Hieronymus Karl Friedrich, Freiherr Von Münchhausen

Baron Munchausen (; ) is a fictional German nobleman created by the German writer Rudolf Erich Raspe in his 1785 book ''Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia''. The character is loosely based on a real baron, Hieronymus Karl Friedrich, Freiherr von Münchhausen.

Born in Bodenwerder, Electorate of Hanover, the real-life Münchhausen fought for the Russian Empire in the Russo-Turkish War of 1735–1739. Upon retiring in 1760, he became a minor celebrity within German aristocratic circles for telling outrageous tall tales based on his military career. After hearing some of Münchhausen's stories, Raspe adapted them anonymously into literary form, first in German as ephemeral magazine pieces and then in English as the 1785 book, which was first published in Oxford by a bookseller named Smith. The book was soon translated into other European languages, including a German version expanded by the poet Gottfried August Bürger. The real-life Münchhausen was deeply upset at the development of a fictional character bearing his name, and threatened legal proceedings against the book's publisher. Perhaps fearing a libel suit, Raspe never acknowledged his authorship of the work, which was only established posthumously.

The fictional Baron's exploits, narrated in the first person, focus on his impossible achievements as a sportsman, soldier, and traveller; for instance: riding on a cannonball, fighting a forty-foot crocodile, and travelling to the Moon. Intentionally comedic, the stories play on the absurdity and inconsistency of Munchausen's claims, and contain an undercurrent of social satire. The earliest illustrations of the character, perhaps created by Raspe himself, depict Munchausen as slim and youthful, although later illustrators have depicted him as an older man, and have added the sharply beaked nose and twirled moustache that have become part of the character's definitive visual representation. Raspe's book was a major international success, becoming the core text for numerous English, continental European, and American editions that were expanded and rewritten by other writers. The book in its various revised forms remained widely read throughout the 19th century, especially in editions for young readers.

Versions of the fictional Baron have appeared on stage, screen, radio, and television, as well as in other literary works. Though the Baron Munchausen stories are no longer well-known in many English-speaking countries, they are still popular in continental Europe. The character has inspired numerous memorials and museums, and several medical conditions and other concepts are named after him.

Historical figure

Hieronymus Karl Friedrich von Münchhausen was born on 11 May 1720 in Bodenwerder, Electorate of Hanover. He was a younger son of the "Black Line" of Rinteln-Bodenwerder, an aristocratic family in the Duchy of Brunswick-Lüneburg. His cousin, Gerlach Adolph von Münchhausen, was the founder of the University of Göttingen and later the Prime Minister of the Electorate of Hanover. Münchhausen started as a page to Anthony Ulrich II of Brunswick-Wolfenbüttel, and followed his employer to the Russian Empire during the Russo-Austro–Turkish War (1735–39). In 1739, he was appointed a cornet in the Russian cavalry regiment, the Brunswick- Cuirassiers. On 27 November 1740, he was promoted to lieutenant. He was stationed in Riga, but participated in two campaigns against the Turks in 1740 and 1741. In 1744 he married Jacobine von Dunten, and in 1750 he was promoted to '' Rittmeister'' (cavalry captain).

In 1760 Münchhausen retired to live as a ''Freiherr'' at his estates in Bodenwerder, where he remained until his death in 1797. It was there, especially at parties given for the area's aristocrats, that he developed a reputation as an imaginative after-dinner storyteller, creating witty and highly exaggerated accounts of his adventures in Russia. Over the ensuing thirty years, his storytelling abilities gained such renown that he frequently received visits from travelling nobles wanting to hear his tales. One guest described Münchhausen as telling his stories "cavalierly, indeed with military emphasis, yet without any concession to the whimsicality of the man of the world; describing his adventures as one would incidents which were in the natural course of events". Rather than being considered a liar, Münchhausen was seen as an honest man. As another contemporary put it, Münchhausen's unbelievable narratives were designed not to deceive, but "to ridicule the disposition for the marvellous which he observed in some of his acquaintances".

