Guan Hanqing
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Guan Hanqing ( 1241–1320), sobriquet "the Oldman of the Studio" (齋叟 Zhāisǒu), was a notable Chinese playwright and poet in the
Yuan Dynasty The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth ...
. He has been described as among the most prolific and highly regarded dramatists of the Yuan period.


Life

Guan Hanqing was undoubtedly the most productive and creative playwright of northern plays. Described by Jia Zhongming as “the leader of the
Pear Garden The Liyuan or Pear Garden was the first known royal performing arts and musical academy in China. Founded during the Tang dynasty by Emperor Xuanzong (712–755), it is an example of an early institutional academy of performing arts and music. Th ...
” (liyuan lingxiu 梨園領袖), Guan was fully immersed in the theatrical scene of his time and was well known amongst both actors and his fellow peers. He is even said to have painted and powdered his face (mianfu fenmo 面傅粉墨) while acting on stage. He is credited with the writing of 68 plays, of which only 18 survive, three in fragments. These were written mostly in the
vernacular A vernacular or vernacular language is in contrast with a "standard language". It refers to the language or dialect that is spoken by people that are inhabiting a particular country or region. The vernacular is typically the native language, n ...
of the time. In some cases, attribution is highly disputed. In addition to playwriting, Guan Hanqing is also said to be a master of songs (sanqu 散曲). 57 of his songs (xiaoling 小令) and 14 song suites (xiaoling 小令) survive. Guan spent much of his later life in Dadu and to
Hangzhou Hangzhou ( or , ; , , Standard Mandarin pronunciation: ), also romanized as Hangchow, is the capital and most populous city of Zhejiang, China. It is located in the northwestern part of the province, sitting at the head of Hangzhou Bay, whi ...
in the south. Above all, Guan Hanqing is celebrated for his uplifting portrayal of the downtrodden.


Works

* ''
The Injustice to Dou E ''Dou E Yuan'', commonly translated as ''The Injustice to Dou E'', and also known as ''Snow in Midsummer'', is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty. The full Chinese title of the play is ''Gan Tian Dong D ...
'' a.k.a. ''Snow in Midsummer'' (感天動地竇娥冤 ''Gǎn Tiān Dòng Dì Dòu É Yuān'') :The Injustice to Dou E That Touched Heaven and Earth, also known as Snow in Midsummer, is regarded as one of Guan Hanqing's most popular plays. A young girl named Dou Duanyun is sold as a child bride in order for her father to pay the necessary funds to travel to the capital for an official exam. She is then forced to change her name to “Dou E”. The play begins after Dou E's husband has died two years after their marriage, leaving Dou E and her mother in law alone. After Dou's mother in law is almost strangled to death by a doctor who refused to give back the money he owed them, they are rescued by a man named Zhang Lü’er. Zhang then moves in for the purpose of “offering protection”, but eventually tries to force Dou E into marriage. After Dou E's mother gets a sudden craving for soup, Zhang Lü’er devises a plan to poison her so he can take Dou E for himself. This plan however backfires and Zhang's father ends up eating the soup and dies. Dou E is framed for this crime, and is later sentenced to death after being tortured and eventually confessing to spare her step mother from torture. As she is brought to the execution ground she swears by her innocence and states that it will be proven by the following three events that will occur after her death: her blood will float up onto the hanged white ribbons but will not drip onto the ground, there will be heavy snowfall in the midst of summer that will cover her dead body, and Chuzhou will experience drought for three years. All three events happened after Dou E's death. * ''Saving the Dusty-windy'' a.k.a. ''Saving the Prostitute'' a.k.a. ''Rescued by a Coquette'' (趙盼兒風月救風塵 ''Zhào Pàn Ér Fēng Yuè Jiù Fēng Chén'') * ''The Conference of a Single
Dao Dao, Dão or DAO may refer to: * Tao (Chinese: "The Way" 道), a philosophical concept * Dao (Chinese sword) (刀), a type of Chinese sword * Dao (Naga sword), a weapon and a tool of Naga people People and language * Yao people, a minority ethni ...
'' a.k.a. ''Meeting the Enemies Alone'' a.k.a. ''
Lord Guan Guan Yu (; ), courtesy name Yunchang, was a Chinese military general serving under the warlord Liu Bei during the late Eastern Han dynasty of China. Along with Zhang Fei, he shared a brotherly relationship with Liu Bei and accompanied him on ...
Goes to the Feast'' (關大王獨赴單刀會 ''Guān Dà Wáng Dú Fù Dān Dāo Huì'') * ''The Pavilion of Moon-Worship'' a.k.a. ''The Secluded Chamber'' (閨怨佳人拜月亭 ''Guī Yuàn Jiā Rén Bài Yuè Tíng'') * ''A Butterfly Dream'' (包待制三勘蝴蝶夢 ''Bāo Dài Zhì Sān Kān Hú Dié Mèng'') :Guan Hanquin is renowned for his courtroom dramas that typically display poetic justice in which morality and legality work hand in hand. However, this is not the case in “A Butterfly Dream”. In this drama, three brothers accidentally kill a noble man whose horse trampled their father while attempting to bring him to court. The accused parties, including the mother of the three brothers, are eventually acquitted of their crimes after showing their virtuous character by attempting to accept fault for one another. This work showed a more flexible and complex version of justice than traditional confucian law allowed and discusses the grey areas between moral culpability and lawful justice. * ''The Wife-Snatcher'' (包待制智斬魯齋郎 ''Bāo Dài Zhì Zhì Zhǎn Lǔ Zhāi Láng'') * ''The Riverside Pavilion'' (望江亭中秋切膾旦 ''Wàng Jiāng Tíng Zhōng Qiū Qiē Kuài Dàn'') * ''The Jade Mirror-Stand'' (溫太真玉鏡臺 ''Wēn Tài Zhēn Yù Jìng Tái'') * ''Death of the Winged-Tiger General'' (鄧夫人苦痛哭存孝 ''Dèng Fū Rén Kǔ Tòng Kū Cún Xiào'')


