A sculptural pairing of the tyrannicides Harmodius and Aristogeiton ( grc, Ἁρμόδιος καὶ Ἀριστογείτων) was well known in the ancient world in two major versions but survives only in Roman marble copies. The lovers Harmodius and Aristogeiton were Athenian heroes whose act of daring in 514 BC opened the way for

Athenian democracy Athenian democracy developed around the 6th century BC in the Greek city-state (known as a polis) of Athens, comprising the city of Athens and the surrounding territory of Attica. Although Athens is the most famous ancient Greek democratic ci ...

History

A first version that was commissioned from the sculptor Antenor after the establishment of Athenian democracy and erected in the

Agora The agora (; grc, ἀγορά, romanized: ', meaning "market" in Modern Greek) was a central public space in ancient Greek city-states. It is the best representation of a city-state's response to accommodate the social and political order o ...

was stolen by the

Persians The Persians are an Iranian ethnic group who comprise over half of the population of Iran. They share a common cultural system and are native speakers of the Persian language as well as of the languages that are closely related to Persian. ...

when they occupied Athens in 480 during the

Persian Wars The Greco-Persian Wars (also often called the Persian Wars) were a series of conflicts between the Achaemenid Empire and Greek city-states that started in 499 BC and lasted until 449 BC. The collision between the fractious political world of the ...

and removed to

Susa Susa ( ; Middle elx, 𒀸𒋗𒊺𒂗, translit=Šušen; Middle and Neo- elx, 𒋢𒋢𒌦, translit=Šušun; Neo- Elamite and Achaemenid elx, 𒀸𒋗𒐼𒀭, translit=Šušán; Achaemenid elx, 𒀸𒋗𒐼, translit=Šušá; fa, شوش ...

. Though it was returned to Athens by

Alexander the Great Alexander III of Macedon ( grc, Ἀλέξανδρος, Alexandros; 20/21 July 356 BC – 10/11 June 323 BC), commonly known as Alexander the Great, was a king of the ancient Greek kingdom of Macedon. He succeeded his father Philip II to ...

(according to Alexander's historian

Arrian Arrian of Nicomedia (; Greek: ''Arrianos''; la, Lucius Flavius Arrianus; ) was a Greek historian, public servant, military commander and philosopher of the Roman period. ''The Anabasis of Alexander'' by Arrian is considered the best ...

) or by

Seleucus I Seleucus I Nicator (; ; grc-gre, Σέλευκος Νικάτωρ , ) was a Macedonian Greek general who was an officer and successor ( ''diadochus'') of Alexander the Great. Seleucus was the founder of the eponymous Seleucid Empire. In the pow ...

(according to the

Roman Roman or Romans most often refers to: * Rome, the capital city of Italy * Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a lett ...

writer

Valerius Maximus Valerius Maximus () was a 1st-century Latin writer and author of a collection of historical anecdotes: ''Factorum ac dictorum memorabilium libri IX'' ("Nine books of memorable deeds and sayings", also known as ''De factis dictisque memorabilibus'' ...

), or again by Antiochus according to Pausanias (1.8.5), it never attracted copyists and is now lost. To replace the stolen first version, the Athenians commissioned

Kritios Kritios ((; ( grc, Κριτίος) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teache ...

and

Nesiotes Kritios ((; ( grc, Κριτίος) was an Athenian sculptor, probably a pupil of Antenor, working in the early 5th century BCE, whose manner is on the cusp of the Late Archaic and the Severe style of Early Classicism in Attica. He was the teache ...

to produce a new statue, which was set up in 477/76 BC, according to the inscribed

Parian Chronicle The Parian Chronicle or Parian Marble ( la, Marmor Parium, Mar. Par.) is a Greek chronology, covering the years from 1582 BC to 299 BC, inscribed on a stele. Found on the island of Paros in two sections, and sold in Smyrna in the early 17 ...

. Both pairs stood side-by-side in the Agora as late as the 2nd century AD when Pausanias noted them there. The pair by Kritios and Nesiotes too are now lost, but unlike Antenor's they were extensively copied in

Hellenistic In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in ...

and Roman times. The best surviving of those copies may be seen in the National Archaeological Museum in

Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adm ...

Description

In the

Neo-Attic Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and stat ...

style that revived the Severe style of the original bronzes, it shows idealized portraits of the two heroes: a clean-shaven Harmodius, thrusting a sword forward in his upraised right hand, another sword in his left hand; and Aristogeiton, also brandishing a sword, with a ''

chlamys The chlamys ( Ancient Greek: χλαμύς : chlamýs, genitive: χλαμύδος : chlamydos) was a type of an ancient Greek cloak.Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...

, with the remains of a strut support on the crown of the head, suggested to Gisela Richter a restoration of the right arm of Harmodius (of which both are missing and restored in the Neapolitan sculpture), reaching backwards, ready for a downward-slashing stroke.Gisela M. A. Richter. "The Right Arm of Harmodios", ''American Journal of Archaeology'' 32.1 (January - March 1928:1-8).

History

Description

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Further reading