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''It's Trad, Dad!'' (U.S. title: ''Ring-A-Ding Rhythm'') is a 1962 British
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film Musical film is a film genre in which songs by the Character (arts), charac ...
comedy film The comedy film is a film genre that emphasizes humor. These films are designed to amuse audiences and make them laugh. Films in this genre typically have a happy ending, with dark comedy being an exception to this rule. Comedy is one of the o ...
directed by
Richard Lester Richard Lester Liebman (born January 19, 1932) is an American retired film director, who spent the majority of his professional life in the United Kingdom. He is known for the fast-paced, flamboyant directing he brought to his comedy films, mo ...
in his feature directorial debut. It stars singer and actress Helen Shapiro alongside Craig Douglas, John Leyton, the Brook Brothers, and Chubby Checker, among other rock-and-roll singers, as well as several Dixieland jazz bands. The film was one of the first produced by Amicus Productions, a company known predominantly for
horror film Horror is a film genre that seeks to elicit physical or psychological fear in its viewers. Horror films often explore dark subject matter and may deal with Transgressive art, transgressive topics or themes. Broad elements of the genre include Mo ...
s.


Plot

Craig and Helen are teenagers who enjoy the latest trend of traditional jazz along with their friends. The local mayor and a group of adults dislike the trend and move to have the jukebox in the coffee shop silenced. With the help of an omniscient narrator, Craig and Helen try to find a
disc jockey A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include Radio personality, radio DJs (who host programs on music radio stations), club DJs (who work at nightclubs or music fes ...
and organize a show to popularize the music. Their travels take them where the music is: nightclubs, TV studios, and recording companies. They eventually get to see disc jockey Pete Murray and persuade him to attend and arrange for several jazz bands to perform. Murray recruits two other deejays, David Jacobs and Alan Freeman, to join the party. The mayor, upon hearing the news of the upcoming performance, decides to stop the performers' bus by any means necessary. When the show is scheduled to start, Craig and Helen find that their disc jockey and musicians have not yet arrived, so they perform themselves and are well received by the crowd. The bands' bus manages to evade a series of obstacles set up by the local police, and they arrive and put on the show for the BBC television cameras. The film ends with everyone enjoying the music, including the mayor who has been easily persuaded to take the credit for having arranged a successful show.


Cast

* Helen Shapiro * Craig Douglas * John Leyton * The Brook Brothers * Chubby Checker * Del Shannon * Gary U.S. Bonds (as Gary (U.S.) Bonds) * Gene Vincent * Gene McDaniels * The Paris Sisters (as Paris Sisters) * The Dukes of Dixieland (as Dukes of Dixieland) * Chris Barber's Jazz Band with Ottilie Patterson * Acker Bilk and His Paramount Jazz Band (as Mr. Acker Bilk and His Paramount Jazz Band) * Kenny Ball and his Jazzmen (as Kenny Ball's Jazzmen) * Bob Wallis and his Storyville Jazzmen * Terry Lightfoot and his New Orleans Jazz Band * The Temperance Seven * Sounds Incorporated (as Sounds Inc.) * David Jacobs * Pete Murray * Alan Freeman * Felix Felton as Mayor * Arthur Mullard as Police Chief * Deryck Guyler as Narrator


Soundtrack

The film predominantly comprises musical numbers, including performances by the principal actors Helen Shapiro and Craig Douglas themselves. However, unlike traditional "musicals" the songs have little to do with the movie plot. The other performers shown in the cast list were popular acts from both the U.K. and U.S.


Reception

'' The Monthly Film Bulletin'' wrote: "No one takes this most bewhiskered of stories seriously for a moment, least of all the director, Dick Lester. He has worked with The Goons, both in TV ('' A Show Called Fred'') and films ( ''The Running, Jumping and Standing Still Film''), and here revives the tradition of W. C. Fields, Eddie Cline and ''Hellzapoppin'' by satirising his script, his actors and any number of cinema conventions between the feverish jazz turns which make up the bulk of the picture. These jazz insets are dashing, deafening or sociologically depressing according to one's personal reaction, with Helen Shapiro's assurance (as a singer, though not yet as an actress) and the Temperance Seven's devastatingly funny impassivity making notably strong impressions. For once it is sheer zest and invention which count, for they are the qualities – far more than the jamboree of topline "pop" artists taking part – which have succeeded in turning a basically threadbare, trashy plot-line into a genuinely comic occasion."


References


External links

* * * * {{Gene Vincent British musical comedy films 1962 films Films directed by Richard Lester British black-and-white films 1962 musical comedy films Amicus Productions films Columbia Pictures films 1962 directorial debut films Films scored by Ken Thorne 1960s English-language films 1960s British films English-language musical comedy films