to, at' is a word) and must be a vowel or a diphthong. In a falling diphthong the most common second elements are or but other combinations such as ''idea'' , ''trae'' may also be interpreted as diphthongs. Combinations of with vowels are often labelled diphthongs, allowing for combinations of with falling diphthongs to be called triphthongs. One view holds that it is more accurate to label as consonants and as consonant-vowel sequences rather than
rising diphthong A diphthong ( ; , ), also known as a gliding vowel, is a combination of two adjacent vowel sounds within the same syllable. Technically, a diphthong is a vowel with two different targets: that is, the tongue (and/or other parts of the speech ...
s. In that interpretation, Italian has only falling diphthongs (phonemically at least, cf. Synaeresis) and no triphthongs.


Coda

Italian permits a small number of
coda Coda or CODA may refer to: Arts, entertainment, and media Films * Movie coda, a post-credits scene * ''Coda'' (1987 film), an Australian horror film about a serial killer, made for television *''Coda'', a 2017 American experimental film from Na ...
consonants. Outside of loanwords, the permitted consonants are: * The first element of any geminate, e.g. ''tutto'' ('everything'), ''avvertire'' ('to warn'). * A nasal consonant that is either (word-finally) or one that is homorganic to a following consonant. E.g. ''Con'' ('with'), ''un poco'' ('a little'), ''ampio'' ('ample'). * Liquid consonants and . E.g. ''per'' ('for'), ''alto'' ('high'). * (though not before fricatives). E.g. ''pesca'' ('peach'); but ''asfalto'' ('asphalt'). There are also restrictions in the types of syllables that permit consonants in the syllable coda. explains that neither geminates, nor coda consonants with " rising sonority" can follow falling diphthongs. However, "rising diphthongs" (or sequences of an approximant and a following vowel) may precede clusters with falling sonority, particularly those that stem historically from an obstruent+liquid onset. For example: * ''biondo'' ('blond') * ''chiosco'' ('kiosk') * ''chiostro'' ('cloister') * ''chioccia'' ('broody hen') * ''fianco'' ('hip')


Syntactic gemination

Word-initial consonants are geminated after certain vowel-final words in the same
prosodic unit In linguistics, a prosodic unit, often called an intonation unit or intonational phrase, is a segment of speech that occurs with a single prosodic contour ( pitch and rhythm contour). The abbreviation IU is used and therefore the full form is o ...
. There are two types of triggers of initial gemination: some unstressed particles, prepositions, and other monosyllabic words, and any oxytonic polysyllabic word. As an example of the first type, ''casa'' ('house') is pronounced but ''a casa'' ('homeward') is pronounced . This is not a purely phonological process, as no gemination is cued by the ''la'' in ''la casa'' 'the house' , and there is nothing detectable in the structure of the preposition ''a'' to account for the gemination. This type normally originates in language history: modern ''a'', for example, derives from Latin AD, and today's geminate in is a continuation of what was once a simple
assimilation Assimilation may refer to: Culture *Cultural assimilation, the process whereby a minority group gradually adapts to the customs and attitudes of the prevailing culture and customs **Language shift, also known as language assimilation, the progre ...
. Gemination cued by final stressed vowels, however, is transparently phonological. Final stressed vowels are short by nature, if a consonant follows a short stressed vowel the syllable must be closed, thus the consonant following the final stressed vowel is drawn to lengthen: ''parlò portoghese'' 's/he spoke Portuguese' vs. ''parla portoghese'' 's/he speaks Portuguese'. To summarize, syntactic gemination occurs in standard Italian mainly in the following two cases: * After word-final stressed vowels (words such as ''sanità'', ''perché'', ''poté'', ''morì'' and so on). * After the words ''a'', ''che'', ''chi'', ''come'', ''da'', ''do'', ''dove'', ''e'', ''fa'', ''fra'', ''fu'', ''gru'', ''ha'', ''ho'', ''ma'', ''me'', ''mo' '' (in the phrase ''a mo' di''), ''no'', ''o'', ''qua'', ''qualche'', ''qui'', ''so'', ''sopra'', ''sta'', ''sto'', ''su'', ''te'', ''tra'', ''tre'', ''tu'', ''va'', ''vo''. Syntactic gemination is the normal native pronunciation in Central Italy (both "stress-induced" and "lexical") and
Southern Italy Southern Italy ( it, Sud Italia or ) also known as ''Meridione'' or ''Mezzogiorno'' (), is a macroregion of the Italian Republic consisting of its southern half. The term ''Mezzogiorno'' today refers to regions that are associated with the peop ...
(only "lexical"), including Sicily and
Corsica Corsica ( , Upper , Southern ; it, Corsica; ; french: Corse ; lij, Còrsega; sc, Còssiga) is an island in the Mediterranean Sea and one of the 18 regions of France. It is the fourth-largest island in the Mediterranean and lies southeast of ...
( France). In
Northern Italy Northern Italy ( it, Italia settentrionale, it, Nord Italia, label=none, it, Alta Italia, label=none or just it, Nord, label=none) is a geographical and cultural region in the northern part of Italy. It consists of eight administrative regions ...
and Sardinia, speakers use it inconsistently because the feature is not present in the dialectal
substratum In linguistics, a stratum (Latin for "layer") or strate is a language that influences or is influenced by another through contact. A substratum or substrate is a language that has lower power or prestige than another, while a superstratum or sup ...
and is not usually shown in the written language unless a new word is produced by the fusion of the two: ''"chi sa"''-> ''chissà'' ("who knows" in the sense of ''goodness knows'').


