In Jenen Tagen
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''In Those Days'' (german: In jenen Tagen) is a 1947
German German(s) may refer to: * Germany (of or related to) **Germania (historical use) * Germans, citizens of Germany, people of German ancestry, or native speakers of the German language ** For citizens of Germany, see also German nationality law **Ger ...
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-g ...
directed by
Helmut Käutner Helmut Käutner (25 March 1908 – 20 April 1980) was a German film director active mainly in the 1940s and 1950s. He entered the film industry at the end of the Weimar Republic and released his first films as a director in Nazi Germany. Käu ...
and starring Gert Schäfer,
Erich Schellow Erich Schellow (1915–1995) was a German stage, film and television actor.Goble p.54 In the late 1960s he portrayed Sherlock Holmes in a series of adaptations of Arthur Conan Doyle's stories for German television, alongside Paul Edwin Roth as D ...
and
Winnie Markus Winnie Markus (1921–2002) was a Czechoslovakia-born German film and television actress. Selected filmography * '' A Mother's Love'' (1939) - Rosl Pirlinger * ' (1939) - Juana de Alvarado * '' The Vulture Wally'' (1940) - Afra Kuttner * ''Herz g ...
. It was one of the cycle of Rubble films made in the wake of Germany's defeat during
World War II World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
. The film addresses issues of
collective guilt Collective responsibility, also known as collective guilt, refers to responsibilities of organizations, groups and societies. Collective responsibility in the form of collective punishment is often used as a disciplinary measure in closed insti ...
during the
Nazi era Nazi Germany (lit. "National Socialist State"), ' (lit. "Nazi State") for short; also ' (lit. "National Socialist Germany") (officially known as the German Reich from 1933 until 1943, and the Greater German Reich from 1943 to 1945) was ...
, using the device of a car built in 1933 and dismantled in 1947 narrating the various experiences of its owners in a series of seven separate episodes. The film's objective was to highlight the private resistance of various figures to the Nazis even while they publicly accepted the repression of Nazi society.


Production

The film was produced in
Hamburg (male), (female) en, Hamburger(s), Hamburgian(s) , timezone1 = Central (CET) , utc_offset1 = +1 , timezone1_DST = Central (CEST) , utc_offset1_DST = +2 , postal ...
in the
British Zone Germany was already de facto military occupation, occupied by the Allies of World War II, Allies from the real German Instrument of Surrender, fall of Nazi Germany in World War II on 8 May 1945 to the establishment of the East Germany on 7 Octo ...
as part of a growing post-war trend in western Germany of moving film production away from its traditional centre of
Berlin Berlin ( , ) is the capital and largest city of Germany by both area and population. Its 3.7 million inhabitants make it the European Union's most populous city, according to population within city limits. One of Germany's sixteen constitue ...
. The film was made under extremely difficult conditions including a lack of raw
film stock Film stock is an analog medium that is used for recording motion pictures or animation. It is recorded on by a movie camera, developed, edited, and projected onto a screen using a movie projector. It is a strip or sheet of transparent p ...
and hunger amongst the cast and technicians.Shandley, Robert R. ''Rubble Films: German Cinema in the Shadow of the Third Reich''.
Temple University Press Temple University Press is a university press founded in 1969 that is part of Temple University (Philadelphia, Pennsylvania). It is one of thirteen publishers to participate in the Knowledge Unlatched pilot, a global library consortium approach t ...
, 2001. p. 22–23 & 51.
The director, Helmut Käutner, had several of his earlier films banned by the
Nazis Nazism ( ; german: Nazismus), the common name in English for National Socialism (german: Nationalsozialismus, ), is the far-right totalitarian political ideology and practices associated with Adolf Hitler and the Nazi Party (NSDAP) in Na ...
which led to him being perceived as possessing greater
moral authority Moral authority is authority premised on principles, or fundamental truths, which are independent of written, or positive, laws. As such, moral authority necessitates the existence of and adherence to truth. Because truth does not change, the princi ...
than many of his colleagues. Consequently, the film was seen as a standard-bearer for the values of the post-war German film industry.


Reception

It was well received by the German public in 1947 who were generally receptive to its message. In the 1960s the film began to attract criticism for allegedly whitewashing ordinary Germans' acceptance of Nazi ideology. However, this criticism has in turn been challenged as being
ahistorical Ahistoricism refers to a lack of concern for history, historical development, or tradition. Charges of ahistoricism are frequently critical, implying that the subject is historically inaccurate or ignorant (for example, an ''ahistorical'' attitud ...
and ignoring the conditions under which it was made - such as the constraints put on German film-makers by the Allied occupation powers and the resistance of contemporary German audiences to films that explicitly examined their possible collective guilt.


Cast


References


External links

* 1947 drama films German drama films Films set in Hamburg Films set in Berlin Films directed by Helmut Käutner Films about Nazi Germany West German films Films about automobiles German black-and-white films 1940s German-language films 1940s German films {{1940s-Germany-film-stub