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The Hotel d'Hane-Steenhuyse is an 18th-century ''hôtel particulier'' (grand
townhouse A townhouse, townhome, town house, or town home, is a type of terraced housing. A modern townhouse is often one with a small footprint on multiple floors. In a different British usage, the term originally referred to any type of city residence ...
) in the Belgian city of
Ghent Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in ...
. It is located in the ''Veldstraat'' and was once a possession of the D'Hane de Steenhuyse family.


History

The building was built in 1768–1773 by Jan Baptist Simoens, who designed and built the rear facade and the ''salle à l'italienne''. The facade was perhaps designed by David 't Kindt, but archival evidence has not been found. Around the beginning of the 19th century, the building was used for the noble society, culminating in the stay in 1815 of
King Louis XVIII Louis XVIII (Louis Stanislas Xavier; 17 November 1755 – 16 September 1824), known as the Desired (), was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. He spent twenty-three years in e ...
while he was expelled from France. With his court he ruled from the hotel in
exile Exile is primarily penal expulsion from one's native country, and secondarily expatriation or prolonged absence from one's homeland under either the compulsion of circumstance or the rigors of some high purpose. Usually persons and peoples suf ...
. Afterward he gave his host, as a thank you, a porcelain dessert service that is now kept in the ''STAM'' (
Ghent City Museum The Ghent City Museum (in Dutch "Stadsmuseum Gent", "STAM" in short) is a museum in the Belgian city of Ghent. The museum exposes the city history and opened its doors on 9 October 2010. With respect to the collection that is shown, the history of ...
). In the twentieth century the hotel fell into disuse. The Museum of the Hundred Days was accommodated there in 1949, but without much success. In 1981, the building came in the possession of the city of Ghent, which first included an information center and later the Monuments Management Service. In the 1990s it underwent a thorough renovation. Public access was, however, very limited. In 2015, the ground floor was opened for commercial activities.


Owners

Three generations of the D'Hane de Steenhuyse family built the hotel: * Count Emmanuel Ignace d'Hane (1702–1771): main building and facade * Count Pierre Emmanuel d'Hane de
Leeuwergem Leeuwergem is a village belonging to the municipality of Zottegem. It is located on the Molenbeek, in the Denderstreek and Flemish Ardennes, which is part of the hilly southern part of the East Flanders province, Belgium. Leeuwergem used to be pa ...
(1726–1786): extension and garden facade * Count Jean-Baptiste d'Hane de Steenhuyse (1757–1826): decoration and interior decoration After the extinction of the male line, the city palace came in the possession of Valerie van Pottelsberghe de la Potterie.


