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In
color theory In the visual arts, color theory is the body of practical guidance for color mixing and the visual effects of a specific color combination. Color terminology based on the color wheel and its geometry separates colors into primary color, seconda ...
, hue is one of the main properties (called color appearance parameters) of a color, defined technically in the CIECAM02 model as "the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, orange, yellow, green, blue, violet," within certain theories of
color vision Color vision, a feature of visual perception, is an ability to perceive differences between light composed of different wavelengths (i.e., different spectral power distributions) independently of light intensity. Color perception is a part of ...
. Hue can typically be represented quantitatively by a single number, often corresponding to an angular position around a central or neutral point or axis on a color space coordinate diagram (such as a chromaticity diagram) or color wheel, or by its dominant wavelength or by that of its complementary color. The other color appearance parameters are
colorfulness Colorfulness, chroma and saturation are attributes of perceived color relating to chromatic intensity. As defined formally by the International Commission on Illumination (CIE) they respectively describe three different aspects of chromatic ...
, saturation (also known as intensity or chroma),
lightness Lightness is a visual perception of the luminance (L) of an object. It is often judged relative to a similarly lit object. In colorimetry and color appearance models, lightness is a prediction of how an illuminated color will appear to a stan ...
, and brightness. Usually, colors with the same hue are distinguished with adjectives referring to their lightness or colorfulness - for example: "light blue", "
pastel A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those use ...
blue", "vivid blue", "cobalt blue". Exceptions include brown, which is a dark orange.C J Bartleson, "Brown". ''Color Research and Application'', 1 : 4, pp. 181–191 (1976). In painting, a hue is a ''pure'' pigment—one without tint or shade (added white or black pigment, respectively). The human brain first processes hues in areas in the extended V4 called globs.


Deriving a hue

The concept of a color system with a hue was explored as early as 1830 with Philipp Otto Runge's color sphere. The Munsell color system from the 1930s was a great step forward, as it was realized that perceptual uniformity means the color space can no longer be a sphere. As a convention, the hue for red is set to 0° for most color spaces with a hue.


Opponent color spaces

In opponent color spaces in which two of the axes are perceptually orthogonal to lightness, such as the CIE 1976 (''L''*, ''a''*, ''b''*) (
CIELAB The CIELAB color space, also referred to as ''L*a*b*'' , is a color space defined by the International Commission on Illumination (abbreviated CIE) in 1976. (Referring to CIELAB as "Lab" without asterisks should be avoided to prevent confusion ...
) and 1976 (''L''*, ''u''*, ''v''*) (
CIELUV In colorimetry, the CIE 1976 ''L''*, ''u''*, ''v''* color space, commonly known by its abbreviation CIELUV, is a color space adopted by the International Commission on Illumination (CIE) in 1976, as a simple-to-compute transformation of the 1931 CI ...
) color spaces, hue may be computed together with chroma by converting these coordinates from rectangular form to polar form. Hue is the angular component of the polar representation, while chroma is the radial component. Specifically, in CIELAB''Colorimetry,'' second edition: CIE Publication 15.2. Vienna: Bureau Central of the CIE, 1986. :h_ = \mathrm(b^*, a^*), while, analogously, in CIELUV :h_ = \mathrm(v^*, u^*) = \mathrm(v', u'), where,
atan2 In computing and mathematics, the function atan2 is the 2-argument arctangent. By definition, \theta = \operatorname(y, x) is the angle measure (in radians, with -\pi < \theta \leq \pi) between the positive
is a two-argument inverse tangent.


