I've Got My Mojo Working
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"Got My Mojo Working" is a
blues Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the Afr ...
song written by Preston "Red" Foster and first recorded by R&B singer Ann Cole in 1956. Foster's lyrics describe several
amulet An amulet, also known as a good luck charm or phylactery, is an object believed to confer protection upon its possessor. The word "amulet" comes from the Latin word amuletum, which Pliny's ''Natural History'' describes as "an object that protects ...
s or talismans, called ''mojo'', which are associated with hoodoo, an early African-American folk-magic belief system. In 1957,
Muddy Waters McKinley Morganfield (April 4, 1913 April 30, 1983), known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-war blues scene, and is often cited as the "father of modern Chicago b ...
adapted the song with some different lyrics and a new musical arrangement. It was a feature of his performances throughout his career, with a live version recorded in 1960 identified as the best known. Waters' rendition has received several awards and otherwise recognized by various organizations and publications. As a
blues standard Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues s ...
, it has been recorded by numerous blues and other artists.


Origins

The song was written by Preston "Red" Foster, an African-American musician unrelated to the actor of the same name. Music publisher and executive Sol Rabinowitz described Foster as "one of the shyest human beings I've ever met", and a judge in the early 1970s described him as "a Black man, about forty years of age... with bleached blonde hair and highly modish clothing hosat quietly in the courtroom." According to Rabinowitz, Foster approached him in the mid-1950s with several songs. Rabinowitz recalled: In his biography of Muddy Waters, Robert Gordon gave a similar account: Waters and his band learned the song while backing Cole on a Southern tour and promptly recorded it after returning to Chicago. Rabinowitz claims he regularly sent Foster checks for songwriting royalties amounting to $20,000–30,000 a year in the 2000s. Foster later set up GetIt Records in Jamaica, New York, and released singles under his own name and as "The Mojo Kid". Music historian Larry Birnbaum states that the 1955 R&B hit "
Hands Off "Hands Off" is a 1955 song written and recorded by Jay McShann. The single, on the Vee-Jay label, was the most successful Jay McShann release on the ''Billboard'' R&B chart. "Hands Off", with vocals performed by Priscilla Bowman, was number one on ...
", written by Jay McShann, which he recorded with singer Priscilla Bowman, was the "obvious basis" for "Got My Mojo Working". The two songs were combined by
Elvis Presley Elvis Aaron Presley (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "Honorific nicknames in popular music, King of Rock and Roll", he is regarded as Cultural impact of Elvis Presley, one ...
while jamming in the recording studio in 1970 and were released on the 1971 album ''
Love Letters from Elvis ''Love Letters from Elvis'' is the fourteenth studio album by American singer and musician Elvis Presley, released in 1971. The album was critically panned upon release, and failed to crack the top 20 of the Billboard album charts but did reach N ...
''.


Muddy Waters rendition

While Cole's version of "Got My Mojo Working" reflects more of a
doo-wop Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chica ...
style, Muddy Waters emphasizes a driving rhythm.
AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
critic Matthew Greenwald also notes the song's rhythm: "A sturdy jump blues rhythm and tempo drive the song, while a basic 1/4/5 chord progression defines the melody. The meeting of these two styles is the basis for the rock & roll genre and makes the song one of the most influential." Waters used many of Foster's lyrics, but added a reference to acquiring a mojo from his 1950 song "Louisiana Blues": "I'm goin' down in New Orleans, get me a mojo hand, I'm 'on show all you good lookin' women, yes how to treat your love". His popular 1954 song, " Hoochie Coochie Man", written by
Willie Dixon William James Dixon (July 1, 1915January 29, 1992) was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he ...
, also mentions a mojo. According to Waters: Waters recorded the song on December 1, 1956, for
Chess Records Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll ...
in Chicago. Both
Little Walter Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him ...
and James Cotton have been mentioned as supplying the harmonica parts. "Got My Mojo Working" was a feature of Muddy Waters' live performances over the years, with a popular version appearing on his '' At Newport 1960'' album. Writing for the Blues Foundation, when the song was recognized as a "Classic of blues recording" in 1984, blues historian
Jim O'Neal Jim O'Neal (born November 25, 1948, Fort Wayne, Indiana, United States) is an American blues expert, writer, record producer, and record company executive. He co-founded America's first blues magazine, ''Living Blues'', in Chicago in 1970, and w ...
noted that "The two-part rendition that secured the song’s renown was on the groundbreaking LP Muddy recorded live at the Newport Jazz Festival in 1960." He also called the song "a standard in countless blues band repertoires". Waters' rendition is included on
Rolling Stone's 500 Greatest Songs of All Time "The 500 Greatest Songs of All Time" is a recurring survey compiled by the American magazine ''Rolling Stone''. It is based on weighted votes from selected musicians, critics, and industry figures. The first list was published in December 2004 in ...
at number 359. In 1999, it received a Grammy Hall of Fame Award and it is identified as one of the " Songs of the Century" by the
RIAA The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/o ...
.


Copyright issues

The song has been the subject of
copyright A copyright is a type of intellectual property that gives its owner the exclusive right to copy, distribute, adapt, display, and perform a creative work, usually for a limited time. The creative work may be in a literary, artistic, education ...
litigation. Muddy Waters heard Ann Cole perform it while she was on tour with him in 1956. He modified the words, and attempted to copyright his own version. Dare Music, Inc., holder of the Preston Foster copyright, and Arc Music Group, holder of the Morganfield copyright, settled out of court, with Arc deferring to Dare's copyright. In Strachborneo v. Arc Music 357 F. Supp 1393 (S.D. N.Y. 1973), Ruth Stratchborneo sued co-defendants Arc Music, Dare Music, McKinley Morganfield (Muddy Waters) and Preston Foster, claiming that all had infringed on her copyright in the song "Mojo Workout". In disagreement with Plaintiff Stratchborneo's claim, the ruling held that the term "Mojo" was essentially in the public domain and that the various uses of it in recordings by Ann Cole, Muddy Waters, Jimmy Smith and Bill Cosby did not, therefore, constitute infringement: Importantly, the ruling also unequivocally established the copyright of Preston Foster and Dare Music, Inc. in the song "Got My Mojo Working":


References

{{authority control 1956 songs 1957 singles Chess Records singles Blues songs Muddy Waters songs 1950s neologisms Quotations from music