Early lifeLucas was born and raised in , the son of Dorothy Ellinore Lucas (née Bomberger) and George Walton Lucas Sr., and is of German, Switzerland, Swiss-German, English, Scottish, and distant Dutch and French descent. His family attended Disneyland during its opening week in July 1955, and Lucas would remain enthusiastic about the park. He was interested in comics and science fiction, including television programs such as the ''Flash Gordon (serial), Flash Gordon'' serials. Long before Lucas began making films, he yearned to be a racecar driver, and he spent most of his high school years racing on the underground circuit at fairgrounds and hanging out at garages. On June 12, 1962, a few days before his high school graduation, Lucas was driving his souped-up Autobianchi Bianchina when another driver broadsided him, flipping his car several times before it crashed into a tree; Lucas's seatbelt had snapped, ejecting him and thereby saving his life. However, his lungs were bruised from severe hemorrhaging and he required emergency medical treatment. This incident caused him to lose interest in racing as a career, but also inspired him to pursue his other interests.Pollock, Dale, ''Skywalking: The Life and Films of George Lucas'', Harmony Books, New York, 1983, Lucas's father owned a stationery store, and had wanted George to work for him when he turned 18. Lucas had been planning to go to art school, and declared upon leaving home that he would be a millionaire by the age of 30. He attended Modesto Junior College, where he studied anthropology, sociology, and literature, amongst other subjects. He also began shooting with an 8 mm camera, including filming car races. At this time, Lucas and his friend John Plummer became interested in Canyon Cinema: screenings of Underground film, underground, avant-garde 16 mm filmmakers like Jordan Belson, Stan Brakhage, and Bruce Conner. Lucas and Plummer also saw classic European films of the time, including Jean-Luc Godard's ''Breathless (1960 film), Breathless'', François Truffaut's ''Jules and Jim, Jules et Jim'', and Federico Fellini's ''8½''. "That's when George really started exploring," Plummer said. Through his interest in autocross racing, Lucas met renowned cinematographer Haskell Wexler, another race enthusiast. Wexler, later to work with Lucas on several occasions, was impressed by Lucas' talent. "George had a very good eye, and he thought visually," he recalled. At Plummer's recommendation, Lucas then transferred to the University of Southern California (USC) School of Cinematic Arts. USC was one of the earliest universities to have a school devoted to motion picture film. During the years at USC, Lucas shared a dorm room with Randal Kleiser. Along with classmates such as Walter Murch, Hal Barwood, and John Milius, they became a clique of film students known as The Dirty Dozen (filmmaking), The Dirty Dozen. He also became good friends with fellow acclaimed student filmmaker and future '' Indiana Jones'' collaborator, Steven Spielberg. Lucas was deeply influenced by the Filmic Expression course taught at the school by filmmaker Lester Novros which concentrated on the non-narrative elements of Film Form like color, light, movement, space, and time. Another inspiration was the Serbian montagist (and dean of the USC Film Department) Slavko Vorkapić, a film theoretician who made stunning Montage (filmmaking), montage sequences for Hollywood studio features at Metro-Goldwyn-Mayer, MGM, RKO Pictures, RKO, and Paramount Pictures, Paramount. Vorkapich taught the autonomous nature of the cinematic art form, emphasizing the kinetic energy inherent in motion pictures.