Münchhausen's wife Jacobine von Dunten died in 1790. In January 1794, Münchhausen married Bernardine von Brunn, fifty-seven years his junior. Von Brunn reportedly took ill soon after the marriage and spent the summer of 1794 in the spa town of Bad Pyrmont, although contemporary gossip claimed that she spent her time dancing and flirting. Von Brunn gave birth to a daughter, Maria Wilhemina, on 16 February 1795, nine months after her summer trip. Münchhausen filed an official complaint that the child was not his, and spent the last years of his life in divorce proceedings and alimony litigation. Münchhausen died childless on 22 February 1797.

Fictionalization

The fictionalized character was created by a German writer, scientist, and con artist, Rudolf Erich Raspe. Raspe probably met Hieronymus von Münchhausen while studying at the University of Göttingen, and may even have been invited to dine with him at the mansion at Bodenwerder. Raspe's later career mixed writing and scientific scholarship with theft and swindling; when the German police issued advertisements for his arrest in 1775, he fled continental Europe and settled in England.

In his native German language, Raspe wrote a collection of anecdotes inspired by Münchhausen's tales, calling the collection "M-h-s-nsche Geschichten" ("M-h-s-n Stories"). It remains unclear how much of Raspe's material comes directly from the Baron, but the majority of the stories are derived from older sources, including Heinrich Bebel's ''Facetiæ'' (1508) and Samuel Gotthold Lange's ''Deliciæ Academicæ'' (1765). "M-h-s-nsche Geschichten" appeared as a feature in the eighth issue of the ''Vade mecum für lustige Leute'' (''Handbook for Fun-loving People''), a Berlin humor magazine, in 1781. Raspe published a sequel, "Noch zwei M-Lügen" ("Two more M-Fibs"), in the tenth issue of the same magazine in 1783. The hero and narrator of these stories was identified only as "M-h-s-n", keeping Raspe's inspiration partly obscured while still allowing knowledgeable German readers to make the connection to Münchhausen. Raspe's name did not appear at all.

In 1785, while supervising mines at Dolcoath in Cornwall, Raspe adapted the ''Vade mecum'' anecdotes into a short English-language book, this time identifying the narrator of the book as "Baron Munchausen". Other than the anglicization of Münchhausen to "Munchausen", Raspe this time made no attempt to hide the identity of the man who had inspired him, though he still withheld his own name.

This English edition, the first version of the text in which Munchausen appeared as a fully developed literary character, had a circuitous publication history. It first appeared anonymously as ''Baron Munchausen's Narrative of his Marvellous Travels and Campaigns in Russia'', a 49-page book in 12mo size, published in Oxford by the bookseller Smith in late 1785 and sold for a shilling. A second edition released early the following year, retitled ''Singular Travels, Campaigns, Voyages, and Sporting Adventures of Baron Munnikhouson, commonly pronounced Munchausen'', added five more stories and four illustrations; though the book was still anonymous, the new text was probably by Raspe, and the illustrations may have been his work as well.

By May 1786, Raspe no longer had control over the book, which was taken over by a different publisher, G. Kearsley. Kearsley, intending the book for a higher-class audience than the original editions had been, commissioned extensive additions and revisions from other hands, including new stories, twelve new engravings, and much rewriting of Raspe's prose. This third edition was sold at two shillings, twice the price of the original, as ''Gulliver Revived, or the Singular Travels, Campaigns, Voyages, and Adventures of Baron Munikhouson, commonly pronounced Munchausen''.

Kearsley's version was a marked popular success. Over the next few years, the publishing house issued further editions in quick succession, adding still more non-Raspe material along the way; even the full-length ''Sequel to the Adventures of Baron Munchausen'', again not by Raspe and originally published in 1792 by a rival printer, was quickly subsumed into the body of stories. In the process of revision, Raspe's prose style was heavily modified; instead of his conversational language and sportsmanlike turns of phrase, Kearsley's writers opted for a blander and more formal tone imitating Augustan prose. Most ensuing English-language editions, including even the major editions produced by Thomas Seccombe in 1895 and F. J. Harvey Darton in 1930, reproduce one of the rewritten Kearsley versions rather than Raspe's original text.

At least ten editions or translations of the book appeared before Raspe's death in 1794. Translations of the book into French, Spanish, and German were published in 1786. The text reached the United States in 1805, expanded to include American topical satire by an anonymous Federalist writer, probably Thomas Green Fessenden.

