Gilad Atzmon

Gilad Atzmon ( he, גלעד עצמון, ; born 9 June 1963) is a British jazz saxophonist, novelist, political activist, and writer.

As a musician, he is best known as a saxophonist and bandleader. His instruments include the saxophone, accordion, clarinet, zurna and flute. Dubbed the "hardest working man in British jazz", Atzmon has been known to play over 100 dates a year. He has been bandleader, successively, of the Gilad Atzmon Quartet, the Spiel Acid Jazz Band and the Orient House Ensemble. Exploring identity through the folk forms of diverse cultures, his bands and other projects have recorded around 20 albums. Since 1998, he has also been a member of the English rock band, The Blockheads. He has played on albums by Pink Floyd and Robert Wyatt and collaborated with other musicians on their recordings. He has also produced albums for Sarah Gillespie, Norman Watt-Roy and others.

Atzmon has written satirical novels, non-fiction works and read essays on the subjects of Palestinian rights, Israel and identity politics. These writings have been described by scholars and anti-racism activists as being antisemitic and containing Holocaust denial.

Early life

Atzmon was born in Tel Aviv, Israel, to a conservative secular Jewish family. He grew up in Jerusalem, where his father served in the military.

Atzmon first became interested in British jazz when he came across recordings of Ronnie Scott and Tubby Hayes. During his incapacitation for nearly a year following a climbing accident, Atzmon started playing the saxophone in earnest. Discovering bebop, he said that the albums ''Charlie Parker with Strings'' were what made him want to be a jazz musician.

Atzmon's three-year compulsory service in the Israel Defense Forces commenced in mid 1981; at first he served as a combat medic, including the early months of the 1982 Lebanon War, but most of his service was in the Israeli Air Force orchestra. Atzmon recounts that, after his demobilisation, he spent an autumn busking in Europe.

Musical career

Early years

In the following years, he trained at the Rubin Academy of Music in Jerusalem. During the late 1980s and 1990s Atzmon was a popular session musician and producer, recording extensively and performing with artists such as Yardena Arazi, Meir Banai, Ofra Haza, Si Himan and Yehuda Poliker. He started the first incarnation of the "Gilad Atzmon Quartet" and a group named "Spiel Acid Jazz Band", and performed regularly at the Red Sea Jazz Festival.

In 1994, Atzmon, after initially planning to study in the United States, enrolled at the University of Essex, earning a master's degree in Philosophy. Atzmon recounts that, soon after arriving in the UK, he secured a residency at the Black Lion in Kilburn and, after establishing a following playing bebop and post-bop, began touring Europe with his band. In 2002, he became a British citizen, and renounced his Israeli citizenship.Karen Abi-Ezzi, 'Music as a Discourse of Resistance: The Case of Gilad Atzmon,' in Olivier Urbain (ed.)
''Music and Conflict Transformation: Harmonies and Dissonances in Geopolitics,''
I. B. Tauris, 2015 pp.93–103, p. 93

Instruments and style

Originally a tenor saxophone player, Atzmon's main instrument is the alto saxophone: he also plays the accordion, the soprano, tenor and baritone saxophones and the clarinet, flute, sol and zurna.

Atzmon's musical method has been to explore cultural identity, including tango and klezmer, as well as Arabic, Balkan, Gypsy and Ladino folk forms. Atzmon says Arabic music, like Indian music, cannot be notated like western music but must be internalised by "reverting to the primacy of the ear". His performances have been described as "quotes from jazz standards, torch songs, ideas playfully purloined from Mediterranean or Middle Eastern sources, sultry Paris-cabaret smooches, New Orleans