1965–1969: Early careerLucas saw many inspiring films in class, particularly the visual films coming out of the National Film Board of Canada like Arthur Lipsett's ''21-87'', the French-Canadian cameraman Jean-Claude Labrecque's cinéma vérité ''60 Cycles'', the work of Norman McLaren, and the documentaries of Claude Jutra. Lucas fell madly in love with pure cinema and quickly became prolific at making 16 mm nonstory noncharacter visual tone poems and cinéma vérité with such titles as ''Look at Life (film), Look at Life'', ''Herbie (film), Herbie'', ''1:42.08'', ''The Emperor (film), The Emperor'', ''Anyone Lived in a Pretty How Town (film), Anyone Lived in a Pretty (how) Town'', ''Filmmaker (film), Filmmaker'', and ''6-18-67''. He was passionate and interested in camerawork and editing, defining himself as a filmmaker as opposed to being a director, and he loved making abstract visual films that created emotions purely through cinema. After graduating with a bachelor of fine arts in film in 1967, he tried joining the United States Air Force as an officer, but he was immediately turned down because of his numerous speeding tickets. He was later Conscription, drafted by the Army for military service in Vietnam War, Vietnam, but he was exempted from service after medical tests showed he had diabetes, the disease that killed his paternal grandfather. In 1967, Lucas re-enrolled as a USC graduate student in film production. He began working under Verna Fields for the United States Information Agency, where he met his future wife Marcia Lucas, Marcia Griffin. Working as a teaching instructor for a class of U.S. Navy students who were being taught documentary cinematography, Lucas directed the short film '' Electronic Labyrinth: THX 1138 4EB'', which won first prize at the 1967–68 National Student film festival. Lucas was awarded a student scholarship by Warner Bros. to observe and work on the making of a film of his choosing. The film he chose was ''Finian's Rainbow (1968 film), Finian's Rainbow'' (1968) which was being directed by , who was revered among film school students of the time as a cinema graduate who had "made it" in Hollywood. In 1969, Lucas was one of the camera operators on the classic The Rolling Stones, Rolling Stones concert film ''Gimme Shelter (1970 film), Gimme Shelter''.
1969–1977: ''THX 1138'', ''American Graffiti'', and ''Star Wars''In 1969, Lucas co-founded the studio American Zoetrope with Coppola, hoping to create a liberating environment for filmmakers to direct outside the perceived oppressive control of the Hollywood studio system. Coppola thought Lucas's ''Electronic Labyrinth'' could be adapted into his first full-length feature film, which was produced by American Zoetrope as '' '', but was not a success. Lucas then created his own company, Lucasfilm, Ltd., and directed the successful '' '' (1973). Lucas then set his sights on adapting Flash Gordon, an adventure serial from his childhood that he fondly remembered. When he was unable to obtain the rights, he set out to write an original space adventure that would eventually become ''Star Wars (film), Star Wars''. Despite his success with his previous film, all but one studio turned ''Star Wars'' down. It was only because Alan Ladd, Jr., at 20th Century Fox liked ''American Graffiti'' that he forced through a production and distribution deal for the film, which ended up restoring Fox to financial stability after a number of flops. ''Star Wars'' was significantly influenced by Jidaigeki, samurai films of Akira Kurosawa, Spaghetti Westerns, as well as classic sword and sorcery fantasy stories. ''Star Wars'' quickly became the list of highest-grossing films, highest-grossing film of all-time, displaced five years later by Spielberg's ''E.T. the Extra-Terrestrial''. After the success of ''American Graffiti'' and prior to the beginning of filming on ''Star Wars'', Lucas was encouraged to renegotiate for a higher fee for writing and directing ''Star Wars'' than the $150,000 agreed. He declined to do so, instead negotiating for advantage in some of the as-yet-unspecified parts of his contract with Fox, in particular, ownership of licensing and merchandising rights (for novelizations, clothing, toys, etc.) and contractual arrangements for sequels. Lucasfilm has earned hundreds of millions of dollars from licensed games, toys, and collectibles created for the franchise. The original ''Star Wars'' film went through a tumultuous production, and during editing, Lucas suffered chest pains initially feared to be a heart attack, but actually a fit of hypertension and exhaustion. The effort that Lucas exerted during post-production for the film, and its subsequent sequels, caused strains on his relationship with his wife Marcia Lucas, and was a contributing factor to their divorce at the end of the trilogy.
