Interpretative Dance
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Interpretive dance is a family of modern dance styles that began around 1900 with Isadora Duncan. It used classical concert music but marked a departure from traditional concert dance. It seeks to translate human emotions, conditions, situations or fantasies into movement and dramatic expression, or else adapts traditional ethnic movements into more modern expressions.{{cite web, url=http://www.snowcrest.net/turningpoint/interpdance.html, title=Interpretive Dance by Nadia Hava-Robbins, MA, website=www.snowcrest.net The effect of interpretive dance can be seen in many Broadway
musicals Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement ...
as well as in other media. While it was—and most often, still is—thought of as a performing art, interpretive dance does not have to be performed with music. It often includes grandiloquent movements of the arms, turns and drops to the floor. It is frequently enhanced by lavish costumes, ribbons or spandex body suits.


See also

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Dance improvisation Dance improvisation is the process of spontaneously creating movement. Development of movement material is facilitated through a variety of creative explorations including body mapping through levels, shape and dynamics schema. Improvisation is a f ...
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Free dance Free dance is a 20th-century dance form that preceded modern dance. Rebelling against the rigid constraints of classical ballet, Loie Fuller, Isadora Duncan and Ruth St. Denis (with her work in theater) developed their own styles of free dance ...
* Lyrical dance


References

Free and improvised dance