Tenebrae responsories are the responsories sung following the lessons of

Tenebrae Tenebrae (—Latin for "darkness") is a religious service of Western Christianity held during the three days preceding Easter Day, and characterized by gradual extinguishing of candles, and by a "strepitus" or "loud noise" taking place in total ...

, the Matins services of the last three days of Holy Week: Maundy Thursday,

Good Friday Good Friday is a Christian holiday commemorating the crucifixion of Jesus and his death at Calvary. It is observed during Holy Week as part of the Paschal Triduum. It is also known as Holy Friday, Great Friday, Great and Holy Friday (also Hol ...

and Holy Saturday.

Polyphonic Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...

settings to replace plainchant have been published under a various titles, including ''Responsoria pro hebdomada sancta'' (Responsories for Holy Week ). In most places, Matins as well as

Lauds Lauds is a canonical hour of the Divine office. In the Roman Rite Liturgy of the Hours it is one of the major hours, usually held after Matins, in the early morning hours. Name The name is derived from the three last psalms of the psalter (148, ...

of these days were normally anticipated on the evening of the preceding day and were celebrated on Wednesday, Maundy Thursday and Good Friday, respectively. The 1955 reform of the Holy Week ceremonies by

Pope Pius XII Pope Pius XII ( it, Pio XII), born Eugenio Maria Giuseppe Giovanni Pacelli (; 2 March 18769 October 1958), was head of the Catholic Church and sovereign of the Vatican City State from 2 March 1939 until his death in October 1958. Before his e ...

, redefining ''

Triduum Sacrum The Paschal Triduum or Easter Triduum ( Latin: ''Triduum Paschale''), Holy Triduum (Latin: ''Triduum Sacrum''), or the Three Days, is the period of three days that begins with the liturgy on the evening of Maundy Thursday, reaches its high po ...

'' to include Easter Sunday and take in only the close of Maundy Thursday, moved them to Thursday, Friday and Saturday evenings. Tenebrae as such was not included in the 1970 Liturgy of the Hours, vanishing altogether around 1977. ''

Summorum Pontificum ''Summorum Pontificum'' (English: "Of the Supreme Pontiffs") is an apostolic letter of Pope Benedict XVI, issued in July 2007. This letter specifies the circumstances in which priests of the Latin Church could celebrate mass according to what Ben ...

'' (2007) now permits clerics bound to recitation of the Divine Office to use the 1961 Roman Breviary. Composers who produced polyphonic settings include

Carlo Gesualdo Carlo Gesualdo da Venosa ( – 8 September 1613) was Prince of Venosa and Count of Conza. As a composer he is known for writing madrigals and pieces of sacred music that use a chromatic language not heard again until the late 19th century ...

('' Responsoria et alia ad Officium Hebdomadae Sanctae spectantia'', 1611,

Jean L'Héritier Jean L'Héritier (Lhéritier, Lirithier, Heritier and other spellings also exist) (c. 1480 – after 1551) was a French composer of the Renaissance. He was mainly famous as a composer of motets, and is representative of the generation of compos ...

, Marc-Antoine Charpentier, 19 settings (H.111 -119, H.126 - 134 and H.144),

Joseph Haydn Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions ...

(Hob XXIIb), Jan Dismas Zelenka (

ZWV This list of compositions by Jan Dismas Zelenka was indexed in accordance with Wolfgang Reiche's thematic catalogue "Jan Dismas Zelenka: Thematisch-systematisches Verzeichnis der musikalischen Werke (ZWV)", Dresden, 1985. It includes vocal-instrume ...

55),

Max Reger Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University ...

Francis Poulenc Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-kno ...

, and

Pierre Boulez Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Mont ...

The responsories

Within the liturgy, each responsory followed a reading. Each day's matins was divided into three nocturns. The first nocturn had three readings from Jeremiah's Book of Lamentations, and the second nocturn three readings from one or other of Saint Augustine's commentaries on the Psalms. The three readings of the third nocturn were from the

First Epistle to the Corinthians The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-author ...

on Maundy Thursday, from the Epistle to the Hebrews on the other two days. Over the three days, therefore, the responsories, like the readings, came to a total of 27. Since the polyphonic Lamentations were an important musical genre in their own right, many collections (such as Victoria's ''Officium Hebdomadae sanctae'' 1585) include only the 18 Responsories of the second and third nocturns. Gesualdo, who set all 27, also includes a ''Miserere'' and ''Benedictus'' for Lauds, and a few composers (

Fabrizio Dentice Fabrizio Dentice (also Fabricio, Fabritio) (1539 in Naples – 24 February 1581 in Naples) was an Italian composer and virtuoso lute and viol player. Fabrizio was the son of Luigi Dentice (1510–1566) who served the powerful Sanseverino family ...

and

Tiburtio Massaino Tiburzio Massaino (also Massaini and Tiburtio) ( Cremona, before 1550 – Piacenza or Lodi, after 1608) was an Italian composer. Life He was an Augustinian friar in Piacenza. He became ''maestro di cappella'' at S Maria del Popolo in Rome i ...

