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''Alô, Alô, Carnaval'' (English: ''Hello, Hello Carnival'') is a 1936 Brazilian
musical comedy film Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as break ...
directed and produced by Adhemar Gonzaga and Wallace Downey, and released by the Cinédia production company. The film premiered on January 20, 1936, at the Cinema Alhambra in
Rio de Janeiro Rio de Janeiro, or simply Rio, is the capital of the Rio de Janeiro (state), state of Rio de Janeiro. It is the List of cities in Brazil by population, second-most-populous city in Brazil (after São Paulo) and the Largest cities in the America ...
, and on February 3, 1936, in
São Paulo São Paulo (; ; Portuguese for 'Paul the Apostle, Saint Paul') is the capital of the São Paulo (state), state of São Paulo, as well as the List of cities in Brazil by population, most populous city in Brazil, the List of largest cities in the ...
.


Cast

* Jaime Costa as Empresário * Barbosa Júnior as Author 1 * Pinto Filho as Author 2 * Oscarito as man in the casino * Lelita Rosa as Morena * Aurora Miranda *
Carmen Miranda Maria do Carmo Miranda da Cunha (9 February 1909 – 5 August 1955), known professionally as Carmen Miranda (), was a Portuguese-born Brazilian singer, dancer, and actress. Nicknamed "The Brazilian Bombshell", she was known for her signature ...
* Henrique Chaves as Crupiê * Paulo de Oliveira Gonçalves as Barman * Jorge Murad as Contador de piadas * Dircinha Batista * Heloísa Helena * Alzirinha Camargo * Irmãs Pagãs * Francisco Alves * Almirante * Bando da Lua


Production

''Hello, Hello, Carnival'' was the first Brazilian film to use playback in the production of its musical numbers. Limiting this process to only a few choice scenes, direct live audio can still be heard in the background. Castro, Ruy in '' Carmen - Uma Biografia'' – Companhia das Letras, 2005 Originally called "''O Grande Cassino''", the film's inception came from the need to present singers from Brazil's golden age of radio to a larger mass audience. Set in a pre-television age, the plot focuses on a low-income population which had little, if any, access to entertainment at the nation's
Casino A casino is a facility for gambling. Casinos are often built near or combined with hotels, resorts, restaurants, retail shops, cruise ships, and other tourist attractions. Some casinos also host live entertainment, such as stand-up comedy, conce ...
s.


Restoration

The film has been restored several times. In 1952, a print was given to the Cooperativa Cinematográfica Brasileira, where it was remounted, removing several scenes. Another restoration was made in 1974, reversing these deletions. In 1986, scenes with comedian Jorge Murad were found in the film library of the
Museum of Modern Art, Rio de Janeiro The Museum of Modern Art of Rio de Janeiro (, MAM) is a museum located in northeastern Flamengo Park, in the city of Rio de Janeiro, Brazil.
. By the end of 2000, a serious quality restoration project began with substantial financial support. The team concluded its work in March 2002. The film was rereleased in São Paulo, in June 2002.


References


External links

* 1936 musical comedy films 1936 films Brazilian musical comedy films Films directed by Adhemar Gonzaga 1930s Portuguese-language films Brazilian black-and-white films Cinédia films Rediscovered Brazilian films 1930s rediscovered films 1930s Brazilian films {{musical-comedy-film-stub