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''Himiko'' ( ja, 卑弥呼) is a 1974 Japanese
fantasy Fantasy is a genre of speculative fiction involving Magic (supernatural), magical elements, typically set in a fictional universe and sometimes inspired by mythology and folklore. Its roots are in oral traditions, which then became fantasy ...
drama film In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-g ...
directed by
Masahiro Shinoda is a retired Japanese film director, originally associated with the Shochiku Studio, who came to prominence as part of the Japanese New Wave in the 1960s. Early life Shinoda attended Waseda University, where he studied theater and also partici ...
. It was entered into the
1974 Cannes Film Festival The 27th Cannes Film Festival was held from 9 to 24 May 1974. The Grand Prix du Festival International du Film went to ''The Conversation'' by Francis Ford Coppola. The festival opened with '' Amarcord'', directed by Federico Fellini and closed ...
Feature Film Competition.


Plot

In an unnamed forest, a group of women with white-painted faces and robes wander to a ritual site. One of the women, Himiko, the shaman and translator of the Sun God, lies on the ground while another holds a bronze mirror up which reflects the sun's light. Himiko starts to convulse and moan, imitating an orgasm which symbolizes the Sun God penetrating her body. We see several different tribes, one of the Land People, and one of the Mountain People. The Mountain People are a raggedy, unsightly group, all conjoined together by a single rope, and donned with haunting makeup consisting of heavy paint, cobwebs and strings. They wander around the mountain like insects, twitching and in almost no control of their own limbs and muscles. A lone traveler appears, named Takehiko, from the far side of the mountain and enters the forest. Himiko spends her days weaving cloth on a loom. She hears of Takehiko's arrival and it pleases her. In a ritual, the king of the Sun-God People, Ohkimi, holds a meeting to discuss the visions of the Sun God seen by Himiko. He also discusses the possibility of Mimaki as his own successor to the throne. Mimaki is pleased at this, but Nashime, servant to Himiko, believes that Himiko will be the successor herself, as direct orders from the Sun God. Mimaki is suspicious of this. He confides in his brother Ikume and King Ohkimi and tells them that Himiko might be losing her ability to communicate properly with the Sun God. That her love for Takehiko, a sympathizer of the Land God People, is not allowing her to translate the Sun God's words properly. Mimaki also states that he believes the Land God and the Mountain God are false Gods because they believe that God is in all things and any human being and living creature is able to communicate with God, and the only way for the Sun God People's kingdom to prosper is to take over the Mountain and Land People's kingdoms and force them to believe in only the Sun God. Anyone who resists will be killed. In the forest, during a ritual, Himiko sees Takehiko hiding behind a tree, and engages in conversation with him. Nearby, Adahime, one of Himiko's assistants in the ritual, overhears them. Takehiko comes to the kingdom of the Sun-God people and meets Himiko in her quarters after dark. Himiko reveals that Takehiko is her half-brother. Despite this, she seduces him and they have sex. Adahime is not far away, and watches them from behind a pillar. During a ritual in the king's court the next night, Himiko addresses the court subjects of the Sun God's wishes. She states that the Sun God requires the people of the kingdom to also accept the Land God and the Mountain God as valid Gods. This shocks the people of the court. King Ohkimi refuses to believe that this is true. He restates Mimaki's assertion from earlier, that Himiko has lost her powers to speak with the Sun God, and her statement is solely out of her love for Takehiko, who is a sympathizer of the Land God People. Believing that Himiko is not wrong in her assertion, her assistant Nashime assassinates the king while the subjects are all distracted by Himiko's speech. King Ohkimi falls and Himiko takes over rule of the Sun God People. She orders anyone who did not believe in the Sun God's words that she would be ruler to be buried alive in the mountains. The next night, Himiko and Takehiko again sleep together, but Takehiko is resistant to stay with her. Himiko tries to gain Takehiko's favor by offering him a cloth that she knitted. He accepts but leaves her anyway. Adahime follows him and meets him by a lake. She professes her love to him, pleading him to make love to her. After resisting, he eventually obliges. Himiko is horrified to know that her lover has been with another woman, and orders his arrest. Takehiko is captured in the mountains and brought back to the Kingdom of the Sun God. There, Himiko banishes him, but orders her subjects to first rip out all of his fingernails and tattoo his face in colors of shame. Takehiko leaves the kingdom bloody and in pain. The Mountain God People carry him up the mountain where Adahime reunites with him. Back in the Sun God Kingdom, Nashime consoles a broken Himiko, who feels betrayed and unloved. Himiko proceeds to perform oral sex on Nashime. Meanwhile, Mimaki and Ikume conspire to take power away from Himiko, who they still believe is not acting on the Sun God's behalf, but rather through her own love. They do their best to convince Nashime, and he eventually succumbs to the belief that Himiko has lost her powers, and he keeps her stashed away in her room and Mimaki takes the throne as the leader of the Sun God People. Nashime then tells Mimaki that the young girl Toyo will take Himiko's place as the shaman and translator of the Sun God. Mimaki declares war on the Land and Mountain God People. The battle between the kingdoms wages in a field. Takehiko and Adahime decide to run away to be together forever, but they are ambushed in the forest by Mimaki's soldiers who pierce them with arrows. Takehiko and Adehime's corpses are brought back to the Sun God People's Kingdom to show to Himiko. She is angered and sad. Nashime again tries to console her, but she tells him to leave. Nashime realizes that Himiko has lost all her powers and possibly her mind too. While she is knitting cloth, the Mountain God People kidnap her from her room and torture her. She calls out for Nashime's help, but he only watches and cries. Himiko dies and Nashime's falls into depression, crying out in the mountains for her. Ikume and Mimaki are shown battling with swords on a ridge, and Mimaki kills Ikume. Mimaki has a court ritual in which the new translator, Toyo, comes and declares the Sun God is still within Himiko and that the powerful country of Wei is to be given many slaves and offerings. Mimaki is disturbed by this. Nashime breaks down crying. The film flashes forward several years, and Nashime is walking in the forest, old and fragile, still crying over Himiko. He looks up and sees a helicopter. The camera pans out of the forest to reveal that it is atop a
kofun are megalithic tombs or tumuli in Northeast Asia. ''Kofun'' were mainly constructed in the Japanese archipelago between the middle of the 3rd century to the early 7th century CE.岡田裕之「前方後円墳」『日本古代史大辞典』 ...
, or ancient keyhole-shaped burial mound, surrounded by a suburban neighborhood with offices, houses, factories and a highway, revealing the film as a mythical fable shrouded from, yet within, modern times. The credits roll with aerial shots of more ancient tumuli and their modern surroundings.


