Giovanni Paolo Cima
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Giovanni Paolo Cima (c. 1570 – 1630) was an Italian
composer A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and Defi ...
and
organist An organist is a musician who plays any type of organ (music), organ. An organist may play organ repertoire, solo organ works, play with an musical ensemble, ensemble or orchestra, or accompany one or more singers or instrumentalist, instrumental ...
in the early
Baroque The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including t ...
era. He was a contemporary of
Claudio Monteverdi Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered ...
and
Girolamo Frescobaldi Girolamo Alessandro Frescobaldi (; also Gerolamo, Girolimo, and Geronimo Alissandro; September 15831 March 1643) was an Italian composer and virtuoso keyboard player. Born in the Duchy of Ferrara, he was one of the most important composers of k ...
, though not as well known (then or now) as either of those men. Cima came from a family of musicians and was a leading musical figure in
Milan Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city h ...
. From 1595 he served as director of music and organist at the chapel of
Santa Maria presso San Celso Santa Maria dei Miracoli presso San Celso is a church and a sanctuary in Milan, Lombardy, northern Italy. History and overview The construction was begun by Gian Giacomo Dolcebuono and Giovanni Battagio in 1493, to house a miraculous icon of the ...
in Milan. His ''Concerti ecclesiastici'', a collection which also includes a mass, two Magnificat settings, and six sonatas for 2, 3, and 4 instruments, were published in 1610. Cima's church music was generally conservative, but his instrumental works were more innovative. His importance lies primarily in being the first composer to publish a
trio sonata The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. Originating in the early 17th century, the trio sonata was a favorite chamber ensemble combination in the Baroque era. Basic str ...
(for violin, cornett, and basso continuo), in his 1610 collection. It is a single-movement, through-composed work displaying thematic integration and virtuosic display. Cima died in Milan during the plague of 1630, at about the age of 60. His son
Giovanni Battista Cima Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da ...
is not to be confused with the painter
Giovanni Battista Cima Giovanni Battista Cima, also called Cima da Conegliano (c. 1459 – c. 1517), was an Italian Renaissance painter, who mostly worked in Venice. He can be considered part of the Venetian school, though he was also influenced by Antonello da ...
, called Cima da Conegliano, who was no relation.


Main works

* 1599: ''Il primo libro delli motetti'', for four voices * 1602: ''Ricercare per organo'' * 1606: ''Partito di ricercari & canzoni alla francese'' * 1610: ''Concerti ecclesiastici'' (Ecclesiastical concerti), for 8 voices, together with a mass, two Magnificats, and six sonatas with 2 to 4 instruments and basso continuo


Notes


References

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External links

* * {{DEFAULTSORT:Cima, Giovanni Paolo 1570s births 1622 deaths Italian male classical composers Italian Baroque composers Italian musicians Renaissance composers 17th-century Italian composers 17th-century male musicians