1977–1993: Hiatus from directing, ''Indiana Jones''Following the release of the first ''Star Wars'' film, Lucas worked extensively as a writer and producer, including on the many ''Star Wars'' spinoffs made for film, television, and other media. Lucas acted as executive producer for the next two ''Star Wars'' films, commissioning Irvin Kershner to direct ''The Empire Strikes Back'', and Richard Marquand to direct ''Return of the Jedi'', while receiving a story credit on the former and sharing a screenwriting credit with Lawrence Kasdan on the latter. He also acted as story writer and executive producer on all four of the '' Indiana Jones'' films, which his colleague and good friend Steven Spielberg directed. Other successful projects where Lucas acted as an executive producer and sometimes story writer in this period include Akira Kurosawa, Kurosawa's ''Kagemusha'' (1980), ''Ewoks: Caravan of Courage'' (1984), ''Ewoks: Battle for Endor'' (1985), Jim Henson's ''Labyrinth (1986 film), Labyrinth'' (1986), Godfrey Reggio's ''Powaqqatsi'' (1986), Don Bluth's ''The Land Before Time (film), The Land Before Time'' (1988), and the ''Indiana Jones'' television spinoff ''The Young Indiana Jones Chronicles'' (1992–96). There were unsuccessful projects, however, including ''More American Graffiti'' (1979), Willard Huyck's ''Howard the Duck (film), Howard the Duck'' (1986), which was the biggest flop of Lucas's career, Ron Howard's ''Willow (film), Willow'' (1988), Coppola's ''Tucker: The Man and His Dream'' (1988), and Mel Smith's ''Radioland Murders'' (1994). The animation studio Pixar was founded in 1979 as the Graphics Group, one third of the Computer Division of Lucasfilm. Pixar's early computer graphics research resulted in groundbreaking effects in films such as ''Star Trek II: The Wrath of Khan'' and ''Young Sherlock Holmes'', and the group was purchased in 1986 by Steve Jobs shortly after he left Apple Inc., Apple Computer. Jobs paid Lucas US$5 million and put US$5 million as capital into the company. The sale reflected Lucas' desire to stop the cash flow losses from his 7-year research projects associated with new entertainment technology tools, as well as his company's new focus on creating entertainment products rather than tools. As of June 1983, Lucas was worth US$60 million, but he met cash-flow difficulties following his divorce that year, concurrent with the sudden dropoff in revenues from ''Star Wars'' licenses following the theatrical run of ''Return of the Jedi''. At this point, Lucas had no desire to return to ''Star Wars'', and had unofficially canceled the sequel trilogy. Also in 1983, Lucas and Tomlinson Holman founded the audio company THX Ltd.Truta, Filip Truta (May 5, 2011)
1993–2012: Return to directing, ''Star Wars'' and ''Indiana Jones''Having lost much of his fortune in a divorce settlement in 1987, Lucas was reluctant to return to ''Star Wars''. However, prequel trilogy, the prequels, which were still only a series of basic ideas partially pulled from his original drafts of "The Star Wars", continued to tantalize him with technical possibilities that would make it worthwhile to revisit his older material. When ''Star Wars'' became popular once again, in the wake of Dark Horse Comics, Dark Horse's comic book line and Timothy Zahn's Thrawn trilogy, trilogy of spin-off novels, Lucas realized that there was still a large audience. His children were older, and with the explosion of Computer-generated imagery, CGI technology he began to consider directing once again. By 1993, it was announced, in ''Variety (magazine), Variety'' among other sources, that Lucas would be making the prequels. He began penning more to the story, indicating that the series would be a tragic one, examining Anakin Skywalker's fall to the dark side. Lucas also began to change the status of the prequels relative to the originals; at first, they were supposed to be a "filling-in" of history tangential to the originals, but now he saw that they could form the beginning of one long story that started with Anakin's childhood and ended with his death. This was the final step towards turning the film series into a "Saga". In 1994, Lucas began work on the screenplay of the first prequel, tentatively titled ''Episode I: The Beginning''. In 1997, to celebrate the 20th anniversary of ''Star Wars,'' Lucas returned to the original trilogy and made numerous modifications using newly available digital technology, releasing them in theaters as the ''Star Wars Special Edition''. For DVD releases in 2004 and Blu-ray releases in 2011, the trilogy received further revisions to make them congruent with the prequel trilogy. Besides the additions to the ''Star Wars'' franchise, Lucas released a ''Director's Cut'' of ''THX 1138'' in 2004, with the film re-cut and containing a number of Computer-generated imagery, CGI revisions. The first ''Star Wars'' prequel was finished and released in 1999 as ''Star Wars: Episode I – The Phantom Menace, Episode I – The Phantom Menace'', which would be the first film Lucas had directed in