Cast

*
Shima Iwashita is a Japanese actress who has appeared in about 100 films and many TV productions. She is married to film director Masahiro Shinoda, in whose films she has frequently appeared. She won the award for best actress at the 2nd Hochi Film Award for h ...
as
Himiko , also known as , was a shamaness-queen of Yamatai-koku in . Early Chinese dynastic histories chronicle tributary relations between Queen Himiko and the Cao Wei Kingdom (220–265) and record that the Yayoi period people chose her as ruler fo ...
*
Masao Kusakari is a Japanese actor and model (profession), model. Biography Masao Kusakari was born in Fukuoka Prefecture to a Japanese mother and an American father, the latter who died in the Korean War. Considered stunningly good looking, his debut into th ...
as Takehiko * Rie Yokoyama as Adahime * Choichiro Kawarazaki as Mimaki * Kenzo Kawarazaki as Ikume *
Yoshi Katō was a Japanese film actor. He appeared in more than 175 films between 1949 and 1988. He won the award for Best Actor at the 13th Moscow International Film Festival for his role in ''Hometown''. He married the actress Isuzu Yamada in 1950, but ...
as Ohkimi *
Jun Hamamura was a Japanese actor. He appeared in more than 130 films between 1938 and 1995. Selected filmography * ''Wolf'' (1955) * '' The Burmese Harp'' (1956) * '' The Hole'' (1957) * ''The Temptress and the Monk'' (1958) * ''Enjō'' (1958) * ''Odd Obs ...
as Narrator *
Tatsumi Hijikata was a Japanese choreographer, and the founder of a genre of dance performance art called Butoh. By the late 1960s, he had begun to develop this dance form, which is highly choreographed with stylized gestures drawn from his childhood memories of ...
as Dancer *
Rentarō Mikuni (also sometimes credited as 三国連太郎) (January 20, 1923 – April 14, 2013) was a Japanese film actor from Gunma Prefecture. He appeared in over 150 films since making his screen debut in 1951, and won three Japanese Academy Awards for ...
as Nashime


References


External links

* * {{Masahiro Shinoda 1974 films 1974 drama films Japanese fantasy drama films Films directed by Masahiro Shinoda 1970s Japanese-language films 1970s fantasy drama films Cultural depictions of Himiko Yamatai 1970s Japanese films