Habib Samaei
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Habib Samaei (, born 1905 – 11 July 1946), also written as Habib Somā'i, was an
Iranian Iranian may refer to: * Iran, a sovereign state * Iranian peoples, the speakers of the Iranian languages. The term Iranic peoples is also used for this term to distinguish the pan ethnic term from Iranian, used for the people of Iran * Iranian lan ...
musician,
santoor The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a ...
player and
music teacher Music education is a field of practice in which educators are trained for careers as primary education, elementary or secondary education, secondary music teachers, school or music conservatory ensemble directors. Music education is also a res ...
. He has been referred to as the "father of contemporary Iranian santoor playing".


Biography

Habib Samaei was born in 1905 in
Tehran Tehran (; fa, تهران ) is the largest city in Tehran Province and the capital of Iran. With a population of around 9 million in the city and around 16 million in the larger metropolitan area of Greater Tehran, Tehran is the most popul ...
,
Qajar Iran Qajar Iran (), also referred to as Qajar Persia, the Qajar Empire, '. Sublime State of Persia, officially the Sublime State of Iran ( fa, دولت علیّه ایران ') and also known then as the Guarded Domains of Iran ( fa, ممالک م ...
. His father, Habib Soma Hozour, was a famous musician of the
Qajar Qajar Iran (), also referred to as Qajar Persia, the Qajar Empire, '. Sublime State of Persia, officially the Sublime State of Iran ( fa, دولت علیّه ایران ') and also known then as the Guarded Domains of Iran ( fa, ممالک م ...
period, and his son introduced Habib to music from the age of four. Young Samaei at this time played the
tombak The ''tombak'' (Persian: تمبک), ''tonbak'' (تنبک), or ''zarb'' (ضَرب) is an Iranian goblet drum. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso w ...
(a type of drum) while his father playing the santoor. Because of Samaei's small size, he placed the instrument on his pillow and accompanied his father. After the age of six, his father began teaching Samaei to play the santoor. In the book "History of Iranian Music",
Ruhollah Khaleqi Ruhollâh Xâleqi ( fa, , born 1906 in Kerman, Iran – 12 November 1965 in Salzburg, Austria), also spelled as ''Khaleqi'', was a prominent Iranian musician, composer, conductor and author. He was the father of the first Persian women conducto ...
writes in part of his memoir about his first meeting with Soma Hozour and his young son: "... Soma Hozour pull a towel on the santoor, held the mallets and began to play. He had not hit a few more beats when he pointed to his son, to picked up the tombak and accompanied him. Little habib hugged tombak and played softly with his delicate fingers. There was no sound except the beating of the master and the support of the beat…» At the age of 10, Samaei's santoor sound was approved and admired by artists such as Nayeb Assadollah and Agha Hosseinghli. He became acquainted with
music theory Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ...
, but did not use what he had learned to record his works, and continued his art in a "breast-to-breast" manner. Soma Huzar moved to Mashhad with his family late in life, which is why Samaei's santoor became famous in Mashhad. He later joined the army because of his interests. After the death of his father, Samaei returned to Tehran and, with the guidance of his artist friend
Abolhassan Saba Abu Al-Hasan ( ar, أبو الحسن, Abū Al-Ḥasan, Father of Hassan (given name), Hasan), also transliterated Abu'l Hasan, is an Arabic Kunya (Arabic), ''kunya'' ('teknonym'). It may refer to: Notable people Politics and military * Ali, Al ...
, inaugurated his santoor class. Samaei, who was introduced as "Somaei" and was the only student of one of the last santour musicians (Soma Hozour), was one of the first musicians to play on the radio in 1940 after the opening of the Tehran Transmitter Broadcasting Center. From this time on, the public got to know him and his art. At this time, the officials of the country's music department and Ruhollah Khaleqi, who was the deputy director of the music department, tried to transfer him from the position of an army officer to the Ministry of Culture, with the position of santoor student. Samaei initially agreed to this and trained students in the country's music department, but due to his interest in officer's uniform, he soon regretted it, returned to the army and was transferred to the Persian Ministry of War. In 1943, he was one of the artists who joined the National Music Association as a founding member and held concerts with other artists.


Personal life

Samaei had a romantic relationship with Parvaneh, the singer of that time, and this love influenced his music. Ruhollah Khaleqi mentions the five pages left by Parvaneh and Samaei, which are still very influential after seventy years of their lives. "The untimely death of the market butterfly warmed these pages." Some time later, the untimely death of a young child from his second marriage further aggravated his mental condition. Ruhollah Khaleqi has said in this regard: "His temperament was getting weaker day by day, as he did not have more than a few kilos of skin and bones."


Illness and death

Samaei contracted pneumonia in February 1945 due to a cold and fell ill. "Samaei does not have a healthy organ in his body and has been hostile to him as much as possible," said one doctor. Finally, Samaei died on 11 July 1946, at the age of 41, and was buried in
Zahir-od-dowleh cemetery Zahir-od-dowleh Cemetery ( fa, ظهيرالدوله) is located in Darband, close to Tajrish, Shemiran (now a neighbourhood inside Tehran's city limits) and many Iranian artists, poets and musicians are buried there. Notable burials * Ali Kh ...
.


Artwork

Samaei was not interested in recording his works. From him, only Gramophone record with the sound of "Parvaneh" are left, the total time of which is less than an hour. * Gramophone record Mahur and Delkash * Gramophone record Shur and Shahnaz * Gramophone record Abu'ata and Hejaz * Gramophone record
Esfahan Isfahan ( fa, اصفهان, Esfahân ), from its Achaemenid empire, ancient designation ''Aspadana'' and, later, ''Spahan'' in Sassanian Empire, middle Persian, rendered in English as ''Ispahan'', is a major city in the Greater Isfahan Regio ...
and Byaterajei * Gramophone record Zarbiye Shahnaz and Gereyli * Music album and book "Habib Somaei's beats", containing 20 pieces of Habib Somaei's beats, compiled and played by
Majid Kiani Majid Kiani is a Master of the Persian Santur. He was the best student of Manoochehr Sadeghi, among others. He teaches traditional Iranian music and his masterpiece is the book named: "Seven Dastgah(s) of Iranian Music". He is a leading figure i ...
.


References

{{DEFAULTSORT:Somaei, Habib 1905 births 1946 deaths 20th-century Iranian musicians Iranian santur players Deaths from pneumonia in Iran Musicians from Tehran