Guo Xi () ( 1020 – c. 1090)Barnhart: Page 372. Guo Xi's style name was Chunfu (淳夫） was a

Chinese Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of va ...

landscape A landscape is the visible features of an area of land, its landforms, and how they integrate with natural or man-made features, often considered in terms of their aesthetic appeal.''New Oxford American Dictionary''. A landscape includes the ...

painter from

Henan Province Henan (; or ; ; alternatively Honan) is a landlocked province of China, in the central part of the country. Henan is often referred to as Zhongyuan or Zhongzhou (), which literally means "central plain" or "midland", although the name is al ...

Ci hai: Page 452 who lived during the

Northern Song Northern may refer to the following: Geography * North, a point in direction * Northern Europe, the northern part or region of Europe * Northern Highland, a region of Wisconsin, United States * Northern Province, Sri Lanka * Northern Range, a r ...

dynasty. One text entitled "The Lofty Message of Forest and Streams" (Linquan Gaozhi 林泉高致) is attributed to him. The work covers a variety of themes centered on the appropriate way of painting a landscape. He was a court professional, a

literatus An intellectual is a person who engages in critical thinking, research, and reflection about the reality of society, and who proposes solutions for the normative problems of society. Coming from the world of culture, either as a creator or a ...

, well-educated painter who developed an incredibly detailed system of idiomatic brushstrokes which became important for later painters. One of his most famous works is '' Early Spring'', dated 1072. The work demonstrates his innovative techniques for producing multiple perspectives which he called "the angle of totality." This type of visual representation is also called "Floating Perspective", a technique which displaces the static eye of the viewer and highlights the differences between Chinese and Western modes of spatial representation. The following is an excerpt from his treatise, "mountains and waters":

The clouds and the vapours of real landscapes are not the same at the four seasons. In spring they are light and diffused, in summer rich and dense, in autumn scattered and thin, in winter dark and solitary. When such effects can be seen in pictures, the clouds and vapours have an air of life. The mist around the mountains is not the same at the four seasons. The mountains in spring are light and seductive as if smiling: the mountains in summer have a blue-green colour which seems to be spread over them; the mountains in autumn are bright and tidy as if freshly painted; the mountains in winter are sad and tranquil as if sleeping.

Guo Xi was often referred to as a "Northern Song master" when it came to painting. His work inspired many later artists and he even had landscapes dedicated to him. His lesser-known "Deep Valley" scroll painting depicts a serene mountain valley covered with snow and several trees struggling to survive on precipitous cliffs. The ink washes and amorphous brush strokes are employed to model surfaces that suggest the veiling effects of the atmosphere. One of Guo Xi’s techniques was to layer ink washes to build up forms and his "Deep Valley" is a masterpiece of the use of light ink and magnificent composition. His son later described how Guo Xi approached his work: "On days when he was going to paint, he would seat himself at a clean table, by a bright window, burning incense to right and left. He would choose the finest brushes, the most exquisite ink; wash his hands, and clean the ink-stone, as though he were expecting a visitor of rank. He waited until his mind was calm and undisturbed, and then began."Quoted by Arthur Waley in "Chinese Philosophy of Art-IV" in ''Burlington Magazine'', vol. xxxviii, No. ccxviii, p. 247 in Jenyns, Soame. ''A Background to Chinese Painting''. New York: Schocken Books, 1966, p. 134

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References

*Barnhart, R. M. et al. (1997). Three thousand years of Chinese painting. New Haven, Yale University Press. *Ci hai bian ji wei yuan hui (). Ci hai (). Shanghai: Shanghai ci shu chu ban she (), 1979.
Guo Xi's Early Spring
{{DEFAULTSORT:Guo, Xi 1020s births 1090s deaths Song dynasty landscape painters Court painters People from Jiaozuo Painters from Henan 11th-century Chinese painters

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