over two decades. Following the release of the first prequel, Lucas announced that he would also be directing the next two, and began working on ''Episode II''. The first draft of ''Episode II'' was completed just weeks before principal photography, and Lucas hired Jonathan Hales, a writer from ''The Young Indiana Jones Chronicles'', to polish it. It was completed and released in 2002 as ''Star Wars: Episode II – Attack of the Clones''. The final prequel, ''Star Wars: Episode III – Revenge of the Sith'', began production in 2002 and was released in 2005. Numerous fans and critics considered the prequels inferior to the original trilogy, though they were box office successes. Lucas collaborated with Jeff Nathanson as a writer of the 2008 film ''Indiana Jones and the Kingdom of the Crystal Skull'', directed by Steven Spielberg. Like the ''Star Wars'' prequels, the reception was mixed, with numerous fans and critics once again considering it inferior to its predecessors. From 2008 to 2014, Lucas also served as the creator and executive producer and for a second ''Star Wars'' animated series on Cartoon Network, ''Star Wars: The Clone Wars (2008 TV series), Star Wars: The Clone Wars'' which premiered with a Star Wars: The Clone Wars (film), feature film of the same name before airing its first episode. The supervising director for this series was Dave Filoni, who was chosen by Lucas and closely collaborated with him on its development. Series it bridged the events between ''Attack of the Clones'' and ''Revenge of the Sith''. The animated series also featured the last ''Star Wars'' stories in which Lucas was majorly involved. In 2012, Lucas served as executive producer for ''Red Tails'', a war film based on the exploits of the Tuskegee Airmen during World War II. He also took over direction of reshoots while director Anthony Hemingway worked on other projects.
2012–present: Semi-retirementIn January 2012, Lucas announced his retirement from producing large Blockbuster (entertainment), blockbuster films and instead re-focusing his career on smaller, independently budgeted features. In June 2012, it was announced that producer Kathleen Kennedy (film producer), Kathleen Kennedy, a long-term collaborator with Steven Spielberg and a producer of the ''Indiana Jones'' films, had been appointed as co-chair of Lucasfilm Ltd."Kathleen Kennedy to become Co-Chair of Lucasfilm Ltd."
Collaboration with John WilliamsLucas was also heavily involved and invested in the scoring process for the Star Wars (soundtrack), original ''Star Wars'' soundtrack, which was composed by John Williams, on the recommendation of his friend and colleague Steven Spielberg. Whilst initially wanting to use tracks and film music in a similar manner to ''2001: A Space Odyssey (film), 2001: A Space Odyssey'', which served as the inspiration for the film, Williams advised against this and instead proposed a system of recurring themes (or leitmotifs) to enhance the story in the style of classical composers Gustav Holst, William Walton, and Igor Stravinsky; works that Lucas had used as "temp tracks" for Williams to gain inspiration from. The film, and subsequent sequels and prequels, make use of the Main Title Theme, the Force Theme (less commonly referred to as Obi Wan Kenobi's Theme), the Rebel Alliance Theme, and Princess Leia's Theme (all introduced in this film) repeatedly. The score was released to critical acclaim and won Williams his third Academy Award for Best Original Score. The score was listed by the American Film Institute in 2005 as the AFI's 100 Years of Film Scores, greatest film score of all time. The professional relationship formed by Lucas and Williams extended through to Williams working on all of Lucas' blockbuster franchise movies: the remaining two films of the Original Trilogy, Star Wars original trilogy; all three films of Star Wars prequel trilogy, prequel trilogy developed over fifteen years later; and the four (Untitled fifth Indiana Jones film, to be five) films of the Indiana Jones franchise, in which Williams reunited with his long-time collaborator Spielberg. In his collaborations with Lucas, Williams received six of his fifty-two Academy Award for Best Original Score, Academy Award nominations (''Star Wars (film), Star Wars, The Empire Strikes Back, Return of the Jedi, Raiders of the Lost Ark, Indiana Jones and the Temple of Doom,'' and ''Indiana Jones and the Last Crusade''). After Lucas sold Lucasfilm to The Walt Disney Company, Disney, Williams stayed on board with the franchise, and continued to score the remaining three films of the "Skywalker Saga, Skywalker saga" (''Star Wars: The Force Awakens, The Force Awakens, Star Wars: The Last Jedi, The Last Jedi'', and ''Star Wars: The Rise of Skywalker, The Rise of Skywalker''), after which he announced his "retirement" from the series. Lucas was in attendance for a ceremony honouring Williams as the 44th recipient of the AFI Life Achievement Award, the first composer to receive the honour, and gave a speech in praise of their relationship and his work.