) set these last three times each, one setting for each day.

Maundy Thursday responsories

Maundy Thursday is called in Latin ''Feria V/Quinta in Cena Domini'' (an older spelling has ''Coena'' instead of ''Cena''), meaning Thursday (fifth day of the week) of the Lord's Supper. Compositions for its nine responsories can therefore appear under such titles as ''Feria V – In Coena Domini''. They can also be named by the day on which they were actually sung, as

Charpentier Charpentier () is the French language, French word for "carpenter", and it is also a French surname; a variant spelling is Carpentier. In English, the equivalent word and name is "Carpenter (surname), Carpenter"; in German, "Zimmermann (disambigua ...

's ''Les neuf répons du mercredi saint'' ("The nine responsories of Holy Wednesday").

Responsories of the first nocturn of Maundy Thursday

The three readings of the first nocturn of Maundy Thursday are Lamentations 1:1–5, 1:6–9 and 1:10–14.

''In monte Oliveti''

The first Maundy Thursday responsory refers to the Agony of Christ in

Gethsemane Gethsemane () is a garden at the foot of the Mount of Olives in Jerusalem where, according to the four Gospels of the New Testament, Jesus underwent the agony in the garden and was arrested before his crucifixion. It is a place of great resona ...

at the foot of the Mount of Olives. Marc-Antoine Charpentier, Premier répons après la première leçon du premier nocturne, H.111, for 3 voices and continuo (1680). *

''Tristis est anima mea''

The second responsory represents Jesus speaking to his disciples in the garden of

. The first two lines of the responsory are . The last two lines of are more freely based on different Gospel passages, including Mark 14:50 and Luke 24:7. Settings of this responsory include a motet by Orlande de Lassus, appearing as No. 1 in the

Drexel 4302 Drexel 4302, also known as the Sambrook Book based on an inscription from a former owner, Francis Sambrook, is a music manuscript containing vocal and keyboard music from Italian and British composers, documenting the transition from Renaissance t ...

manuscript, a SSATB motet attributed to Johann Kuhnau, Marc-Antoine Charpentier, 2 settings: ''Second répons après la seconde leçon du premier nocturne,'' H.112 (1680), for 2 voices and continuo and ''Second répons après la seconde leçon du premier nocturne du Mercredi Saint,'' H.126 (1690), for 2 voices and continuo and a setting as part of

's ''

Quatre motets pour un temps de pénitence ' (''Four Penitential Motets''), FP 97, are four sacred motets composed by Francis Poulenc in 1938–39. He wrote them on Latin texts for penitence, scored for four unaccompanied voices. Structure and texts The four motets are: # Timor et tre ...

''. *

''Ecce, vidimus eum''

Responsories of the second nocturn of Maundy Thursday

The readings of the second nocturn of Maundy Thursday are from Saint Augustine's commentary on Psalm 54/55

''Amicus meus''

''Troisième répons après la troisième leçon du premier nocturne,'' H.113 (1680), for 1 voice and continuo Marc-Antoine Charpentier, ''Premier répons après la première leçon du second nocturne du Mercredi Saint'', H.127 (1690), for 1 voice , 2 flutes and continuo * Audio: *

''Judas mercator pessimus''

Second of Poulenc's '' Sept répons des ténèbres''. *

''Unus ex discipulis meis''

Marc-Antoine Charpentier, ''Quatrième répons après la première leçon du second nocturne,'' H.114 (1680), for 2 voices and continuo Marc-Antoine Charpentier, ''Troisième répons après la troisième leçon du second nocturne du Mercredi Saint,'' H.132 (1690), for 1 voice, 2 violins and continuo * Audio: *

Responsories of the third nocturn of Maundy Thursday

The readings of the third nocturn of Maundy Thursday are

1 Corinthians The First Epistle to the Corinthians ( grc, Α΄ ᾽Επιστολὴ πρὸς Κορινθίους) is one of the Pauline epistles, part of the New Testament of the Christian Bible. The epistle is attributed to Paul the Apostle and a co-aut ...

11:17−22, 11:23−26, 11:27−34

''Eram quasi agnus innocens''

Marc-Antoine Charpentier, ''Cinquième répons après la seconde leçon du second nocturne'', H.115 (1680), for 1 voice and continuo *

''Una hora''

Marc-Antoine Charpentier, ''Sixième répons après la troisième leçon du second nocturne,'' H.116 (1680), for 3 voices and continuo First of Poulenc's ''Sept répons des ténèbres''. *

''Seniores populi''

Marc-Antoine Charpentier, ''Septième répons après la première leçon du troisième nocturne,'' H.117 (1680), for 1 voice and continuo *

Responsories of Good Friday

, ''Feria VI/Sexta in Parasceve'', meaning Friday (sixth day of the week) of the Day of Preparation (from Greek Παρασκευή). Thus this second set of nine responsories can appear under such titles as ''Feria VI – In Parasceve''.