Regional variation

The above IPA symbols and description refer to standard Italian, based on a somewhat idealized version of the Tuscan-derived national language. As is common in many cultures, this single version of the language was pushed as neutral, proper, and eventually superior, leading to some stigmatization of varying accents. Television news anchors and other high-profile figures had to put aside their regional Italian when in the public sphere. However, in more recent years the enforcement of this standard has fallen out of favor in Italy, and news reporters, actors, and the like are now more free to deliver their words in their native regional variety of Italian, which appeals to the Italian population's range of linguistic diversity. The variety is still not represented in its wholeness and accents from the South are maybe to be considered less popular, except in shows set in the South and in comedy, a field in which Naples, Sicily and the South in general have always been present. Though it still represents the basics for the standard variety, the loosened restrictions have led to Tuscan being seen for what it is, just one dialect among many with its own regional peculiarities and qualities, many of which are shared with Umbria, Southern Marche and Northern Lazio. * In Tuscany (though not in standard Italian, which is derived from, but not equivalent to, Tuscan dialect), voiceless stops are typically pronounced as fricatives between vowels. That is, → : e.g. ''i capitani'' 'the captains' , a phenomenon known as the ''gorgia toscana'' 'Tuscan throat'. In a much more widespread area of Central Italy, postalveolar affricates are deaffricated when intervocalic so that ''in Cina'' ('in China') is pronounced but ''la Cina'' ('the China') is , and /ˈbat͡ʃo/ ''bacio'' 'kiss' is baːʃorather than Standard Italian baːt͡ʃo This deaffrication can result in minimal pairs distinguished only by length of the fricatives, issuing from /t͡ʃ/ and ːfrom geminate /ʃʃ/: ''lacerò'' 's/he ripped' vs. ''lascerò'' 'I will leave'. * In nonstandard varieties of Central and Southern Italian, some stops at the end of a syllable completely assimilate to the following consonant. For example, a Venetian might say ''tecnica'' as or in violation of normal Italian consonant contact restrictions, while a Florentine would likely pronounce ''tecnica'' as , a Roman on a range from to (in Southern Italian, complex clusters usually are separated by a vowel: a Neapolitan would say , a Sicilian ). Similarly, although the cluster has developed historically as through assimilation, a learned word such as ''ictus'' will be pronounced by some, by others. * In popular (non-Tuscan) Central and Southern Italian speech, and tend to always be geminated ( and ) when between two vowels, or a vowel and a sonorant (, , , or ). Sometimes this is also used in written language, e.g. writing ''robba'' instead of ''roba'' ('property'), to suggest a regional accent, though this spelling is considered incorrect. In Tuscany and beyond in Central and Southern Italy, intervocalic non-geminate is realized as (parallel to realized as described above). * The two phonemes and have merged in many varieties of Italian: when between two vowels within the same word, it tends to always be pronounced in Northern Italy, and in Central and Southern Italy (except in the Arbëreshë community). A notable example is the word ''casa'' ('house'): in Northern Italy it is pronounced ; in Southern-Central Italy it's pronounced . * In several Southern varieties, voiceless stops tend to be voiced if following a sonorant, as an influence of the still largely spoken regional languages: ''campo'' is often pronounced , and Antonio is frequently . The various Tuscan, Corsican and
Central Italian Central Italian (Italian: ''dialetti mediani'') refers to Italo-Romance varieties spoken in the so-called ''Area Mediana'', which covers a swathe of the central Italian peninsula. ''Area Mediana'' is also used in a narrower sense to describe the ...
dialects are, to some extent, the closest ones to Standard Italian in terms of linguistic features, since the latter is based on a somewhat polished form of Florentine.


