(Lord God, we praise You), , is a

church cantata A church cantata or sacred cantata is a cantata intended to be performed during Christian liturgy. The genre was particularly popular in 18th-century Lutheran Germany, with many composers writing an extensive output: Stölzel, Telemann, Graupne ...

for

New Year's Day New Year's Day is a festival observed in most of the world on 1 January, the first day of the year in the modern Gregorian calendar. 1 January is also New Year's Day on the Julian calendar, but this is not the same day as the Gregorian one. Whi ...

Johann Sebastian Bach Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard wo ...

. It was first performed on 1 January 1726 in

Leipzig Leipzig ( , ; Upper Saxon: ) is the most populous city in the German state of Saxony. Leipzig's population of 605,407 inhabitants (1.1 million in the larger urban zone) as of 2021 places the city as Germany's eighth most populous, as ...

, as part of the composer's third cantata cycle. Its

libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major li ...

is by

Georg Christian Lehms Georg Christian Lehms (; 1684 – 15 May 1717) was a German poet and novelist who sometimes used the pen-name ''Pallidor''. He published poetry, novels, libretti for operas, and the texts of cantatas. Life Born in Liegnitz (now in Poland) in 16 ...

, opening with the beginning of "", Luther's German

Te Deum The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Ch ...

. The cantata's text was completed with a

stanza In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have ei ...

from Paul Eber's "" for the closing

chorale Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the th ...

History and words

Bach wrote the cantata in 1726, his third year as ''

Thomaskantor (Cantor at St. Thomas) is the common name for the musical director of the , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, ', describes the two functions of cantor ...

'' in

, for

, which is also the feast of the circumcision and naming of Jesus. The prescribed readings for the feast day were taken from the

Epistle to the Galatians The Epistle to the Galatians is the ninth book of the New Testament. It is a letter from Paul the Apostle to a number of Early Christian communities in Galatia. Scholars have suggested that this is either the Roman province of Galatia in southe ...

, by faith we inherit (), and from the

Gospel of Luke The Gospel of Luke), or simply Luke (which is also its most common form of abbreviation). tells of the origins, Nativity of Jesus, birth, Ministry of Jesus, ministry, Crucifixion of Jesus, death, Resurrection of Jesus, resurrection, and Ascensi ...

, the Circumcision and naming of Jesus (). The cantata text is taken from a 1711 publication by

, it centers on praise and thanksgiving without being related to the readings. The poet began with four lines from

Martin Luther Martin Luther (; ; 10 November 1483 – 18 February 1546) was a German priest, theologian, author, hymnwriter, and professor, and Augustinian friar. He is the seminal figure of the Protestant Reformation and the namesake of Lutherani ...

's German

, "" (Lord God, we praise you). The following pair of

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...

and

aria In music, an aria ( Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompa ...

deal with thanks for past gifts, while a further pair deal with a prayer for further blessings. The poet did not supply a closing chorale, but Bach chose the final

of Paul Eber's "" (Help me to praise God's goodness) (c. 1580). Bach first performed the cantata on 1 January 1726.

Scoring and structure

The cantata in six movements is scored for three vocal soloists (

alto The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruse ...

tenor A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is wide ...

, and

bass Bass or Basses may refer to: Fish * Bass (fish), various saltwater and freshwater species Music * Bass (sound), describing low-frequency sound or one of several instruments in the bass range: ** Bass (instrument), including: ** Acoustic bass gui ...

), a four-part choir,

corno da caccia The natural horn is a musical instrument that is the predecessor to the modern-day French horn, (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation fr ...

, two

oboe The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. ...

s, oboe da caccia, two

violins The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular ...

viola ; german: Bratsche , alt=Viola shown from the front and the side , image=Bratsche.jpg , caption= , background=string , hornbostel_sachs=321.322-71 , hornbostel_sachs_desc=Composite chordophone sounded by a bow , range= , related= *Violin family ...

, violetta (alternative in a later performance) and

basso continuo Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the ...

Music

In the opening chorus the soprano and the horn present the liturgical melody of the ''Te Deum'', whereas the lower voices move in vivid counterpoint, but also a fourth part of oboe I and violin I. The following secco recitative ends on the words "" (O, should not therefore a new song be taken up and that we sing in heated love?). Consequently, the following movement begins

attacca A variety of musical terms are likely to be encountered in printed scores, music reviews, and program notes. Most of the terms are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special mus ...

(without a break) with the voices' "" (Let us celebrate, let us rejoice). This unusual movement combines elements of chorus and aria in a free

da capo Da capo (, also , ) is an Italian musical term that means "from the beginning" (literally, "from the head"). It is often abbreviated as D.C. The term is a directive to repeat the previous part of music, often used to save space, and thus is a ...

form. The first section is dominated by the chorus, the middle section by the bass. Musicologist Julian Mincham points out that it is "an unusual and imaginative combination of aria and chorus" and likens it to the interaction between a pastor and his flock. A second secco recitative leads to a tender aria which was accompanied by an obbligato oboe da caccia in 1726. In a later performance, likely in 1734, this was replaced by a "violetta", which can be a viola or a

descant A descant, discant, or is any of several different things in music, depending on the period in question; etymologically, the word means a voice (''cantus'') above or removed from others. The Harvard Dictionary of Music states: A descant is a ...

viola da gamba The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch ...

, according to Johann Gottfried Walther. The cantata closes with a four-part chorale.

Recordings

* ''J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 1'',

Gustav Leonhardt Gustav Maria Leonhardt (30 May 1928 – 16 January 2012) was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments. Le ...