See also

*
Zaju ''Zaju'' was a form of Chinese opera which provided entertainment through a synthesis of recitations of prose and poetry, dance, singing, and mime, with a certain emphasis on comedy (or, happy endings). Although with diverse and earlier roots, ''za ...
*
Confucianism Confucianism, also known as Ruism or Ru classicism, is a system of thought and behavior originating in ancient China. Variously described as tradition, a philosophy, a religion, a humanistic or rationalistic religion, a way of governing, or ...
*
Yuan Dynasty The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth ...
*
Legal Drama A legal drama is a genre of film and television that generally focuses on narratives regarding legal practice and the justice system. The American Film Institute (AFI) defines "courtroom drama" as a genre of film in which a system of justice play ...
*
The Injustice to Dou E ''Dou E Yuan'', commonly translated as ''The Injustice to Dou E'', and also known as ''Snow in Midsummer'', is a Chinese play written by Guan Hanqing (c. 1241–1320) during the Yuan dynasty. The full Chinese title of the play is ''Gan Tian Dong D ...
*
Kuan Han-Chʽing (crater) Kuan Han-Ching is a crater on Mercury. Its name was adopted by the International Astronomical Union in 1979. Kuan Han-Ching is named for the Chinese playwright Guan Hanqing, who lived from 1241 to 1320. Kuan Han-Chʽing is northeast of the larg ...


References


Further reading

* ''关汉卿杂剧选 Selected Plays of Guan Hanqing (Library of Chinese Classics)'' (2004). Beijing: Foreign Languages Press. .


External links


The Story of the Secluded Chamber, with Li Zhuowu's Critical CommentsGuan Hanqing on Britannica
* Kuan Han-Ch'ing crater {{DEFAULTSORT:Guan, Hanqing Yuan dynasty dramatists and playwrights Yuan dynasty poets Year of birth uncertain Year of death uncertain People from Yuncheng Poets from Shanxi 13th-century Chinese people 14th-century Chinese dramatists and playwrights 13th-century Chinese dramatists and playwrights