Incense in China

Incense in China is traditionally used in a wide range of Chinese cultural activities including religious ceremonies, ancestor veneration, traditional medicine, and in daily life. Known as ''xiang'' (), incense was used by the Chinese cultures starting from Neolithic times with it coming to greater prominence starting from the Xia, Shang, and Zhou dynasties.�

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One study shows that during the Han Dynasty (206 BC – AD 220) there was increased trade and acquisitions of more fragrant foreign incense materials when local incense materials were considered "poor man's incense".

It reached its height during the Song Dynasty with its nobility enjoying incense as a popular cultural pastime, to the extent of building rooms specifically for the use of incense ceremonies.

Besides meaning "incense", the Chinese word ''xiang'' () also means "fragrance; scent; aroma; perfume; spice". The sinologist and historian Edward H. Schafer said that in medieval China:

Chinese censers

The earliest vessels identified as censers date to the mid-fifth to late fourth centuries BCE during the Warring States period. The modern Chinese term for "censer," ''xianglu'' (香爐, "incense burner"), is a compound of ''xiang'' ("incense, aromatics") and ''lu'' (爐, "brazier; stove; furnace"). Another common term is ''xunlu'' (熏爐, "a brazier for fumigating and perfuming"). Early Chinese censer designs, often crafted as a round, single-footed stemmed basin, are believed to have derived from earlier ritual bronzes, such as the ''dou'' 豆 sacrificial chalice.

Among the most celebrated early incense burner designs is the hill censer (''boshanlu'' 博山爐), a form that became popular during the reign of Emperor Wu of Han (r. 141–87 BCE). Some scholars believe hill censers depict a sacred mountain, such as Mount Kunlun or Mount Penglai. These elaborate vessels were designed with apertures that made rising incense smoke appear like clouds or mist swirling around a mountain peak.

Other popular designs include censers shaped to look like birds or animals, small "scenting globes" (''xiangqiu'' 香球), and hand-held censers (''shoulu'' 手爐). Very large censers, sometimes made to resemble ancient ritual bronze vessels, are often placed in the courtyards of Buddhist and Daoist temples.

Uses

Medicine

Similar ingredients and processing techniques are involved in production of both incense and Traditional Chinese medicines. For example, take ''jiu'' ( "moxibustion"). Incense is believed to have physiological and psychological benefits. For instance, according to the ''Bencao Gangmu'' pharmacopoeia, "camphor cured evil vapors in heart and belly, and was especially recommended for eye troubles, including cataract."

Time-keeping

Along with the introduction of Buddhism in China came calibrated incense sticks and incense clocks (''xiangzhong'' "incense clock" or ''xiangyin'' "incense seal"). The poet Yu Jianwu (, 487–551) first recorded them: "By burning incense we know the o'clock of the night, With graduated candles we confirm the tally of the watches." The use of these incense timekeeping devices spread from Buddhist monasteries into secular society.

Religion

''Xiangbang'' (, with "stick; club") means "incense stick; joss stick". Two "incense" synonyms specifying religious offerings to ancestors or deities are ''gāoxiāng'' (, ''"high incense"'') and ''gōngxiāng'' (, ''"offering incense"'').

The Sunni Muslim Hui Gedimu and the Yihewani burned incense during worship. This was viewed as Daoist or Buddhist influence. The Hui, also known as "White-capped HuiHui", used incense during worship, while the Salar, also known as "black-capped HuiHui" considered this to be a heathen ritual and denounced it.

As an art form

The Chinese developed a sophisticated art form with incense burning like with tea and calligraphy called xiangdao (). It involves various paraphernalia and utensils in various ceramic containers utilised to burn incense. Examples include tongs, spatulas, special moulds to create ideograms with incense powder, etc. all placed on a special small table. It is most often used as an enhancement to a personal space to accompany other arts such as tea drinking and guqin playing.

Production

Bamboo processing

Bamboo species with good burning characteristics are harvested and dried. The most common type of bamboo used for producing the sticks is ''Phyllostachys heterocycla cv. pubescens'' () since this species produces thick wood and easily burns to ashes in the incense stick. Other types of bamboos such as ''Phyllostachys edulis'' () may be used, however due to their fiberous surfaces or relatively thin wood producing good bamboo sticks is more difficult. Longer incense stick are produced using cao bamboo().

The dried bamboo poles of around 10 cm in diameter are first manually trimmed to length, soak, peeled, and then continuously split in halves until thin sticks of bamboo with square cross sections of less than 3mm width have been produced. This process has largely been replaced by machines in modern incense production.

Incense materials

Chinese incense is made from diverse ingredients with much overlap into the traditional Chinese herbal pharmacopoeia. Of all the incense ingredients some of the most commonly used include:
*''Chenxiang'' (, "Agarwood, aloeswood")
*''Tanxiang'' ( "Sandalwood")
*''Anxixiang'' ( "Benzoin resin and wood, gum guggul")
*''Cuibai'' ( " Calocedrus macrolepis, Chinese incense-cedar")
*''Zhangnao'' ( " Camphor").
*''Ruxiang'' (, " Frankincense")
*''Dingxiang'' (, " Cloves")
*''Bajiao'' (, " Star anise")
*''Guipi'' (, "Cinnamomum cassia")
*''Dahuixiang'' (, "Foeniculum vulgare")
*''Dahuang'' (, " Rheum officinale")
*''Hupo'' (, ''Fossil Amber'')
*''Gansong'' ( ''Spikenard'')
*''Chuanxiong'' ( '' Ligusticum wallichii'')
*''Wujia'' ( ''Eleutherococcus senticosus (Acanthopanax senticosus)'')
*''Beijiaxiang ( ''East African marine snails''

*''Jiangzhenxiang'' () also known as ''zitengxiang'' (), Lakawood

The dried powdered bark of ''Persea nanmu''() is used extensively for its mucilaginous qualities, which helps to bind the other powdered ingredients together.

Processes

Incense powder is formed into the final product through various methods.

Lin-xiang

Incense powder is tossed over wet sticks

Nuo-xiang

Incense paste is kneaded around sticks.

Sculpting

For large incense pillars, incense paste is piled around a single bamboo stick and sculpted to shape

Winding

Incense paste is extruded and wound to produce spiral incense

See also

*Japanese incense
*Incense
*Incense Road
* Silk Road
*Spice

References

External links

Fragrant Pouches
Global Chinese Language and Culture Center Online Folklore
Frangant Pouches in TaiwanDivine Fragrances
''Taiwan Review'', 06/01-2008, Oscar Chung

Chinese Incense Culture Website

China Central Television
Chinese Incense Art Association
A government-certified non-profit organization promoting the study and practice of incense arts

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Chinese culture
Chinese inventions
China
Traditional Chinese medicine