Tölzer Knabenchor The Tölzer Knabenchor (Tölz Boys' Choir) is a German boys' choir named after the Upper Bavarian city of Bad Tölz and since 1971 based in Munich. The choir is ranked among the most versatile and sought-after boys' choirs in the world. History ...

King's college choir The Choir of King's College, Cambridge is an English Anglican choir. It is considered one of today's most accomplished and renowned representatives of the great English choral tradition. It was created by King Henry VI, who founded King's Coll ...

Leonhardt-Consort Leonhardt-Consort, also known as the Leonhardt Baroque Ensemble, was a group of instrumentalists which its director, the keyboard player Gustav Leonhardt founded in 1955 to play baroque music. The Consort was active until around 1990, although some ...

Paul Esswood Paul Lawrence Vincent Esswood (born 6 June 1942) is an English countertenor and conductor. He is best known for his performance of Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman ...

Marius van Altena Marius van Altena, born Marius Hendrikus Schweppe (10 October 1938) is a Dutch tenor. He was one of the pioneers of historically informed performance of Baroque and Renaissance music. He has also sung Baroque opera, worked as conductor and as an a ...

Max van Egmond Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He was one of the pioneers of historically informed performance of B ...

Teldec Teldec (Telefunken-Decca Schallplatten GmbH) is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group. History Teldec was a producer of (first) shellac and (later) vinyl records. The Teldec manufacturing ...

1972 * ''Die Bach Kantate Vol. 20'', Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Gabriele Schreckenbach,

Peter Schreier Peter Schreier (29 July 1935 – 25 December 2019) was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century. Schreier was a member of the Dresdner Kreuzchor conducte ...

Philippe Huttenlocher Philippe Huttenlocher (born 29 November 1942) is a Swiss baritone. Life and career He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg. In 1972, he won the international sin ...

, Hänssler 1981 * ''Bach Edition Vol. 4 – Cantatas Vol. 1'', Pieter Jan Leusink, Holland Boys Choir,

Netherlands Bach Collegium The Netherlands Bach Collegium is a Baroque orchestra based in the Netherlands. It is conducted by Pieter Jan Leusink. They are noted for their Complete Cantatas Brilliant Series, a recording of the complete sacred cantatas by Johann Sebastian Bach ...

, Sytse Buwalda,

Nico van der Meel Nico van der Meel is a Dutch tenor. He made his debut with the Concertgebouw Orchestra during the 1987/1988 season and made a recording of Bach's ''St John Passion'', conducted by Sigiswald Kuijken. Between 1989 and 1996, he made several tours and ...

, Bas Ramselaar,

Brilliant Classics Brilliant Classics is a classical music label based in the Dutch town of Leeuwarden. It is renowned for releasing super-budget-priced editions on CD of the complete works of J.S. Bach, Mozart, Beethoven and many other composers. The label also ...

1999 * ''Bach Cantatas Vol. 17: Berlin / For New Year’s Day / For the Sunday After New Year'',

John Eliot Gardiner Sir John Eliot Gardiner (born 20 April 1943) is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach. Life and career Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Ga ...

, Monteverdi Choir, English Baroque Soloists, Charles Humphries, James Gilchrist, Peter Harvey, Soli Deo Gloria 2000 * ''J. S. Bach: Complete Cantatas Vol. 16'',

Ton Koopman Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orche ...

Amsterdam Baroque Orchestra & Choir The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroq ...

, Bogna Bartosz, Paul Agnew, Klaus Mertens, Antoine Marchand 2001 * ''J. S. Bach: Cantatas for the Complete Liturgical Year Vol. 4: "Sie werden aus Saba alle kommen" – Cantatas BWV 16 · 65 · 153 · 154'',

Sigiswald Kuijken Sigiswald Kuijken (; born 16 February 1944) is a Belgian violinist, violist, and conductor known for playing on period and original instruments. Biography Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble ...

La Petite Bande La Petite Bande is a Belgium-based ensemble specialising in music of the Baroque and Classical eras played on period instruments. They are particularly known for their recordings of works by Corelli, Rameau, Handel, Bach, Haydn, and Mozart. His ...

, Elisabeth Hermans, Petra Noskaiová, Jan Kobow, Jan van der Crabben, Accent 2006 * ''J. S. Bach: Cantatas Vol. 42'',

Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for wh ...

, Bach Collegium Japan,

Robin Blaze Robin Blaze (born 1971 in Manchester) is an English countertenor. Early life The son of Peter Blaze, a professional golfer, and Christine, Blaze and his brother Mark grew up in Shadwell, near Leeds, and was educated at Leeds Grammar School, ...

Gerd Türk Gerd Türk is a German classical tenor. Biography Gerd Türk received his first musical training as a choir boy at the cathedral of Limburg. He studied in Frankfurt and then at the Schola Cantorum Basiliensis with Richard Levitt and René Ja ...

, Peter Kooy, BIS 2008

References

External links

*
Herr Gott, dich loben wir BWV 16; BC A 23 / Sacred cantata (New Year/Circumcision)

Bach Digital Bach Digital (German: ), developed by the Bach Archive in Leipzig, is an online database which gives access to information on compositions by Johann Sebastian Bach and members of his family. Early manuscripts of such compositions are a major foc ...

Cantata BWV 16 Herr Gott, dich loben wir
history, scoring, sources for text and music, translations to various languages, discography, discussion, ''Bach Cantatas Website'' * Luke Dahn

bach-chorales.com {{DISPLAYTITLE:''Herr Gott, dich loben wir'', BWV 16 Church cantatas by Johann Sebastian Bach 1726 compositions