Defining hue in terms of RGB

PreucilFrank Preucil, "Color Hue and Ink Transfer … Their Relation to Perfect Reproduction, ''TAGA Proceedings,'' p 102-110 (1953). describes a color hexagon, similar to a trilinear plot described by Evans, Hanson, and Brewer,Ralph Merrill Evans, W T Hanson, and W Lyle Brewer, ''Principles of Color Photography.'' New York: Wiley, 1953 which may be used to compute hue from
RGB. To place red at 0°, green at 120°, and blue at 240°, : h_ = \mathrm\left( \sqrt \cdot (G - B), 2 \cdot R - G - B \right). Equivalently, one may solve : \tan( h_) = \frac. Preucil used a polar plot, which he termed a color circle. Using R, G, and B, one may compute hue angle using the following scheme: determine which of the six possible orderings of R, G, and B prevail, then apply the formula given in the table below. Note that in each case the formula contains the fraction \frac, where ''H'' is the highest of R, G, and B; ''L'' is the lowest, and ''M'' is the mid one between the other two. This is referred to as the "Preucil hue error" and was used in the computation of mask strength in photomechanical color reproduction.Miles Southworth, ''Color Separation Techniques'', second edition. Livonia, New York: Graphic Arts Publishing, 1979. Hue angles computed for the Preucil circle agree with the hue angle computed for the Preucil hexagon at integer multiples of 30° (red, yellow, green, cyan, blue, magenta, and the colors midway between contiguous pairs) and differ by approximately 1.2° at odd integer multiples of 15° (based on the circle formula), the maximal divergence between the two. The process of converting an RGB color into an HSL color space or HSV color space is usually based on a 6-piece piecewise mapping, treating the HSV cone as a hexacone, or the HSL double cone as a double hexacone. The formulae used are those in the table above.


24 hues of HSL/HSV

The hue angles below only apply to the two Preucil-style transformations of RGB, and does not apply to the more uniform Lab/LUV-based colorspaces. As illustrated by the variance in luminance, the RGB-based transformations separate the color-making attributes poorly.


Usage in art

Manufacturers of pigments use the word hue, for example, "cadmium yellow (hue)" to indicate that the original pigmentation ingredient, often toxic, has been replaced by safer (or cheaper) alternatives whilst retaining the hue of the original. Replacements are often used for
chromium Chromium is a chemical element with the symbol Cr and atomic number 24. It is the first element in group 6. It is a steely-grey, lustrous, hard, and brittle transition metal. Chromium metal is valued for its high corrosion resistance and hardne ...
, cadmium and alizarin.


Hue vs. dominant wavelength

Dominant wavelength (or sometimes equivalent wavelength) is a physical analog to the perceptual attribute hue. On a chromaticity diagram, a line is drawn from a white point through the coordinates of the color in question, until it intersects the spectral locus. The wavelength at which the line intersects the spectrum locus is identified as the color's dominant wavelength if the point is on the same side of the white point as the spectral locus, and as the color's complementary wavelength if the point is on the opposite side.Deane B Judd and Günter Wyszecki, ''Color in Business, Science, and Industry.'' New York: Wiley, 1976.


Hue difference notation

There are two main ways in which hue difference is quantified. The first is the simple difference between the two hue angles. The symbol for this expression of hue difference is \Delta h_ in CIELAB and \Delta h_ in CIELUV. The other is computed as the residual total color difference after Lightness and Chroma differences have been accounted for; its symbol is \Delta H^*_ in CIELAB and \Delta H^*_ in CIELUV.


Names and other notations

There exists some correspondence, more or less precise, between hue values and
color term A color term (or color name) is a word or phrase that refers to a specific color. The color term may refer to human perception of that color (which is affected by visual context) which is usually defined according to the Munsell color system, or t ...
s (names). One approach in color science is to use traditional color terms but try to give them more precise definitions. See spectral color#Table of spectral or near-spectral colors for names of highly saturated colors with the hue from ≈ 0° (red) up to ≈ 275° (violet), and line of purples#Table of highly-saturated purple colors for color terms of the remaining part of the color wheel. Alternative approach is to use a systematic notation. It can be a standard angle notation for certain color model such as HSL/HSV mentioned above,
CIELUV In colorimetry, the CIE 1976 ''L''*, ''u''*, ''v''* color space, commonly known by its abbreviation CIELUV, is a color space adopted by the International Commission on Illumination (CIE) in 1976, as a simple-to-compute transformation of the 1931 CI ...
, or CIECAM02. Alphanumeric notations such as of Munsell color system,
NCS NCS may refer to: Biology and chemistry * N-Chlorosuccinimide, an organic chemical * Neotenic complex syndrome * Nerve conduction study, a medical diagnostic test * Neuronal calcium sensor, a family of proteins * Thiocyanate, an organic compoun ...
, and Pantone Matching System are also used.


See also

* Lightness (color) * Chromaticity * Munsell color system * Bezold–Brücke shift


References


External links


Editing of hue in photography
{{Authority control Color