In The Green
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''In the Green'' is a one-act
musical Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narr ...
with a book, music, and lyrics by
Grace McLean Grace McLean is an American actress, playwright, composer and singer. She is known for her roles in various off-Broadway and Broadway productions such as ''Natasha, Pierre & The Great Comet of 1812'', '' Bedbugs'', ''Alice by Heart'', and '' In ...
. The show tells the story of medieval composer, mystic, scientist, and Catholic saint
Hildegard von Bingen Hildegard of Bingen (german: Hildegard von Bingen; la, Hildegardis Bingensis; 17 September 1179), also known as Saint Hildegard and the Sibyl of the Rhine, was a German Benedictine abbess and polymath active as a writer, composer, philosopher ...
“on her path to sainthood from childhood,” primarily depicting the thirty years she spent locked up in a cell with her mentor, the
anchoress In Christianity, an anchorite or anchoret (female: anchoress) is someone who, for religious reasons, withdraws from secular society so as to be able to lead an intensely prayer-oriented, ascetic, or Eucharist-focused life. While anchorites are ...
Jutta von Sponheim Countess Jutta von Sponheim (22 December 1091 – 1136) was the youngest of four noblewomen who were born into affluent surroundings in what is currently the Rhineland-Palatinate. She was the daughter of Count Stephen of Spanheim. Jutta, instead ...
. The show was commissioned by LCT3 as part of Grace McLean's artist in residency series. The
Off-Broadway An off-Broadway theatre is any professional theatre venue in New York City with a seating capacity between 100 and 499, inclusive. These theatres are smaller than Broadway theatres, but larger than off-off-Broadway theatres, which seat fewer tha ...
production premiered at the
Claire Tow Theater The Vivian Beaumont Theater is a Broadway theater in the Lincoln Center complex at 150 West 65th Street on the Upper West Side of Manhattan in New York City. Operated by the nonprofit Lincoln Center Theater (LCT), the Beaumont is the only Broad ...
with previews starting on June 8, 2019, with an official opening date of June 27, 2019 and ran until August 4, 2019. The production was directed by Lee Sunday Evans, with orchestrations by McLean and Kris Kukul, and music direction by Ada Westfall. ''In the Green'' won the Richard Rodgers Award for Musical Theater and was nominated for seven
Lucille Lortel Awards The Lucille Lortel Awards recognize excellence in New York Off-Broadway theatre. The Awards are named for Lucille Lortel, an actress and theater producer, and have been awarded since 1986. They are produced by the League of Off-Broadway Theatre ...
, with Grace McLean winning Best Actress in a Musical for her role as Jutta.


Synopsis

''In the Green'' starts with a hymnal song ("O Virga ac Diadema"). The actual storyline begins with Jutta in her cell reading her last rites, choosing to live the rest of her life as a dead person and receiving only food and water left at a small window and preparing for Hildegard's arrival; at 8 years old, a young Hildegard (portrayed by a puppet) is left with Jutta ("Death Ceremony"). Originally, Hildegard (now portrayed by Rachael Duddy as "Eye," Hannah Whitney as "Hand," and Ashley Pérez Flanagan as "Mouth," with each actress holding a puppet of the sense they respectively represent) expresses her resistance to staying in Jutta's cell and desire to go home, before describing how she has too many desires but ultimately wants to be "whole" ("If I Had a Knee"). Jutta then says she too was once "broken like ildegard and says she will guide Hildegard into becoming whole and "free," with Hildegard agreeing ("The Rule"). Time passes, and Mouth expresses her hunger and her feelings of being inside the cell for so long, before experiencing her first period ("I Am Hungry"). In response, Jutta explains that because of
Eve Eve (; ; ar, حَوَّاء, Ḥawwāʾ; el, Εὕα, Heúa; la, Eva, Heva; Syriac: romanized: ) is a figure in the Book of Genesis in the Hebrew Bible. According to the origin story, "Creation myths are symbolic stories describing how the ...
's actions all women must pay and "carry her curse in
heir Inheritance is the practice of receiving private property, titles, debts, entitlements, privileges, rights, and obligations upon the death of an individual. The rules of inheritance differ among societies and have changed over time. Officiall ...
blood," while also telling Mouth to repress her hunger to gain control over herself and become whole as she aims ("Eve"). A year passes, with Hildegard becoming more frustrated that she is still broken ("Ritual"). Jutta continues to teach Hildegard lessons to become whole, this time saying that they will spend more time dead than alive and advising her to stop wanting things, to stop sleeping, and continue digging since life is painful anyway ("Little Life"). The two women take a break, and seeing a ray of sunlight coming through the cell window, Hand describes her time outside with a woman named Agatha while Jutta remembers her past betrothal and subsequent running away, before Hand asks about being "free" and going outside ("Sun Song"). This conversation with Hand brings back suppressed memories where Shadow (Jutta's repressed trauma personified) and Jutta sing about her would-be husband finding her after running away, and Jutta's sexual assault in a garden; Jutta refuses to think on this, forcing Shadow to leave and covering the sunlight, before arguing with Hildegard ("In the Green"). All three aspects of Hildegard get angry at Jutta, and Jutta decides she will no longer help Hildegard become whole. Eye, Hand, and Mouth all turn on each other and blame each other for Agatha's death, falling apart and choosing to "dig" because Hildegard believes she will never become whole and digging is the only thing she can control ("Burial"). While digging, Shadow is found in the Underground (a place full of darkness) hiding since she is unwanted, and tells Hildegard that she can join Shadow in the Underground ("Underground"). While in the Underground, Hildegard and Eye, Hand, and Mouth piece together the memories that make Hildegard broken; she remembers Agatha (who the audience now understands to be Hildegard's elder sister) sneaking out at night and having sex with a man, telling her mother about what Agatha is doing, describing Agatha's pregnancy and their nighttime outing to pick pennyroyal so Agatha can abort her baby, which leads to Agatha bleeding to death ("Confession"). Hildegard pauses before describing the last thing Agatha told her as she was dying, to which Shadow tells her she doesn't have to, but once Hildegard does, she feels better, even if she's still broken ("Sun Song (Reprise)"). Shadow is in awe of Hildegard, Eye, Hand, and Mouth for working with their trauma and wants them to stay with her in the Underground; realizing that Shadow is Underground because she too was broken by her trauma, they try to encourage her to share her memories so Shadow can become whole, to which Shadow refuses ("Light Undercover"). Through these conversations, Hildegard has a realization about becoming whole and understands that everything Jutta has been trying to teach her has always been inside of her, and with the help of each other Shadow and Hildegard feel they'll be "alright" ("The First Verb"). Shadow and Hildegard move from the Underground back into Jutta's cell ("O Viridissima Virga"). Hildegard, Eye, Hand, and Mouth tell Shadow that she too contains light like them, and that's what they've been digging for this whole time; they've been hiding themselves and while those hidden parts make them broken, that is how they have the light they've been searching. Emboldened by Hildegard, Eye, Hand, and Mouth, Shadow divulges some of her feelings and the sensations she remembers from her sexual assault ("Light Undercover/In the Green (Reprise)"). Meanwhile, Jutta steadfastly refuses to acknowledge anything Hildegard or Shadow say. Jutta reflects on her own life, saying she's "done all the things
he's He or HE may refer to: Language * He (pronoun), an English pronoun * He (kana), the romanization of the Japanese kana へ * He (letter), the fifth letter of many Semitic alphabets * He (Cyrillic), a letter of the Cyrillic script called ''He'' ...
supposed to" and yet cannot see the light like Hildegard or Shadow, but is grateful for her life all the same. She expresses maternal love for Hildegard, before dying ("The Ripening"). Hildegard, Eye, Hand, and Mouth reflect on Jutta's teachings while grieving their mentor's death ("Forgiveness"). Hildegard leaves the cell to experience what she's "never known before." She then explains her thoughts on Catholicism through her life and the growing corruption and tensions within the Church ("Integration"). The show ends with Hildegard meeting Sigewize, a young Cathar girl who expresses similar sentiments to Hildegard at the beginning of the show of being "'too much,'" trying to be understood, and asks Hildegard to "see er and think about the impact of her speeches when people kill in Hildegard's name ("Exorcism").