Famous guests

Under Jean-Baptiste the building was visited by various famous European figures: * 1803: Talleyrand (accompanied first
consul Consul (abbrev. ''cos.''; Latin plural ''consules'') was the title of one of the two chief magistrates of the Roman Republic, and subsequently also an important title under the Roman Empire. The title was used in other European city-states throug ...
Bonaparte during his visit to the former
Austrian Netherlands The Austrian Netherlands nl, Oostenrijkse Nederlanden; french: Pays-Bas Autrichiens; german: Österreichische Niederlande; la, Belgium Austriacum. was the territory of the Burgundian Circle of the Holy Roman Empire between 1714 and 1797. The p ...
) * 1811:
Jérôme Bonaparte Jérôme-Napoléon Bonaparte (born Girolamo Buonaparte; 15 November 1784 – 24 June 1860) was the youngest brother of Napoleon I and reigned as Jerome Napoleon I (formally Hieronymus Napoleon in German), King of Westphalia, between 1807 and 1 ...
, King of
Westphalia Westphalia (; german: Westfalen ; nds, Westfalen ) is a region of northwestern Germany and one of the three historic parts of the state of North Rhine-Westphalia. It has an area of and 7.9 million inhabitants. The territory of the regio ...
* 1814:
Alexander I Alexander I may refer to: * Alexander I of Macedon, king of Macedon 495–454 BC * Alexander I of Epirus (370–331 BC), king of Epirus * Pope Alexander I (died 115), early bishop of Rome * Pope Alexander I of Alexandria (died 320s), patriarch of ...
,
tsar Tsar ( or ), also spelled ''czar'', ''tzar'', or ''csar'', is a title used by East Slavs, East and South Slavs, South Slavic monarchs. The term is derived from the Latin word ''Caesar (title), caesar'', which was intended to mean "emperor" i ...
of Russia * 1814:
John Quincy Adams John Quincy Adams (; July 11, 1767 – February 23, 1848) was an American statesman, diplomat, lawyer, and diarist who served as the sixth president of the United States, from 1825 to 1829. He previously served as the eighth United States S ...
, one of the guests at a dinner with the English and American delegations who had negotiated the
Treaty of Ghent The Treaty of Ghent () was the peace treaty that ended the War of 1812 between the United States and the United Kingdom. It took effect in February 1815. Both sides signed it on December 24, 1814, in the city of Ghent, United Netherlands (now in ...
* 1815:
Louis XVIII Louis XVIII (Louis Stanislas Xavier; 17 November 1755 – 16 September 1824), known as the Desired (), was King of France from 1814 to 1824, except for a brief interruption during the Hundred Days in 1815. He spent twenty-three years in ...
, the French king who was fleeing from Napoleon during the
Hundred Days The Hundred Days (french: les Cent-Jours ), also known as the War of the Seventh Coalition, marked the period between Napoleon's return from eleven months of exile on the island of Elba to Paris on20 March 1815 and the second restoration ...
* 1815: François René de Châteaubriand, part of the entourage of Louis XVIII * 1815: the newly crowned King of the Netherlands,
William I William I; ang, WillelmI (Bates ''William the Conqueror'' p. 33– 9 September 1087), usually known as William the Conqueror and sometimes William the Bastard, was the first Norman king of England, reigning from 1066 until his death in 1087 ...
, and his wife Wilhelmina during their
Joyous Entry A Joyous Entry ( nl, Blijde Intrede, Blijde Inkomst, or ; ) is the official name used for the ceremonial royal entry, the first official peaceable visit of a reigning monarch, prince, duke or governor into a city, mainly in the Duchy of Braban ...
in Ghent (September 5) * 1818: Prince
William II of the Netherlands William II ( nl, Willem Frederik George Lodewijk, anglicized as William Frederick George Louis; 6 December 1792 – 17 March 1849) was King of the Netherlands, Grand Duke of Luxembourg, and Duke of Limburg. William II was the son of William ...


Description


Floor plan

The building was built on the gradually acquired
heirs Inheritance is the practice of receiving private property, titles, debts, entitlements, privileges, rights, and obligations upon the death of an individual. The rules of inheritance differ among societies and have changed over time. Officially ...
of the older houses which explains the irregular shape of the facade. The goal was to maximize the utilization of the available space, so that the building line was followed. This explains the protruding middle part of the facade. By integrating the building between existing buildings, the floor plan was also adjusted. Usually, such hotels had a central entrance that provided access to the
vestibule Vestibule or Vestibulum can have the following meanings, each primarily based upon a common origin, from early 17th century French, derived from Latin ''vestibulum, -i n.'' "entrance court". Anatomy In general, vestibule is a small space or cavity ...
. The vestibule was perpendicular to the facade. Left and right of the vestibule were the rooms, symmetrical to each other. In the case of Hotel d'Hane-Steenhuyse, the symmetrical floor plan was abandoned. The only access to the building consists of a gateway located at the end of the facade (ie directly next to the adjacent building). This gateway provides access to the
arsenal An arsenal is a place where arms and ammunition are made, maintained and repaired, stored, or issued, in any combination, whether privately or publicly owned. Arsenal and armoury (British English) or armory (American English) are mostly ...
, in the garden, located behind the building. This gateway is connected to the vestibule, which is perpendicular to it (and parallel to the facade). The rooms were not only accessible separately via the vestibule, they were also connected by the mutual passageways (and thus formed an
enfilade Enfilade and defilade are concepts in military tactics used to describe a military formation's exposure to enemy fire. A formation or position is "in enfilade" if weapon fire can be directed along its longest axis. A unit or position is "in de ...
). There was also a system of hidden passageways, so that the staff could discreetly enter the rooms. In addition, the building has a courtyard with terrace. This was laid out in 1773 in pure
Louis XVI style Louis XVI style, also called ''Louis Seize'', is a style of architecture, furniture, decoration and art which developed in France during the 19-year reign of Louis XVI (1774–1793), just before the French Revolution. It saw the final phase of t ...
.