PhilanthropyLucas is one of the wealthiest celebrities in the world. Lucas has pledged to give half of his fortune to charity as part of an effort called The Giving Pledge led by Bill Gates and Warren Buffett to persuade America's richest individuals to donate their financial wealth to charities.
George Lucas Educational FoundationIn 1991, The George Lucas Educational Foundation was founded as a nonprofit operating foundation to celebrate and encourage innovation in schools. The Foundation's content is available under the brand Edutopia, in an award-winning web site, social media and via documentary films. Lucas, through his foundation, was one of the leading proponents of the E-rate program in the universal service fund, which was enacted as part of the Telecommunications Act of 1996. On June 24, 2008, Lucas testified before the United States House of Representatives subcommittee on United States House Energy Subcommittee on Telecommunications and the Internet, Telecommunications and the Internet as the head of his Foundation to advocate for a free wireless broadband educational network.
Proceeds from the sale of Lucasfilm to DisneyIn 2012, Lucas sold Lucasfilm to for a reported sum of $4.05 billion. It was widely reported at the time that Lucas intends to give the majority of the proceeds from the sale to charity. A spokesperson for Lucasfilm said, "George Lucas has expressed his intention, in the event the deal closes, to donate the majority of the proceeds to his philanthropic endeavors." Lucas also spoke on the matter: "For 41 years, the majority of my time and money has been put into the company. As I start a new chapter in my life, it is gratifying that I have the opportunity to devote more time and resources to philanthropy."
Lucas Museum of Narrative ArtBy June 2013, Lucas was considering establishing a museum, the Lucas Cultural Arts Museum, to be built on Crissy Field near the Golden Gate Bridge in San Francisco, which would display his collection of illustrations and pop art, with an estimated value of more than $1 billion. Lucas offered to pay the estimated $300 million cost of constructing the museum, and would endow it with $400 million when it opened, eventually adding an additional $400 million to its endowment. After being unable to reach an agreement with The Presidio Trust, Lucas turned to Chicago. A potential lakefront site on Museum Campus in Chicago was proposed in May 2014. By June 2014, Chicago had been selected, pending approval of the Chicago Plan Commission, which was granted. The museum project was renamed the Lucas Museum of Narrative Art. On June 24, 2016, Lucas announced that he was abandoning his plans to locate the museum in Chicago, due to a lawsuit by a local preservation group, Friends of the Parks, and would instead build the museum in California. On January 17, 2017, Lucas announced that the museum will be constructed in Exposition Park (Los Angeles), Exposition Park, Los Angeles California.
