History of paper

Paper is a thin nonwoven material traditionally made from a combination of milled plant and textile fibres. The first paper-like plant-based writing sheet was papyrus in Egypt (4th Century BC), but the first true paper, the first true papermaking process was documented in China during the Eastern Han period (25–220 AD), traditionally attributed to the court official Cai Lun. This plant-puree conglomerate produced by pulp mills and paper mills was used for writing, drawing, and money. During the 8th century, Chinese paper making spread to the Islamic world, replacing papyrus. By the 11th century, papermaking was brought to Europe, where it replaced animal-skin-based parchment and wood panels. By the 13th century, papermaking was refined with paper mills using waterwheels in Spain. Later improvements to the papermaking process came in 19th century Europe with the invention of wood-based papers.

Although there were precursors such as papyrus in the Mediterranean world and amate in the pre-Columbian Americas, these are not considered true paper. Nor is true parchment considered paper: used principally for writing, parchment is heavily prepared animal skin that predates paper and possibly papyrus. In the 20th century with the advent of plastic manufacture, some plastic "paper" was introduced, as well as paper-plastic laminates, paper-metal laminates, and papers infused or coated with different substances to produce special properties.

Precursors

Papyrus

The word "paper" is etymologically derived from ''papyrus'', Ancient Greek for the '' Cyperus papyrus'' plant. Papyrus is a thick, paper-like material produced from the pith of the ''Cyperus papyrus'' plant which was used in ancient Egypt and other Mediterranean societies for writing long before paper was used in China.

Papyrus is prepared by cutting off thin ribbon-like strips of the interior of the ''Cyperus papyrus'', and then laying out the strips side-by-side to make a sheet. A second layer is then placed on top, with the strips running perpendicular to the first. The two layers are then pounded together into a sheet. The result is very strong, but has an uneven surface, especially at the edges of the strips. When used in scrolls, repeated rolling and unrolling causes the strips to come apart again, typically along vertical lines. This effect can be seen in many ancient papyrus documents.

Paper contrasts with papyrus in that the plant material is broken down through maceration or disintegration before the paper is pressed. This produces a much more even surface, and no natural weak direction in the material which falls apart over time.

Paper in China

Archaeological evidence of papermaking predates the traditional attribution given to Cai Lun, an imperial eunuch official of the Han dynasty (202 BCE – 220 CE), thus the exact date or inventor of paper cannot be deduced. The earliest extant paper fragment was unearthed at Fangmatan in Gansu province, and was likely part of a map, dated to 179–141 BCE.
Fragments of paper have also been found at Dunhuang dated to 65 BCE and at Yumen pass, dated to 8 BCE.

The invention traditionally attributed to Cai Lun, recorded hundreds of years after it took place, is dated to 105 CE. The innovation is a type of paper made of mulberry and other bast fibres along with fishing nets, old rags, and hemp waste which reduced the cost of paper production, which prior to this, and later, in the West, depended solely on rags.

Techniques

During the Shang (1600–1050 BCE) and Zhou (1050–256 BCE) dynasties of ancient China, documents were ordinarily written on bone or bamboo (on tablets or on bamboo strips sewn and rolled together into scrolls), making them very heavy, awkward to use, and hard to transport. The light material of silk was sometimes used as a recording medium, but was normally too expensive to consider. The Han dynasty Chinese court official Cai Lun (c. 50–121 CE) is credited as the inventor of a method of papermaking (inspired by wasps and bees) using rags and other plant fibers in 105 CE. However, the discovery of specimens bearing written Chinese characters in 2006 at Fangmatan in north-east China's Gansu Province suggests that paper was in use by the ancient Chinese military more than 100 years before Cai, in 8 BCE, and possibly much earlier as the map fragment found at the Fangmatan tomb site dates from the early 2nd century BCE. It therefore would appear that "Cai Lun's contribution was to improve this skill systematically and scientifically, fix a recipe for papermaking".

Cai Lun's biography in the ''Twenty-Four Histories'' says:
uses Wade-Giles transcription
:In ancient times writings and inscriptions were generally made on tablets of bamboo or on pieces of silk called chih. But silk being costly and bamboos heavy they were not convenient to use. Tshai Lun then initiated the idea of making paper from the bark of trees, remnants of hemp, rags of cloth and fishing nets. He submitted the process to the emperor in the first year of Yuan-Hsing (105 CE) and received praise for his ability. From this time, paper has been in use everywhere and is universally called the paper of Marquis Tshai.