Responsories of the first nocturn of Good Friday

The readings of the first nocturn of Good Friday are Lamentations 2:8–11, 2:12–15 and 3:1–9.

''Omnes amici mei''

Marc-Antoine Charpentier, ''Répons après la première leçon de ténèbres du Jeudi Saint'', H.144 (mid1690), for 1 voice, 2 flutes and continuo *

''Velum templi scissum est''

Marc-Antoine Charpentier'', Second répons après la seconde leçon du premier nocturne du Jeudi Saint,'' H.128, for soloists, chorus, flutes, strings and continuo (1690) *

''Vinea mea electa''

Second of Poulenc's ''Quatre motets pour un temps de pénitence''. *

Responsories of the second nocturn of Good Friday

The readings of the second nocturn of Good Friday are from Saint Augustine's commentary on Psalm 63/64

''Tamquam ad latronem existis''

Marc-Antoine Charpentier, ''Premier répons après la première leçon du second nocturne du Jeudi Saint,'' H.133 (1690), for 1 voice, 2 flutes,, 2 violins and continuo *

''Tenebrae factae sunt''

This responsory is included on p. 269 of the Lutheran ''Neu Leipziger Gesangbuch'' (1682). Marc-Antoine Charpentier, ''Second répons après la seconde leçon du second nocturne du Jeudi Saint'', for 1 voice, flutes, strings and continuo, H.129 (1690).Third of Poulenc's ''Quatre motets pour un temps de pénitence'', and fifth of his ''Sept répons des ténèbres'' *

''Animam meam dilectam''

Responsories of the third nocturn of Good Friday

The readings of the third nocturn of Holy Saturday are taken from –.

''Tradiderunt me''

''Jesum tradidit impius''

Third of Poulenc's ''Sept répons des ténèbres'' *

''Caligaverunt oculi mei''

Fourth of Poulenc's ''Sept répons des ténèbres'' * Audio: *

Responsories of Holy Saturday

Holy Saturday, ''Sabbato Sancto'' in Latin. Responsories for this day can appear under such titles as ''Sabbato Sancto''.

Responsories of the first nocturn of Holy Saturday

The readings of the first nocturn of Holy Saturday are from Lamentations, 3:22–30, 4:1–6 and 5:1–11.

''Sicut ovis''

''Jerusalem surge''

Marc-Antoine Charpentier, ''Second répons après la seconde leçon du premier nocturne de Vendredi Saint,'' H.130 (1690), for 2 voices, 2 flutes and continuo *

''Plange quasi virgo''

This responsory has some parallels with the

Book of Joel The Book of Joel is collected as one of the twelve minor prophets of the Nevi'im ("Prophets") in the Hebrew Bible, and as a book in its own right in the Christian Old Testament. Content After a superscription ascribing the prophecy to Joel (s ...

, e.g. "plange quasi virgo" ("Lament like a girl", 1:8), "accingite vos et plangite sacerdotes ululate ministri altaris" ("Put on sackcloth and mourn, you priests; Wail, you ministers of the altar", 1:13) and "magnus enim dies Domini et terribilis valde" ("for the day of Yahweh is great and very awesome", 2:11). *

Responsories of the second nocturn of Holy Saturday

The readings of the second nocturn of Holy Saturday are from Saint Augustine's commentary on Psalm 63/64.

''Recessit pastor noster''

''O vos omnes''

The text is adapted from the Latin Vulgate translation of . Some of the most famous settings of the text are by Tomás Luis de Victoria (two settings for four voices: 1572 and 1585),

(five voices: 1603; six voices: 1611), Marc-Antoine Charpentier, ''Second répons après la 1ère leçon du second nocturne du Vendredi saint'', H.134, for 1 voice, flutes and continuo (1690) and

Pablo Casals Pau Casals i Defilló (Catalan: ; 29 December 187622 October 1973), usually known in English by his Castilian Spanish name Pablo Casals,

(mixed choir: 1932). * Audio: *

''Ecce quomodo moritur justus''

Based on . A german version of the text of this responsory is set as ''

Der Gerechte kömmt um Der or DER may refer to: Places * Darkənd, Azerbaijan * Dearborn (Amtrak station) (station code), in Michigan, US * Der (Sumer), an ancient city located in modern-day Iraq * d'Entrecasteaux Ridge, an oceanic ridge in the south-west Pacific Ocean ...

''. Poulenc set it as the seventh of his ''Sept répons des ténèbres''. Marc-Antoine Charpentier'', Troisième répons après la troisième leçon du second nocturne du Vendredi Saint,'' H.131 (1690), for 1 voice, muted strings and continuo *