The first German translation, ''Wunderbare Reisen zu Wasser und Lande'', was made by the German Romantic poet Gottfried August Bürger. Bürger's text is a close translation of Smith's second edition, but also includes an interpolated story, based on a German legend called " The Six Wonderful Servants". Two new engravings were added to illustrate the interpolated material. The German version of the stories proved to be even more popular than the English one. A second German edition in 1788 included heavily altered material from an expanded Kearsley edition, and an original German sequel, ''Nachtrag zu den wunderbaren Reisen zu Wasser und Lande'', was published in 1789. After these publications, the English and Continental versions of the Raspe text continued to diverge, following increasingly different traditions of included material.

Raspe, probably for fear of a libel suit from the real-life Baron von Münchhausen, never admitted his authorship of the book. It was often credited to Bürger, sometimes with an accompanying rumor that the real-life Baron von Münchhausen had met Bürger in Pyrmont and dictated the entire work to him. Another rumor, which circulated widely soon after the German translation was published, claimed that it was a competitive collaboration by three University of Göttingen scholars—Bürger, Abraham Gotthelf Kästner, and Georg Christoph Lichtenberg—with each of the three trying to outdo one another by writing the most unbelievable tale. The scholar Johann Georg Meusel correctly credited Raspe for the core text, but mistakenly asserted that Raspe had written it in German and that an anonymous translator was responsible for the English version. Raspe's authorship was finally proven in 1824 by Bürger's biographer, Karl Reinhard.

In the first few years after publication, German readers widely assumed that the real-life Baron von Münchhausen was responsible for the stories. According to witnesses, Münchhausen was deeply angry that the book had dragged his name into public consciousness and insulted his honor as a nobleman. Münchhausen became a recluse, refusing to host parties or tell any more stories, and he attempted without success to bring legal proceedings against Bürger and the publisher of the translation.

Publication history

The following tables summarize the early publication history of Raspe's text, from 1785 to 1800. Unless otherwise referenced, information in the tables comes from the Munchausen bibliography established by John Patrick Carswell.

Fictional character

The fictional Baron Munchausen is a braggart soldier, most strongly defined by his comically exaggerated boasts about his own adventures. All of the stories in Raspe's book are told in first-person narrative, with a prefatory note explaining that "the Baron is supposed to relate these extraordinary Adventures over his Bottle, when surrounded by his Friends". The Baron's stories imply him to be a superhuman figure who spends most of his time either getting out of absurd predicaments or indulging in equally absurd moments of gentle mischief. In some of his best-known stories, the Baron rides a cannonball, travels to the Moon, is swallowed by a giant fish in the Mediterranean Sea, saves himself from drowning by pulling up on his own hair, fights a forty-foot crocodile, enlists a wolf to pull his sleigh, and uses laurel tree branches to fix his horse when the animal is accidentally cut in two.

In the stories he narrates, the Baron is shown as a calm, rational man, describing what he experiences with simple objectivity; absurd happenings elicit, at most, mild surprise from him, and he shows serious doubt about any unlikely events he has not witnessed himself. The resulting narrative effect is an ironic tone, encouraging skepticism in the reader and marked by a running undercurrent of subtle social satire. In addition to his fearlessness when hunting and fighting, he is suggested to be a debonair, polite gentleman given to moments of gallantry, with a scholarly penchant for knowledge, a tendency to be pedantically accurate about details in his stories, and a deep appreciation for food and drink of all kinds. The Baron also provides a solid geographical and social context for his narratives, peppering them with topical allusions and satire about recent events; indeed, many of the references in Raspe's original text are to historical incidents in the real-life Münchhausen's military career.

Because the feats the Baron describes are overtly implausible, they are easily recognizable as fiction, with a strong implication that the Baron is a liar. Whether he expects his audience to believe him varies from version to version; in Raspe's original 1785 text, he simply narrates his stories without further comment, but in the later extended versions he is insistent that he is telling the truth. In any case, the Baron appears to believe every word of his own stories, no matter how internally inconsistent they become, and he usually appears tolerantly indifferent to any disbelief he encounters in others.

Illustrators of the Baron stories have included Thomas Rowlandson, Alfred Crowquill, George Cruikshank, Ernst Ludwig Riepenhausen, Theodor Hosemann, Adolf Schrödter, Gustave Doré, William Strang, W. Heath Robinson, and Ronald Searle. The Finnish-American cartoonist Klaus Nordling

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