Musical numbers

The role of Hildegard is played by a trio of actors throughout the show. The lyrics of “O Virga ac Diadema” and “O Viridissima Virga” were originally written by Hildegard von Bingen. *"O Virga ac Diadema" - Company *"Death Ceremony" - Jutta and Company *"If I Had a Knee" - Hildegard and Jutta *"The Rule" - Jutta and Hildegard *"I Am Hungry" - Jutta and Hildegard *"Eve" - Jutta and Hildegard *"Ritual" - Hildegard and Jutta *"Little Life" - Jutta and Hildegard *"Sun Song" - Jutta and Hildegard *"In the Green" - Jutta and Shadow *"Burial" - Hildegard and Jutta *"Underground" - Shadow *"Confession" - Hilegard *"Sun Song (Reprise)" - Hildegard *"Light Undercover" - Shadow and Hildegard *"The First Verb" - Hildegard and Shadow *"O Viridissima Virga" - Shadow and Hildegard *"Light Undercover / In the Green (Reprise)" - Hildegard and Shadow *"The Ripening" - Jutta *"Forgiveness" - Hildegard and Company *"Integration" - Hildegard *"Exorcism" - Sigewize and Hildegard


Cast and characters


Critical response

''
The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...
''’ Ben Brantley refers to the musical’s “audacity and opacity,” while Raven Snook from ''Time Out New York'' writes “McLean’s promise shines through this fascinating if flawed experiment.”


Recording

The original cast recording of ''In the Green'' was released digitally and for streaming October 16, 2020 by Ghostlight Records. A physical CD is meant to be released by the end of the year.


Awards and nominations

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Richard Rodgers Awards for Musical Theater Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'stron ...
, Staged Reading Award , , , - , rowspan="6",
Lucille Lortel Awards The Lucille Lortel Awards recognize excellence in New York Off-Broadway theatre. The Awards are named for Lucille Lortel, an actress and theater producer, and have been awarded since 1986. They are produced by the League of Off-Broadway Theatre ...
, Outstanding Musical , , , - , Outstanding Lead Actress in a Musical ,
Grace McLean Grace McLean is an American actress, playwright, composer and singer. She is known for her roles in various off-Broadway and Broadway productions such as ''Natasha, Pierre & The Great Comet of 1812'', '' Bedbugs'', ''Alice by Heart'', and '' In ...
, , - , Outstanding Featured Actress in a Musical , Ashley Pérez Flanagan , , - , Outstanding Costume Design , Oana Botez , , - , Outstanding Lighting Design , Barbara Samuels , , - , Outstanding Sound Design , Nicholas Pope , {{Nominated


References

2019 musicals Biographical musicals Catholicism in fiction Hildegard of Bingen Musicals based on religious traditions Off-Broadway musicals Musicals set in Germany Plays set in the 11th century Christian music Musicals set in convents