Orthography
Edwin Smith & Andrew Murray Dale, ''The Ila-Speaking Peoples of Northern Rhodesia'', 1919, reprinted by University Books Inc., New York, 1968. * ch in fact varies from "k" to a "weak" version of English "ch", to a "strong" "ch" to "ty". * j as the voiced sound corresponding to this therefore varies "g"/English "j"/ "dy" / and "y". * v is reportedly a voiced labiodental fricative /v/ as in English , and vh the same labialised and aspirated /vʷʰ/ ("lips more rounded with a more distinct emission of breath"). * zh is the voiced post-alveolar fricative /ʒ/; French as in ''bonjour''. * ng is the voiced velar nasal followed by a voiced velar plosive, /ŋg/ as in RP English "finger", while ng' is a plain voiced velar nasal /ŋ/ as in "singer" - a similar distinction is observed in Swahili.Labio-glottal and palato-glottal fricatives
Doke (1928) described several unusualTonality and stress
Tone is demonstrated by contrasting aze with high pitch on the first syllable ( = "with him") with aze with high pitch on the second syllable (= "he also").Some words and phrases
* ing'anda - house * imboni - pupil of the eye * ipeezhyo - brush;broom * indimi - tongues * lemeka - honour (verb) * bamba - arrange * Bamambila - they arrange for me * Balanumba - they praise me * bobu buzani - this meat * Bobu mbuzani - this is meat * chita - to do, same is used to mean 'I have no idea' * chisha - to cause to do * katala - to be tired * katazhya - to make tired * ukatazhya-refuse to be sent;scarce * impongo - a goatSome comparisons
* Ila: ishizhyi - dimness; Sotho: ''lefifi'' - darkness; Xhosa: "ubufifi" - dimness; Nyanja: chimfifi - secret; Bemba: IMFIFI - darkness; Kisanga: ''mfinshi'' - darkness; and Bulu (Ewondo): "dibi" - darkness.Ideophones or imitation words
Words in English such as "Splash!", "Gurgle", "Ker-putt" express ideas without the use of sentences. Smith and Dale point out that this kind of expression is very common in the Ila language: ''You may say'' Ndamuchina anshi ''("I throw him down"), but it is much easier and more trenchant to say simply'' Ti!, '' and it means the same''. Some examples: * Muntu wawa - A person falls * Wawa mba - falls headlong * Mba! - He falls headlong * Mbo! mbo! mbo! mbò! - (with lowered intonation on the last syllable) He falls gradually * Mbwa! - flopping down, as in a chair * Wa! wa! wa! wa!- The rain is pattering * Pididi! pididi! pididi! - of a tortoise, falling over and over from a great height * Ndamuchina anshi - I throw him down * Ti! - ditto * Te! - torn, ripped * Amana te! - The matter's finished * To-o! - So peaceful! * Wi! - All is calm * Ne-e! - All is calm * Tuh! - a gun going off * Pi! - Phew, it's hot! * Lu! - Yuck, it's bitter! * Lu-u! - Erh, it's sour! * Lwe! - Yum, sweet! * Mbi! - It's dark * Mbi! mbi! mbi! mbi! - It's utterly dark * Sekwè sekwè! - the flying of a goose * nachisekwe - a gooseClass prefixes
As in many other languages, Ila uses a system of ''noun classes''. Either the system as presented by Smith and Dale is simpler than that for Nyanja, ChiChewa, Tonga, or Bemba, or the authors have skated over the complexities by the use of the category "significant letter": * Class 1. singular: prefix: mu-; s/l. (= "significant letter" verb, adjective, etc. prefix appropriate to the class:) u-, w- * Class 1. plural. prefix: ba-; s/l. b- * Class 2. sing. prefix: mu-; s/l. u-, w- * Class 2. pl. prefix: mi-; s/l. i-, y- * Class 3. sing. prefix: i-, di-; s/l. l-, d- * Class 3. pl. prefix: ma-; s/l. a- * Class 4. sing. prefix: bu- abstract nouns; s/l. b- * Class 4. pl. prefix: ma-; s/l. a- * Class 5. sing. prefix: ku- often nouns of place; s/l. k- * Class 5. pl. prefix: ma-; s/l. a- * Class 6. sing. prefix: ka- a diminutive sense; s/l. k- * Class 6. pl. prefix: tu- diminutive plural; s/l. t- * Class 7. sing. prefix: chi- "thing" class; s/l. ch- * Class 7. pl. prefix: shi-; s/l. sh- * Class 8. sing. prefix: in-; s/l. i-, y- * Class 8. pl. prefix: in-; s/l. y-, sh- * Class 9. sing. prefix: lu-; s/l. l- * Class 9. pl. prefix: in-; s/l. y-, sh- * Class 10. sing. prefix: lu-; s/l. l- * Class 10. pl. prefix: ma-; s/l. a- The ''locatives'' form a special category: * mu- - at rest in, motion into, motion out from; * ku- - position at, to, from * a- - rest upon, to or from off (Compare ''pa-'' prefix in Sanga, etc.) Thus: * Mung'anda mulashia - The inside of the house is dark. * Kung'anda kulashia - Around the house it is dark. * Ang'anda alashia - Darkness is upon the house.The Ila verb system
