Early career
Born in Cinco Hollow in Hocking County, Ohio, he was taken as a child to Jellico in eastern Tennessee and there worked with his father in the lumber mill business. Although he learned the mountain ballads, he preferred Negro spirituals because they emphasized harmony and rhythm and had a "definite religious purpose." Rodeheaver early learned to play the cornet but switched to trombone while attending Ohio Wesleyan College, where he also served as a cheerleader. In 1898 he left college to serve in the Fourth Tennessee Band during the Spanish–American War. Around 1904 he joined evangelistMusic director for Billy Sunday
Rodeheaver—called "Rody" by associates and reporters alike—had a genial, extroverted personality. Although he was not ignorant or unappreciative of classical and traditional sacred music, Rodeheaver enjoyed and promoted lively new gospel songs among Sunday's congregations. Rodeheaver was a natural showman who could warm his audience with jokes and direct choirs and congregations with his trombone. For instance, he would say that his instrument was a "Methodist trombone" that would occasionally "backslide." Or he'd pull his lips from the mouthpiece and say, "Just imagine! I'm being ''paid'' just to do this!" When Lowell Thomas presented Rodeheaver to the New York Advertising Club, Rodeheaver succeeded in getting the advertising agents to sing "Pray the Clouds Away." Will Rogers said, "Rody is the fellow that can make you sing whether you want to or not. I think he has more terrible voices in what was supposed to be unison than any man in the world. Everyone sings for Rody!" When Rodeheaver was introduced to John D. Rockefeller, Sr., on a golf course, Rockefeller delayed his golf game long enough to sing with Rodeheaver, "I'll Go Where You Want Me to Go, Dear Lord." In 1940, Rodeheaver led the singing for 250,000 people who attended the Wendell Willkie homecoming in Elwood, Indiana. In the days before electronic amplification, Rodeheaver quickly discovered that his trombone could be heard when his voice or the piano could not. He often led congregational singing with his trombone, switching from playing to directing halfway through the song and then allowing the trombone to hang on his arm at the elbow. During a Sunday tent campaign in Kansas, a heavy storm with near-hurricane winds caused the top and sides to sag, and a quarter pole fell, striking a woman on the head. When the crowd panicked and rose to flee, Rodeheaver began playing his trombone and the crowd quieted. In his prime, Rodeheaver also used his baritone voice to good effect as a soloist and as a participant in ensembles composed of other members of Sunday's evangelistic team—especially duets with contralto Virginia Asher. During the heyday of the Sunday evangelistic campaigns, Rodeheaver directed the nation's largest choruses: from a few hundred to as many as two thousand volunteers in Sunday's various campaigns. To him there was nothing incongruous about having his choirs sing Horatio R. Palmer's gospel song "Master, the Tempest is Raging", followed by the Hallelujah Chorus from Handel's Messiah.Recording career
In 1913 Rodeheaver began recording for the Victor Talking Machine Company, a relationship that lasted for twenty years. He also recorded forMusic publisher
In 1910, Rodeheaver started his own publishing business, the Rodeheaver Company, compiling gospel songs to sell at revivals. In 1936 Rodeheaver purchased the Hall-Mack Company and merged it with his own publishing house, headquartered in Winona Lake, Indiana. Rodeheaver employed songwriters such asPersonal life
Rodeheaver founded Rainbow Ranch, later renamed Rodeheaver Boy's Ranch, a home for abused and abandoned boys in Palatka, Florida and visited it often, singing and playing the guitar for the boys. He created and subsidized the Rodeheaver School of Music at the Winona Lake Bible Conference, Indiana, a two-week-a-summer seminar to stimulate laymen to develop their musical abilities for their local churches. Rodeheaver traveled around the world on mission trips, and at the Dead Sea, while floating in the brine, he played "Brighten the Corner" on his trombone. Introduced to the Moravian custom of an Easter sunrise service, Rodeheaver helped popularize the concept across the United States. In 1912, Rodeheaver bought an old farm house on "Rainbow Point" at Winona Lake, Indiana and had it rebuilt to look like a ship—including adding a railing around its flat roof. There he entertained hosts of preachers, businessmen, opera singers, and radio personalities, sometimes as many as twenty at a time. His business cards, living room rug, and bathroom towels featured rainbows, a reference to a line of a frequent theme song, "Every cloud will wear a rainbow/If your heart keeps right." Rodeheaver never married, though he "had a few very close brushes with matrimony" and even proposed to the Canadian-American evangelist Aimee Semple McPherson, who turned him down. His half-sister Ruth and her husband, Jim Thomas, lived with him and served as his hostess. Rodeheaver "loved to be surrounded by women of charm and beauty, and with them his manner was always extremely gallant".Jones, ''Cornbread and Caviar'', 95. According to Jones, Rodeheaver also proposed to the operatic contralto Doris Doe, and she might have accepted but believed if any woman accepted Rodeheaver's proposal, "Homer got frightened and ran, and I wanted to keep his friendship; so I said no." Jones himself believed Rodeheaver was never "seriously in love with any woman. He was just in love with the idea of romance itself." Mary Gaston Jones, the wife of evangelistDeath and legacy
Rodeheaver died of heart failure at Winona Lake in 1955, aged 75. Auditoriums on the campuses of Bob Jones University, Greenville, South Carolina, andReferences
Sources
* Kevin Mungons and Douglas Yeo, ''Homer Rodeheaver and the Rise of the Gospel Music Industry'' (Urbana: University of Illinois Press, 2021). * Roger Butterfield, "Homer Rodeheaver: A Happy Christian with One Old Trombone Is Successfully Preaching Salvation through Song," '' Life'' (September 3, 1945), 59-66. * Bob Jones, Jr., ''Cornbread and Caviar'' (Greenville, S.C.: Bob Jones University, 1985). * Thomas Henry Porter, "Homer Alvin Rodeheaver, Evangelist, Musician and Publisher" (Ph.D. diss., New Orleans Baptist Seminary, 1981). * Homer Rodeheaver, ''Twenty Years with Billy Sunday'' (Rodeheaver Hall-Mack Company, 1936). * Bert H. Wilhoit, ''Rody: Memories of Homer Rodeheaver'' (Greenville, S.C.: Bob Jones University Press, 2000).External links
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