Isabella Leonarda (6 September 1620 – 25 February 1704) was an Italian composer from
Novara
Novara (, Novarese: ) is the capital city of the province of Novara in the Piedmont region in northwest Italy, to the west of Milan. With 101,916 inhabitants (on 1 January 2021), it is the second most populous city in Piedmont after Turin. It is ...
. At the age of 16, she entered the Collegio di Sant'Orsola, an
Ursuline convent
A convent is a community of monks, nuns, religious brothers or, sisters or priests. Alternatively, ''convent'' means the building used by the community. The word is particularly used in the Catholic Church, Lutheran churches, and the Anglican ...
, where she stayed for the remainder of her life. Leonarda is most renowned for the numerous
compositions
Composition or Compositions may refer to:
Arts and literature
* Composition (dance), practice and teaching of choreography
*Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include ...
that she wrote during her time at the convent, making her one of the most productive female composers of her time.
Biography
Isabella Leonarda was born on 6 September 1620, the daughter of Giannantonio Leonardi and his wife, Apollonia. The Leonardi were an old and prominent Novarese family whose members included important church and civic officials and knights palatine. Isabella's father, who held the title of
count
Count (feminine: countess) is a historical title of nobility in certain European countries, varying in relative status, generally of middling rank in the hierarchy of nobility. Pine, L. G. ''Titles: How the King Became His Majesty''. New York: ...
, was a
doctor of law
A Doctor of Law is a degree in law. The application of the term varies from country to country and includes degrees such as the Doctor of Juridical Science (J.S.D. or S.J.D), Juris Doctor (J.D.), Doctor of Philosophy (Ph.D.), and Legum Doctor (LL ...
s.
In 1636, Leonarda entered the Collegio di Sant'Orsola, an Ursuline convent in Novara. Her family maintained close ties with Sant'Orsola as benefactors, which some speculate may have contributed to Leonarda's influence within the convent. She held various positions of authority throughout her time at Sant'Orsola – as ''madre'' (1676), ''superiora'' (1686), ''madre vicaria'' (1693), and ''consigliera'' (1700). The precise significance of these titles is unclear, but ''superiora'' was probably the highest office in the convent.
Leonarda was a highly regarded composer in her home city, but her music was apparently little known in other parts of Italy. Lazzaro Agostino Cotta called her "''la Musa novarese''" (the muse of Novara) when he published a sonnet by A. Saminiati Lucchese which praised her musical talent, comparing it to the military prowess of Emperor Leopold I.
Her published compositions span a period of 60 years, beginning with the dialogues of 1640 and concluding with the ''
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
ti a voce sola'' of 1700. Leonarda is credited with producing nearly two hundred compositions during that period, though her only works appearing before 1670 were the dialogues printed by Gasparo Casati. It appears that she was over the age of 50 before she started composing regularly, and it was at that time that she began publishing the works that we know her for today.
Working in music
Leonarda was not well known as a singer or instrumentalist, and not much is known about her involvement in these activities. This did not detract from her fame, however, as one of the most prolific convent composers of the
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
era, writing approximately 200 compositions during her lifetime.
Teaching and learning
Not much is known about Leonarda's musical education before entering Sant'Orsola, though many have speculated that she may have had some such education due to the high social and economic status of her family. It has also been suggested that once in the convent, she studied with Gasparo Casati (1610–1641), a talented but little-known composer who was ''
maestro di cappella
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term ha ...
'' at the
Novara Cathedral
Novara Cathedral ( it, Duomo di Novara or ''Cattedrale di Santa Maria Assunta'') is a Roman Catholic cathedral, dedicated to the Assumption of the Virgin Mary, located at the Piazza della Repubblica in Novara, Piedmont, Italy. It is the seat of the ...
from 1635 until his death. The only direct evidence linking the two, however, is Casati's ''Terzo libro di sacri concenti'', which contains two dramatic dialogues, the earliest known compositions of Leonarda.
