The Independent Theatre Society was a by-subscription-only organisation in London from 1891 to 1897, founded by Dutch drama critic
Jacob Grein to give "special performances of plays which have a literary and artistic rather than a commercial value."
[''The Independent Theatre'']
(A Glimpse of Theatre History), accessed 15 January 2009 The society was inspired by its continental forerunners, the ''
Théâtre-Libre'' (Free Theatre) and ''
Die Freie Bühne
Die Freie Bühne (German: "The Free Stage") was a subscription-based theatre club founded in Berlin, Germany in 1889 by ten writers and theatre critics supervised by Otto Brahm for the purpose of staging new, naturalistic plays that were censored, ...
'' (Free Stage). The Society produced modern
realist plays, mostly by continental European playwrights, on the London stage.
Description
The Society's performances, using professional actors, were given in theatres that were otherwise 'dark' — on Sundays, when no normal performances were scheduled. Because membership was by subscription, the performances were not "public", and so the Society was allowed to perform plays that had not received a licence from the
Lord Chamberlain's Office
The Lord Chamberlain's Office is a department within the British Royal Household. It is concerned with matters such as protocol, state visits, investitures, garden parties, royal weddings and funerals. For example, in April 2005 it organised the ...
; and in this way they were able to avoid the censorship of the London stage.
During 1891, the
Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. fell vacant and offered the Society an opportunity to stage plays with a professional cast and crew.
[''The Pitt Estate in Dean Street: The Royalty Theatre'']
''Survey of London
The Survey of London is a research project to produce a comprehensive architectural survey of central London and its suburbs, or the area formerly administered by the London County Council. It was founded in 1894 by Charles Robert Ashbee, an Ar ...
: volumes 33 and 34: St Anne Soho'' (1966), pp. 215-21, accessed 15 January 2009 The first performance for the Society there was of
Henrik Ibsen
Henrik Johan Ibsen (; ; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playw ...
's ''
Ghosts
A ghost is the soul or spirit of a dead person or animal that is believed to be able to appear to the living. In ghostlore, descriptions of ghosts vary widely from an invisible presence to translucent or barely visible wispy shapes, to rea ...
'', on 13 March 1891 — in a translation by
William Archer William or Bill Archer may refer to:
* William Archer (British politician) (1677–1739), British politician
* William S. Archer (1789–1855), U.S. Senator and Representative from Virginia
* William Beatty Archer (1793–1870), Illinois politician ...
. This was followed by
Émile Zola
Émile Édouard Charles Antoine Zola (, also , ; 2 April 184029 September 1902) was a French novelist, journalist, playwright, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of ...
's ''
Thérèse Raquin
''Thérèse Raquin'' is an 1868 novel by French writer Émile Zola, first published in serial form in the literary magazine ''L'Artiste'' in 1867. It was Zola's third novel, though the first to earn wide fame. The novel's adultery and murder ...
'' on 9 October 1891. Both plays were greeted with a storm of protest. ''Ghosts'' was described thus: "an orderly audience, including many ladies... listened attentively to the dramatic exposition of a subject which is not usually discussed outside the walls of an hospital". Other critics called for the withdrawal of
Kate Santley
Evangeline Estelle Gazina (c. 1837Culme, John ''Footlight Notes'', No. 361, 14 August 2004, accessed 7 September 2012; an"Kate Santley by Sarony Cabinet Card" ''Remains to Be Seen'', accessed 7 September 2012 – 18 January 1923), better known u ...
's licence.
[ The following year, Grein approached the (then) young theatre critic ]George Bernard Shaw
George Bernard Shaw (26 July 1856 – 2 November 1950), known at his insistence simply as Bernard Shaw, was an Irish playwright, critic, polemicist and political activist. His influence on Western theatre, culture and politics extended from ...
for a play for the Society. Shaw's first play, ''Widowers' Houses
''Widowers' Houses'' (1892) was the first play by George Bernard Shaw to be staged. It premièred on 9 December 1892 at the Royalty Theatre, under the auspices of the Independent Theatre Society — a subscription club, formed to escape th ...
'', premièred for the Society at the Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938. on 9 December 1892.[ ''A Question of Memory'' by Michael Field premièred on 27 October 1893; and ''The Black Cat'' by Irish playwright, ]John Todhunter
John Todhunter (30 December 1839 – 25 October 1916) was an Irish poet and playwright who wrote seven volumes of poetry, and several plays.
Life
Todhunter was born in Dublin, the eldest son of Thomas Harvey Todhunter, a Quaker merchant ...
received its only performance, on 8 December 1893, at the Opera Comique
The Opera Comique was a 19th-century theatre constructed in Westminster, London, between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway. ...
. The Society premièred Ibsen's ''The Wild Duck
''The Wild Duck'' (original Norwegian title: ''Vildanden'') is an 1884 play by the Norwegian playwright Henrik Ibsen. It is considered the first modern masterpiece in the genre of tragicomedy. ''The Wild Duck'' and ''Rosmersholm'' are "often t ...
'' (in translation) in 1894. In 1895, Grein invited Aurélien Lugné-Poe
:''see also Aurélien (given name), for individuals with the masculine given name.