Phonological development

Very little research has been done on the earliest stages of phonological development in Italian. This article primarily describes phonological development after the first year of life. See the main article on phonological development for a description of first year stages. Many of the earliest stages are thought to be universal to all infants.


Phoneme inventory

Word-final consonants are rarely produced during the early stages of word production. Consonants are usually found in word-initial position, or in intervocalic position.


17 months

Most consonants are word-initial: They are the stops , , , and and the nasal . A preference for a front place of articulation is present.


21 months

More phones now appear in intervocalic contexts. The additions to the phonetic inventory are the voiced stop , the nasal , the voiceless affricate , and the liquid .


24 months

The fricatives , , and are added, primarily at the intervocalic position.


27 months

Approximately equal numbers of phones are now produced in word-initial and intervocalic position. Additions to the phonetic inventory are the voiced stop and the consonant cluster . While the word-initial inventory now tends to have all the phones of the adult targets (adult production of the child's words), the intervocalic inventory tends to still be missing four consonants or consonant clusters of the adult targets: , , , and . Stops are the most common
manner of articulation In articulatory phonetics, the manner of articulation is the configuration and interaction of the articulators (speech organs such as the tongue, lips, and palate) when making a speech sound. One parameter of manner is ''stricture,'' that is, h ...
at all stages and are produced more often than they are present in the target words at around 18 months. Gradually this frequency decreases to almost target-like frequency by around 27 months. The opposite process happens with fricatives, affricates, laterals and trills. Initially, the production of these phonemes is significantly less than what is found in the target words and the production continues to increases to target-like frequency. Alveolars and bilabials are the two most common places of articulation, with alveolar production steadily increasing after the first stage and bilabial production gently decreasing. Labiodental and postalveolar production increases throughout development, while velar production decreases.


Phonotactics

__NOTOC__


Syllable structures


= 6–10 months

= Babbling becomes distinct from previous, less structured vocal play. Initially, syllable structure is limited to CVCV, called reduplicated babbling. At this stage, children’s vocalizations have a weak relation to adult Italian and the Italian lexicon.


= 11–14 months

= The most-used syllable type changes as children age, and the distribution of syllables takes on increasingly Italian characteristics. This ability significantly increases between the ages of 11 and 12 months, 12 and 13 months, and 13 and 14 months. Consonant clusters are still absent. Children's first ten words appear around month 12, and take CVCV format (e.g. ''mamma'' 'mom', ''papà'' 'dad').


= 18–24 months

= Reduplicated babbling is replaced by variegated babbling, producing syllable structures such as C1VC2V (e.g. ''cane'' 'dog', ''topo'' 'mouse'). Production of trisyllabic words begins (e.g. ''pecora'' 'sheep', ''matita'' 'pencil'). Consonant clusters are now present (e.g. ''bimba'' 'female child', ''venti'' 'twenty'). Ambient language plays an increasingly significant role as children begin to solidify early syllable structure. Syllable combinations that are infrequent in the Italian lexicon, such as velar-labial sequences (e.g. ''capra'' 'goat' or ''gamba'' 'leg') are infrequently produced correctly by children, and are often subject to consonant harmony.