[
A 1658 convent document identified Leonarda as ''magistra musicae'' (music teacher).] It seems from this that she played some role teaching the other nun
A nun is a woman who vows to dedicate her life to religious service, typically living under vows of poverty, chastity, and obedience in the enclosure of a monastery or convent.''The Oxford English Dictionary'', vol. X, page 599. The term is o ...
s to play music. The convent's nuns may have performed Leonarda's works.
Compositions
Leonarda wrote music in nearly every sacred genre: motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margar ...
s and sacred concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typi ...
s for one to four voices, sacred Latin dialogues, psalm
The Book of Psalms ( or ; he, תְּהִלִּים, , lit. "praises"), also known as the Psalms, or the Psalter, is the first book of the ("Writings"), the third section of the Tanakh, and a book of the Old Testament. The title is derived ...
settings, responsories
A responsory or respond is a type of chant in western Christian liturgies.
Definition
The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group sing ...
, Magnificat
The Magnificat (Latin for "y soul
Y, or y, is the twenty-fifth and penultimate letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. According to some authorities, it is the sixth (or sevent ...
magnifies he Lord
He or HE may refer to:
Language
* He (pronoun), an English pronoun
* He (kana), the romanization of the Japanese kana へ
* He (letter), the fifth letter of many Semitic alphabets
* He (Cyrillic), a letter of the Cyrillic script called ''He'' ...
) is a canticle, also known as the Song of Mary, the Canticle of Mary and, in the Eastern Christianity, Byzantine tradition, the Ode of the Theotokos (). It is traditionally incorporated ...
s, litanies
Litany, in Christian worship and some forms of Judaic worship, is a form of prayer used in services and processions, and consisting of a number of petitions. The word comes through Latin ''litania'' from Ancient Greek λιτανεία (''litan ...
, masses, and '' sonate da chiesa.'' In addition, she wrote music for solo and continuo, chorus, and strings. Leonarda also wrote a few sacred solo songs with vernacular texts. Her ''sonata da chiesa'', Op. 16, was the first published instrumental sonata by a woman.
Though Leonarda's predominant genre was the solo motet, most of her notable historical achievements came from her sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cant ...
s. She was the first woman to publish sonatas, composing many throughout her lifetime.[ For example, Sonatas 1 through 11 are for two ]violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...
s, violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted i ...
, and organ
Organ may refer to:
Biology
* Organ (biology), a part of an organism
Musical instruments
* Organ (music), a family of keyboard musical instruments characterized by sustained tone
** Electronic organ, an electronic keyboard instrument
** Hammond ...
. Sonatas 1, 3, 4, 7, and 8 are "concerted sonatas": each of the three instruments has at least one solo passage. Sonata 12 is Leonarda's only solo sonata and one of her most renowned compositions. It is divided into seven sections with two slow movements
Movement may refer to:
Common uses
* Movement (clockwork), the internal mechanism of a timepiece
* Motion, commonly referred to as movement
Arts, entertainment, and media
Literature
* "Movement" (short story), a short story by Nancy Fu ...
which are recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
-like, inviting improvised
Improvisation is the activity of making or doing something not planned beforehand, using whatever can be found. Improvisation in the performing arts is a very spontaneous performance without specific or scripted preparation. The skills of impr ...
embellishments
In music, ornaments or embellishments are musical flourishes—typically, added notes—that are not essential to carry the overall line of the melody (or harmony), but serve instead to decorate or "ornament" that line (or harmony), provide add ...
.[
]
Musical style
In the early 17th century Italian music there is a distinction between prima pratica
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to '' stile moderno'', which adhered to more modern trends. ''Prim ...
and seconda pratica Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is sometimes referred to as Stile moderno. The term "Seconda pratica" first appeared in 1603 in Giovanni Artusi's book ''Seconda Parte dell'Artusi, overo Delle i ...