''Aurélien'' is a novel by Louis Aragon, the fourth of the ''Le Monde réel'' cycle. It was ranked 51st in ''Le Mondes 100 Books of the Century.
Plot
''A ...
to present a season of productions in French, of Ibsen's ''Rosmersholm
''Rosmersholm'' () is a play written by Norwegian playwright Henrik Ibsen in Danish—the common written language of Denmark and Norway at the time—and originally published in 1886 in Copenhagen by the Danish publisher Gyldendal. ''Rosmersholm'' ...
'', ''The Master Builder
''The Master Builder'' ( no, Bygmester Solness) is a play by Norwegian playwright Henrik Ibsen.
It was first published in December 1892 and is regarded as one of Ibsen's more significant and revealing works.
Performance
The play was published ...
'' and Maurice Maeterlinck
Maurice Polydore Marie Bernard Maeterlinck (29 August 1862 – 6 May 1949), also known as Count (or Comte) Maeterlinck from 1932, was a Belgian playwright, poet, and essayist who was Flemish but wrote in French. He was awarded the Nobel Prize in ...
's symbolist
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realis ...
''L'Intruse ''Intruder'' (french: L'Intruse) is a one-act play by Belgian playwright Maurice Maeterlinck, which appeared first in publication in 1890. Journalistic appreciations of the text throughout that year prompted Parisian independent theatre producers t ...
'' and ''Pelléas and Mélisande
''Pelléas and Mélisande'' (french: Pelléas et Mélisande) is a Symbolist play by Maurice Maeterlinck about the forbidden, doomed love of the title characters. It was first performed in 1893.
The work never achieved great success on the stage, ...
''.
Membership of the Society never exceeded 175, but it was influential, including George Meredith
George Meredith (12 February 1828 – 18 May 1909) was an English novelist and poet of the Victorian era. At first his focus was poetry, influenced by John Keats among others, but he gradually established a reputation as a novelist. ''The Ord ...
, Arthur Wing Pinero
Sir Arthur Wing Pinero (24 May 185523 November 1934) was an English playwright and, early in his career, actor.
Pinero was drawn to the theatre from an early age, and became a professional actor at the age of 19. He gained experience as a supp ...
, Thomas Hardy
Thomas Hardy (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, including the poetry of William Word ...
and Henry James
Henry James ( – ) was an American-British author. He is regarded as a key transitional figure between literary realism and literary modernism, and is considered by many to be among the greatest novelists in the English language. He was the ...
, amongst the members. In 1895, Shaw wrote (of the Society) "The Independent Theatre is an excellent institution, simply because it is independent. The disparagers ask what it is independent of.... It is, of course, independent of commercial success.... If Mr Grein had not taken the dramatic critics of London and put them in a row before ''Ghosts'' and ''The Wild Duck'', with a small but inquisitive and influential body of enthusiasts behind them, we should be far less advanced today than we are. The real history of the drama for the last ten years is not the history of the prosperous enterprises of Mr Hare, Mr Irving, and the established West-End theatres, but of the forlorn hopes led by Mr Vernon, Mr Charrington, Mr Grein, Messrs Henly and Stevenson, Miss Achurch, Miss Robins and Miss Lea, Miss Farr and the rest of the Impossibilities."['' The Saturday Review'' Ixxix, 26 January 1895, pp. 126] He went on to urge that the London managers "might provide one marketable play each year", so that the Society could continue as a laboratory for experimental theatre.
As a result of its small subscription base and its high ambitions, the Society was not financially successful and was wound up in 1897, having presented 22 productions and premières of an additional 26 one-act programmes. The Incorporated Stage Society
The Incorporated Stage Society, commonly known as the Stage Society, was an English theatre society with limited membership which mounted private Sunday performances of new and experimental plays, mainly at the Royal Court Theatre (whose Vedrenne- ...
took over the work two years later and was itself the inspiration for the formation of the Abbey Theatre
The Abbey Theatre ( ga, Amharclann na Mainistreach), also known as the National Theatre of Ireland ( ga, Amharclann Náisiúnta na hÉireann), in Dublin, Ireland, is one of the country's leading cultural institutions. First opening to the pu ...
in Dublin
Dublin (; , or ) is the capital and largest city of Republic of Ireland, Ireland. On a bay at the mouth of the River Liffey, it is in the Provinces of Ireland, province of Leinster, bordered on the south by the Dublin Mountains, a part of th ...
and the English Stage Company
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, England ...
, which is today the resident company of the Royal Court Theatre
The Royal Court Theatre, at different times known as the Court Theatre, the New Chelsea Theatre, and the Belgravia Theatre, is a non-commercial West End theatre in Sloane Square, in the Royal Borough of Kensington and Chelsea, London, Englan ...
. Grein continued his interest in European theatre, founding the German Theatre in London Programme in 1900 with his future wife, the actress, Alice Augusta Greeven.
References
{{Reflist
1890s in London
1891 establishments in England
1897 disestablishments in England
Theatre companies in London
Arts organizations established in 1891
Organizations disestablished in 1897