Stress patterns

In Italian, stress is lexical, meaning it is word-specific and partly unpredictable. Penultimate stress (primary stress on the second-to-last syllable) is also generally preferred."Stress in Italian occurs most often on the penultimate syllable ( paroxytones); it also occurs on the antepenultimate syllable ( proparoxytones) .... This goal, acting simultaneously with the child's initial inability to produce polysyllabic words, often results in weak-syllable deletion. The primary environment for weak-syllable deletion in polysyllabic words is word-initial, as deleting word-final or word-medial syllables would interfere with the penultimate stress pattern heard in ambient language.


Phonological awareness

Children develop syllabic segmentation awareness earlier than phonemic segmentation awareness. In earlier stages, syllables are perceived as a separate phonetic unit, while phonemes are perceived as assimilated units by coarticulation in spoken language. By first grade, Italian children are nearing full development of segmentation awareness on both syllables and phonemes. Compared to those children whose mother tongue exhibits closed syllable structure (CVC,CCVC, CVCC, etc.), Italian-speaking children develop this segmentation awareness earlier, possibly due to its
open syllable structure Open or OPEN may refer to: Music * Open (band), Australian pop/rock band * The Open (band), English indie rock band * ''Open'' (Blues Image album), 1969 * ''Open'' (Gotthard album), 1999 * ''Open'' (Cowboy Junkies album), 2001 * ''Open'' (YF ...
(CVCV, CVCVCV, etc.). Rigidity in Italian ( shallow orthography and open syllable structure) makes it easier for Italian-speaking children to be aware of those segments.


Sample texts

Provided here is a rendition of the Bible, Luke 2, 1–7, as read by a native Italian speaker from Milan. As a northerner, his pronunciation lacks
syntactic doubling Syntactic gemination, or syntactic doubling, is an external sandhi phenomenon in Italian, other Romance languages spoken in Italy, and Finnish. It consists in the lengthening (gemination) of the initial consonant in certain contexts. It may also ...
( instead of ) and intervocalic ( instead of ). The speaker realises as in some positions.
2:1 In quei giorni, un decreto di Cesare Augusto ordinava che si facesse un censimento di tutta la terra.
2 Questo primo censimento fu fatto quando Quirino era governatore della Siria.
3 Tutti andavano a farsi registrare, ciascuno nella propria città.
4 Anche Giuseppe, che era della casa e della famiglia di Davide, dalla città di Nazaret e dalla Galilea si recò in Giudea nella città di Davide, chiamata Betlemme,
5 per farsi registrare insieme a Maria, sua sposa, che era incinta.
6 Proprio mentre si trovavano lì, venne il tempo per lei di partorire.
7 Mise al mondo il suo primogenito, lo avvolse in fasce e lo depose in una mangiatoia, poiché non c'era posto per loro nella locanda.
The differences in pronunciation are underlined in the following transcriptions; the velar is an allophone of and the long vowels are allophones of the short vowels, but are shown for clarity. A rough transcription of the audio sample is:
2:1
2
3
4
5
6
7
The Standard Italian pronunciation of the text is:
2:1
2
3
4
5
6
7


See also

* Italian orthography * Italian language *
Italian grammar Italian grammar is the body of rules describing the properties of the Italian language. Italian words can be divided into the following lexical categories: articles, nouns, adjectives, pronouns, verbs, adverbs, prepositions, conjunctions, and in ...
*
Syntactic gemination Syntactic gemination, or syntactic doubling, is an external sandhi phenomenon in Italian, other Romance languages spoken in Italy, and Finnish. It consists in the lengthening (gemination) of the initial consonant in certain contexts. It may also ...
* Wikipedia help page for IPA for Italian – includes English approximations * Italian pronunciation guide at Wiktionary


References


Bibliography

* * * * * * * * * * * * * * * * *


External links


The online edition (2016) of the ''Dizionario d'ortografia e di pronunzia'' (''DOP''), a pronouncing dictionary of standard Italian
{{Language phonologies Italian language Italic phonologies