Hifumi Shimoyama
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Hifumi Shimoyama ( ja, 下山 一二三 ''Shimoyama Hifumi''; born 21 June 1930 in
Hirosaki is a city located in western Aomori Prefecture, Japan. On 1 April 2020, the city had an estimated population of 168,739 in 71,716 households, and a population density of . The total area of the city is . Hirosaki developed as a castle town fo ...
,
Aomori Prefecture is a prefecture of Japan in the Tōhoku region. The prefecture's capital, largest city, and namesake is the city of Aomori. Aomori is the northernmost prefecture on Japan's main island, Honshu, and is bordered by the Pacific Ocean to the east, ...
) is a
Japanese Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspor ...
composer of contemporary concert music. Since the 1960s, Shimoyama's music has been regularly featured on World Music Days festivals across Europe and Asia, and sponsored by the
International Society for Contemporary Music The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music. The organization was established in Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the ...
(ISCM). Shimoyama is the founder of GROUP 20.5, the internationally recognized group of Japanese
avant garde The avant-garde (; In 'advance guard' or 'vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical De ...
composers.


Selected compositions

Shimoyama's works are published by Academia Music, Edizioni Suvini Zerboni, Japan Federation of Composers, Mieroprint, Ongaku no Tomo-sha. ;Orchestral * ''Reflection'' (リフレクション) for 3 string orchestras (1968) * ''Zone'' (ゾーン) for 16 string players (1970) * ''Fūmon II'' (風紋II) for orchestra and tape (1974) * ''Yūgenism'' (ユーゲニズム) for orchestra (1988–1989) * ''Doubridge'' (だぶりっじ) for string orchestra (1995) ;Concertante * ''Wave'' (ウェーヴ) for cello, string ensemble, harp, piano and percussion (1972, revised 1998) * Concerto for cello and orchestra (1984) * ''Yūgenism No. 2'' (ユーゲニズム第2番) for clarinet, string orchestra and percussion (1998) * Concerto for violin and orchestra (2003) * ''Knob'' (ノブ) for bass clarinet and 14 players ;Chamber music * String Quartet (1959) * ''Structure'' (ストルクチュール) for 4 performers (2 violin, trumpet, bass clarinet, percussion) (1961) * ''Dialogue'' (ダイアローグ) for cello and piano (1962) * ''Dialogue'' (ダイアローグ) for 2 guitars (1963) * ''Ceremony'' for cello solo (1969) * ''Exorcism'' (エクソルシズム) for string quintet (1970) * ''MSP'' for violin and piano (1972) * ''Dialogue No. 2'' (ダイアローグ第2番) for 2 guitars (1973) * ''Transmigration'' (トランズマイグレーション) for percussion and double bass (1973) * ''Fūmon IV'' (風紋IV) for 4 percussionists and tape (1974–1986) * ''Chromophony'' (彩響 ''Saikyō'') for orchestra (1979) * ''Dialogue'' (ダイアローグ) for 2 percussionists (1979) * ''Transmigration No. 2'' (トランズマイグレーション第2番) for
shakuhachi A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .
, cello and harp (1983–1984) * ''Meditation'' (メディテーション) for cello and piano (1983) * ''Oriental Wind'' for oboe, English horn, piano and percussion (1984) * ''L.41°N, Homage to N'' (N氏へのオマージュ、北緯41度) for guitar (1987) * (一期の月影) for cello, 17-string koto and tape (1989) * ''Fūmon VI'' (風紋VI) for clarinet, cello, percussion and tape (1994, revised 1997) * ''Keikyō'' (谿響) for clarinet, double bass, percussion and tape (1994) * ''Essay'' for recorder player (treble or tenor) with antique cymbals and wood chime (1998) * ''Shinkyō (Deep Sound)'' (深響) for 2 double basses (2000) * ''Amalgam'' (アマルガム) for
shakuhachi A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .
, bass clarinet and piano (2008) * ''Duplication'' (デュプリケーション) for viola and guitar (2009) * ''Shinkyō (Deep Sound) No. 2'' (深響第2番) for 6 double basses (2010) ;Organ * ''Landscape'' (情景) for organ (1992) * ''Landscape No. 2'' (情景第2番) for organ and percussion (1999) ;Vocal * ''Breath'' (息) for female voice, piano and percussion (1971) * ''Catalysis'' (カタリシス) for voice, alto flute, bass trombone, cello and percussion (1976) * ''Catalysis No. 2'' (カタリシス第2番) for soprano, piano and percussion (1983) ;Japanese instruments * ''Catalysis No. 3'' (カタリシス第3番) for
shinobue The ''shinobue'' (kanji: 篠笛; also called ''takebue'' (kanji: 竹笛) in the context of Japanese traditional arts) is a Japanese transverse flute or fue that has a high-pitched sound. It is found in hayashi and nagauta ensembles, and plays ...
(or
shakuhachi A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .
),
shamisen The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usual ...
,
koto Koto may refer to: * Koto (band), an Italian synth pop group * Koto (instrument), a Japanese musical instrument * Koto (kana), a ligature of two Japanese katakana * Koto (traditional clothing), a traditional dress made by Afro-Surinamese women * K ...
and percussion (1983) * ''Kannagi'' (巫覡) for
shakuhachi A is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .
, 2 kotos and 17-string koto (1983) * ''Kaze no toh'' (風の塔) for shakuhachi, 20-string koto, percussion (1991) * ''Monologue'' (モノローグ) for
shamisen The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usual ...
(sangen) (1991) * ''Figure'' (フィギュール) for shakuhachi and percussion (2001–2002)


References


NUVO News


External links


Kojima Records

ISCM World Music Days
* http://www.butler.edu/music {{DEFAULTSORT:Shimoyama, Hifumi 1930 births Contemporary classical music performers Japanese classical composers Japanese contemporary classical composers Japanese male classical composers Living people Musicians from Hirosaki