The production process may have originated from the practice of pounding and stirring rags in water, after which the matted fibres were collected on a mat. The bark of paper mulberry). Although bark paper emerged during the Han dynasty, the predominant material used for paper was hemp until the Tang dynasty when rattan and mulberry bark paper gradually prevailed. After the Tang dynasty, rattan paper declined because it required specific growing areas, was slow in growth, and had a long regeneration cycle. The most prestigious kind of bark paper was known as Chengxintang Paper, which emerged during the Five Dynasties and Ten Kingdoms period, and was only used for imperial purposes. Ouyang Xiu described it as shiny, elaborate, smooth, and elastic. In the Eastern Jin period a fine bamboo screen-mould treated with insecticidal dye for permanence was used in papermaking. After printing was popularized during the Song dynasty the demand for paper grew substantially. The supply of bark could not keep up with the demand for paper, resulting in the invention of new kinds of paper using bamboo during the Song dynasty. In the year 1101, 1.5 million sheets of paper were sent to the capital.

Uses

Among the earliest known uses of paper was padding and wrapping delicate bronze mirrors according to archaeological evidence dating to the reign of Emperor Wu of Han from the 2nd century BCE. Padding doubled as both protection for the object as well as the user in cases where poisonous "medicine" were involved, as mentioned in the official history of the period. Although paper was used for writing by the 3rd century CE, paper continued to be used for wrapping (and other) purposes. Toilet paper was used in China from around the late 6th century. In 589, the Chinese scholar-official Yan Zhitui (531–591) wrote: "Paper on which there are quotations or commentaries from Five Classics or the names of sages, I dare not use for toilet purposes". An Arab traveler who visited China wrote of the curious Chinese tradition of toilet paper in 851, writing: "... he Chinesedo not wash themselves with water when they have done their necessities; but they only wipe themselves with paper".

During the Tang dynasty (618–907) paper was folded and sewn into square bags to preserve the flavor of tea. In the same period, it was written that tea was served from baskets with multi-colored paper cups and paper napkins of different size and shape. During the Song dynasty (960–1279) the government produced the world's first known paper-printed money, or banknote (''see Jiaozi and Huizi''). Paper money was bestowed as gifts to government officials in special paper envelopes. During the Yuan dynasty (1271–1368), the first well-documented European in Medieval China, the Venetian merchant Marco Polo remarked how the Chinese burned paper effigies shaped as male and female servants, camels, horses, suits of clothing and armor while cremating the dead during funerary rites.

Impact of paper

According to Timothy Hugh Barrett, paper played a pivotal role in early Chinese written culture, and a "strong reading culture seems to have developed quickly after its introduction, despite political fragmentation." Indeed, the introduction of paper had immense consequences for the book world. It meant books would no longer have to be circulated in small sections or bundles, but in their entirety. Books could now be carried by hand rather than transported by cart. As a result, individual collections of literary works increased in the following centuries.

Textual culture seems to have been more developed in the south by the early 5th century, with individuals owning collections of several thousand scrolls. In the north an entire palace collection might have been only a few thousand scrolls in total. By the early 6th century, scholars in both the north and south were capable of citing upwards of 400 sources in commentaries on older works. A small compilation text from the 7th century included citations to over 1,400 works.

The personal nature of texts was remarked upon by a late 6th century imperial librarian. According to him, the possession of and familiarity with a few hundred scrolls was what it took to be socially accepted as an educated man.

According to Endymion Wilkinson, one consequence of the rise of paper in China was that "it rapidly began to surpass the Mediterranean empires in book production." During the Tang dynasty, China became the world leader in book production. In addition the gradual spread of woodblock printing from the late Tang and Song further boosted their lead ahead of the rest of the world.

However, despite the initial advantage afforded to China by the paper medium, by the 9th century its spread and development in the Middle East had closed the gap between the two regions. Between the 9th to early 12th centuries, libraries in Cairo, Baghdad, and Cordoba held collections larger than even the ones in China, and dwarfed those in Europe. From about 1500 the maturation of paper making and printing in Southern Europe also had an effect in closing the gap with the Chinese. The Venetian Domenico Grimani's collection numbered 15,000 volumes by the time of his death in 1523. After 1600, European collections completely overtook those in China. The Bibliotheca Augusta numbered 60,000 volumes in 1649 and surged to 120,000 in 1666. In the 1720s the Bibliothèque du Roi numbered 80,000 books and the Cambridge University 40,000 in 1715. After 1700, libraries in North America also began to overtake those of China, and toward the end of the century, Thomas Jefferson's private collection numbered 4,889 titles in 6,487 volumes. The European advantage only increased further into the 19th century as national collections in Europe and America exceeded a million volumes while a few private collections, such as that of Lord Acton, reached 70,000.

Paper became central to the three arts of China – poetry, painting, and calligraphy. In later times paper constituted one of the 'Four Treasures of the Scholar's Studio,' alongside the brush, the ink, and the inkstone.

Paper in Asia

After its origin in central China, the production and use of paper spread steadily. It is clear that paper was used at Dunhuang by 150 CE, in Loulan

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