Facades

The building has two facades. The main facade in
Louis XV style The Louis XV style or ''Louis Quinze'' (, ) is a style of architecture and decorative arts which appeared during the reign of Louis XV. From 1710 until about 1730, a period known as the Régence, it was largely an extension of the Louis XIV style ...
is located on the ''Veldstraat''. It contains both
baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
and
rococo Rococo (, also ), less commonly Roccoco or Late Baroque, is an exceptionally ornamental and theatrical style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, ...
elements. The facade has a protruding middle part with Corinthian half-
pilasters In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall ...
and a segment arch
pediment Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pedimen ...
. The rear facade is in neoclassical Louis XVI style. Unlike the front facade, the rear facade has three horizontal sections. The bottom section is conceived as a
pedestal A pedestal (from French ''piédestal'', Italian ''piedistallo'' 'foot of a stall') or plinth is a support at the bottom of a statue, vase, column, or certain altars. Smaller pedestals, especially if round in shape, may be called socles. In ci ...
. The facade has pilasters and a pediment. It is adjacent to the courtyard.


Rooms

The spaces on the ground floor have a representative function. They consist of salons and halls that are typical of the rich society life of the prosperous social classes at the time. Especially the high ballroom ''à l'italienne'' is richly decorated with ceiling paintings, mirrors, an honorary staircase and a parquet flooring signed by Henri Feylt. The rooms on the floor were more discreet. One can find the bedrooms of the gentleman and the lady of the house (separated, according to the custom of the times), a library, a room for collections and various other rooms. The cellars were used as service spaces. They are older than the hotel itself. During the construction of the hotel, the
vaulted In architecture, a vault (French ''voûte'', from Italian ''volta'') is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof. As in building an arch, a temporary support is needed while ring ...
cellars of the houses that used to be there were simply retained and adapted. The staff lived in unheated rooms under the roof. The rooms were decorated with attention to symmetry and
hierarchy A hierarchy (from Greek: , from , 'president of sacred rites') is an arrangement of items (objects, names, values, categories, etc.) that are represented as being "above", "below", or "at the same level as" one another. Hierarchy is an important ...
. The walls were arranged as symmetrically as possible with wall panels, windows, wallpaper, real and false doors. The wall with the chimney was considered the most important. Each room had its own color scheme. The names of the rooms, such as ''boudoir'', ''cabinet'' and the like, are heavily influenced by the French.


Art objects

The building is decorated with paintings by, among others,
Petrus Norbertus van Reysschoot Petrus Norbertus van Reysschoot or Pieter Norbert van ReysschootName variations: Petrus Norbertus Van Reysschoot, Pierre-Norbert van Reysschoot, dit l'angl Rysschoot, P. Reysschoot, Rysschoot, P. Rysschoot, Pierre Reysschoot, Pieter Norbert Van Re ...
and
Peter Paul Rubens Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque traditio ...
as well as copies of works by
Jan Brueghel the Elder Jan Brueghel (also Bruegel or Breughel) the Elder (, ; ; 1568 – 13 January 1625) was a Flemish painter and draughtsman. He was the son of the eminent Flemish Renaissance painter Pieter Bruegel the Elder. A close friend and frequent collaborato ...
.


Sources

*Ed Taverne and Irmin Visser (eds.), Stedebouw: ''The history of the city in the Netherlands from 1500 to the present'' (Amsterdam: Uitgeverij SUN), 2004, , pages 144–145 *Dirk Van de Perre and others, ''The architecture of lighting'' (Ghent, 2013) *B. Baillieul and M. Daem (1985), ''The Hotel d'Hane-Steenhuyze in Ghent'', in: Hand. MGOG, vol. XXXIX, pp. 173–201 *
Johan Decavele Johan Decavele (born Tielt, 1943) is a Belgian historian and archivist who worked as head of the Culture Department of the City of Ghent. He has mainly published on the history of Ghent and of the Reformation. He contributed to the ''Algemene Gesc ...
(1984), French fringe to Ghent size. Civil art in Ghent in the 18th century (Ghent: Department of Cultural Affairs), 175 pages. *The Hotel d'Hane-Steenhuyse in Ghent. Museum of the Hundred Days. Short guide (1965) *G. Broget (1990), "About d'Hane Steenhuyse, Louis XVIII and Chateaubriand", in: Ghendtsche Tydinghen, no. XIX, pp. 238–259 *Regal acquisitions, stamgent.be, 24 March 2011 (visited 7 May 2015) *Hotel d'Hane-Steenhuyse (ID: 25985), Inventory of the Architectural Heritage
kikirpa.be


External links

{{Coord, 51.05164, 3.72170, format=dms, type:landmark_region:BE, display=title Buildings and structures in Ghent Tourist attractions in Ghent Palaces in Belgium Content in this edit is translated from the existing Dutch Wikipedia article at :nl:Hotel d'Hane-Steenhuyse; see its history for attribution.