. In general, education in the prima pratica style was not widely available for women. Leonarda, however, was educated in formal counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradi ...
and uses it in many of her pieces. Leonarda's intricate use of harmonies
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, ...
is one example of her influence in the cultivation of polyphonic music
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...
at Sant'Orsola, as many other Italian nun composers were doing at their own convents during the same period. This style created an atmosphere conducive to the creativity of the musician, allowing for slight improvisation or musical ornamentation.[
Leonarda's sonatas are unusual in their formal structure. It is generally held that ]Arcangelo Corelli
Arcangelo Corelli (, also , , ; 17 February 1653 – 8 January 1713) was an Italian composer and violinist of the Baroque era. His music was key in the development of the modern genres of sonata and concerto, in establishing the preeminence of ...
established the "standard" four-movement, slow–fast–slow–fast form of the ''sonata da chiesa''. Leonarda's sonatas, however, vary from as few as four (Sonatas 6 and 9) to as many as thirteen movements (Sonata 4), and her sonatas in four sections do not follow the slow–fast–slow–fast model. Additionally, Leonarda uses refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the vi ...
s in a rather unusual way. Sonata 5 is the most regular; Sonata 10 has two refrains, in the pattern A–B–C–D–E–B–D–F–B–G. Sonata 4 has the quite unusual plan of A–B–C–D–E–F–G–H–I–J–I'–J'–I'. Sections are essentially of three types: (1) fast sections in duple metre
Duple metre (or Am. duple meter, also known as duple time) is a musical metre characterized by a ''primary'' division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the tim ...
, often with some imitation
Imitation (from Latin ''imitatio'', "a copying, imitation") is a behavior whereby an individual observes and replicates another's behavior. Imitation is also a form of that leads to the "development of traditions, and ultimately our culture. I ...
, derived from the canzona
The canzona is an Italian musical form derived from the Franco-Flemish and Parisian chansons, and during Giovanni Gabrieli's lifetime was frequently spelled canzona, though both earlier and later the singular was spelled either canzon or canzone ...
tradition; (2) slow, expressive, homophonic
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh ...
sections in duple meter, related perhaps to the toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuo ...
and recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
; and (3) homophonic
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh ...
sections (occasionally with brief passages in imitation) in triple time
Triple metre (or Am. triple meter, also known as triple time) is a musical metre characterized by a ''primary'' division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with , , ...
, apparently related to the dance.[
]
Publication dedications
Almost all of Leonarda's works carry a double dedication
Dedication is the act of consecrating an altar, temple, church, or other sacred building.
Feast of Dedication
The Feast of Dedication, today Hanukkah, once also called "Feast of the Maccabees," is a Jewish festival observed for eight days fr ...
– one to the Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother o ...
as well as one to a highly placed living person. In one of her dedications, Leonarda stated that she wrote music not to gain credit in the world, but so that all would know that she was devoted to the Virgin Mary.[ The living dedicatees include the ]archbishop of Milan
The Archdiocese of Milan ( it, Arcidiocesi di Milano; la, Archidioecesis Mediolanensis) is a Latin Church ecclesiastical territory or archdiocese of the Catholic Church in Italy which covers the areas of Milan, Monza, Lecco and Varese. It has l ...
, the bishop of Novara
The Diocese of Novara ( la, Dioecesis Novariensis) is a Roman Catholic diocese in the Piedmont region of northwest Italy. It is a suffragan of the Archdiocese of Vercelli.[Emperor Leopold I
Leopold I (Leopold Ignaz Joseph Balthasar Franz Felician; hu, I. Lipót; 9 June 1640 – 5 May 1705) was Holy Roman Emperor, King of Hungary, Croatia, and Bohemia. The second son of Ferdinand III, Holy Roman Emperor, by his first wife, Maria An ...]
. The need to seek financial support for the convent likely motivated many of these dedications.[ She also noted in the dedication to Opus 10 that she wrote music only during time allotted for rest so as not to neglect her administrative duties within the convent. This contradicts the common speculation that Leonarda was able to spend more time composing than other nuns of the time due to her positions of authority within the convent.][
]
Notes
Sources
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{{DEFAULTSORT:Leonarda, Isabella
Italian Baroque composers
Italian women classical composers
1620 births
1704 deaths
17th-century Italian composers
17th-century Italian women
17th-century women composers
Ursulines