The ''root'' is the part of the verb giving the primary meaning. To this can be added prefixes and suffixes: many elements can be united in this way, sometimes producing long and complex polysyllabic verb words. For example, from the root anga, "to tie", we can derive such a form as Tamuna kubaangulwila anzhyi? meaning, "Why have you still not untied them?" Prefixes can show: * tense * subject * object * voice (exceptional) Suffixes can show: * voice * tense (exceptional) * mood Here are some of the forms of the verb kubona, "to see". (Note that there are also ''negative'' forms, e.g. ta-tu-boni, "we do not see", that there is also a ''subjunctive'' mood, a ''conditional'' mood, a ''jussive'' mood and the ''imperative''. Many ''subjunctive'' forms end in -e. The ''root'' of the verb is in two forms: * (i) simple stem: bona : code - SS * (ii) modified stem: bwene : code ₴ * -SS tubona we (who) see * -₵ tubwene we (who) have seen * -A-SS twabona we saw, see, have seen * -A-CHI-SS twachibona we continue seeing * -A-YA-BU-SS twayabubona we are engaged in seeing * -DI-MU-KU-SS tudmukubona we are seeing * -CHI-SS tuchibona we continue to see * -LA-SS tulabona we are constantly (usually, certainly) seeing * -LA-YA-BU-SS tulayabubona we are being engaged in seeing * -LA-YA-KU-SS tulayakubona we are habitually in the act of seeing * -DI-₵ tulibwene we have seen * -CHI-₵ tuchibwene we have been seeing * -A-KA-SS twakabona we saw * -A-KA-CHI-SS twakachibona we continued seeing * -A-KA-YA-BU-SS twakayabubona we were engaged in seeing * KA-SS katubona (Notice the position of tu here) we saw * KA-₵ katubwene we did see * -A-KU-SS twakubona we were seeing * -A-KU-CHI-SS twakuchibona we were continuing to see * -A-KU-YA-BU-SS twakuyabubona we were engaged in seeing * -A-KU-₵ twakubwene we had seen * -KA-LA-SS tukalabona we shall soon see * -KA-LA-CHI-SS tukalachibona we shall continue seeing * -KA-LA-YA-BU-SS tukalayabubona we shall be engaged in seeing The above English renderings are approximate. Certain ''suffixes'' add new dimensions of meaning to the ''root''. Although these follow some logic, we again have to feel a way towards an adequate translation into English or any other language: * simple verb: bona - to see * relative or dative form: -ila, -ela, -ina, -ena: bonena - to see to, for somebody, and so on * extended relative: ilila, -elela, -inina, enena: bonenena - to see to, for somebody, etc. ililila - to go right away * causative: -ya + many sound changes: chisha - to cause to do, from chita - to do * capable, "-able": -ika, -eka: chitika - to be do-able * passive: -wa: chitwa - to be done * middle (a kind of reflexive that acts upon oneself - compare Greek): -uka: anduka - to be in a split position, from andulwa- to be split by somebody * stative; in fixed constructions only: -ama: lulama - to be straight; kotama - to be bowed * extensive: -ula: sandula - turn over; andula - split up * extensive, with the sense of "keep on doing": -aula: andaula - chop up firewood * equivalent of English prefix "re-": -ulula: ululula - to trade something over and over again, from ula - to trade * or the equivalent of the English prefix "un-", also: -ulula: ambulula - to unsay, to retract * reflexive - a ''prefix'' this time - di- : dianga - to tie oneself, from anga - to tie; dipa - to give to each other, from pa - to give * reciprocal: -ana: bonana - to see each other * intensive: -isha: angisha - to tie tightly * reduplicative: - keep on turning aside, from ambuka - to turn aside These can be used in composites: e.g. langilizhya - to cause to look on behalf of.Oral literature
A text given by Smith and Dale, Sulwe Mbwakatizha Muzovu ("How Mr. Hare managed to scare Mr. Elephant") presents what might be called a "classical fabliau", with animals talking like people, just as in the Fables of Aesop or the Brer Rabbit stories in the African Diaspora. Is it fanciful to see the model for the mischievous, resourceful Brer Rabbit in the Sulwe of this story? It seems that slaves destined for the southern United States were captured and purchased in this area of Zambia.Hugh Thomas, ''The Slave Trade: The History of the Atlantic Slave trade 1440-1870'', Picador, London, 1997. page 706: "From...Ambriz and Benguela...500,000 slaves were probably shipped during the...era 1800-1830;...and...over 600,000 may have been shipped after 1830..." There is at least a statistical possibility that the Brer Rabbit cycle, with its use of ideophones or sound imitations, had an origin in the Ila language.Bibliography
Smith, Edwin William & Dale, Andrew Murray, ''The Ila-speaking Peoples of Northern Rhodesia''. Macmillan and Company, London, 1920.References
External links
*Dorothea Lehmann,