Other initiativesIn 2005, Lucas gave US$1 million to help build the Martin Luther King Jr. Memorial on the National Mall in Washington D.C. to commemorate American civil rights leader Martin Luther King Jr. On September 19, 2006, University of Southern California, USC announced that Lucas had donated $175–180 million to his alma mater to expand the film school. It is the largest single donation to USC and the largest gift to a film school anywhere. Previous donations led to the already-existing George Lucas Instructional Building and Marcia Lucas Post-Production building.George Lucas Instructional Building
Personal lifeIn 1969, Lucas married film editor Marcia Lucas, Marcia Lou Griffin, who went on to win an for her editing work on the original ''Star Wars (film), Star Wars'' film. They adopted a daughter, Amanda Lucas (fighter), Amanda Lucas, in 1981, and divorced in 1983. Lucas subsequently adopted two more children as a single parent: daughter Katie Lucas, born in 1988, and son Jett Lucas, born in 1993. His three eldest children all appeared in the three '' Star Wars'' prequels, as did Lucas himself. Following his divorce, Lucas was in a relationship with singer Linda Ronstadt in the 1980s. Lucas began dating Mellody Hobson, president of Ariel Investments and chair of DreamWorks Animation, in 2006. Lucas and Hobson announced their engagement in January 2013, and married on June 22, 2013, at Lucas's Skywalker Ranch in Marin County, California. They have one daughter together, born via gestational carrier in August 2013. Lucas was born and raised in a Methodism, Methodist family. The religious and mythical themes in '' Star Wars'' were inspired by Lucas's interest in the writings of mythologist Joseph Campbell, and he would eventually come to identify strongly with the Eastern religious philosophies he studied and incorporated into his films, which were a major inspiration for "the Force". Lucas has come to state that his religion is "Buddhism, Buddhist Methodist". He resides in Marin County. Lucas is a major collector of the American illustrator and painter Norman Rockwell. A collection of 57 Rockwell paintings and drawings owned by Lucas and fellow Rockwell collector and film director Steven Spielberg were displayed at the Smithsonian American Art Museum from July 2, 2010, to January 2, 2011, in an exhibition titled ''Telling Stories''. Lucas has said that he is a fan of Seth MacFarlane's hit TV show ''Family Guy''. MacFarlane has said that Lucasfilm was extremely helpful when the ''Family Guy'' crew wanted to Laugh It Up, Fuzzball: The Family Guy Trilogy, parody their works. Lucas supported Democratic candidate Hillary Clinton in the run-up for the 2016 U.S. presidential election.
Awards and honorsIn 1977, Lucas was awarded the Inkpot Award. The American Film Institute awarded Lucas its AFI Life Achievement Award, Life Achievement Award on June 9, 2005. This was shortly after the release of ''Star Wars: Episode III – Revenge of the Sith'', about which he joked stating that, since he views the entire '' Star Wars'' series as one film, he could actually receive the award now that he had finally "gone back and finished the movie." Lucas was nominated for four Academy Awards: Academy Award for Best Director, Best Directing and Academy Award for Best Original Screenplay, Writing for ''American Graffiti'' and ''Star Wars''. He received the Academy's Irving G. Thalberg Memorial Award, Irving G. Thalberg Award in 1991. He appeared at the 79th Academy Awards ceremony in 2007 with Steven Spielberg and Francis Ford Coppola to present the Academy Award for Best Director, Best Director award to their friend Martin Scorsese. During the speech, Spielberg and Coppola talked about the joy of winning an Oscar, making fun of Lucas, who has not won a competitive Oscar. The EMP Museum#Science Fiction and Fantasy Hall of Fame, Science Fiction Hall of Fame inducted Lucas in 2006, its second "Film, Television, and Media" contributor, after Spielberg. The Discovery Channel named him one of the 100 "The Greatest American, Greatest Americans" in September 2008. Lucas served as Grand Marshal for the Tournament of Roses Parade and made the ceremonial coin toss at the 2007 Rose Bowl, Rose Bowl, New Year's Day 2007. In 2009, he was one of 13 California Hall of Fame inductees in The California Museum's yearlong exhibit. In July 2013, Lucas was awarded the National Medal of Arts by President Barack Obama for his contributions to American cinema. In October 2014, Lucas received Honorary Membership of the Society of Motion Picture and Television Engineers. In August 2015, Lucas was inducted as a Disney Legends, Disney Legend, and on December 6, 2015, he was an honoree at the Kennedy Center Honors.
Bibliography* 1980: Alan Arnold: ''A Journal of the Making of "The Empire Strikes Back."'' . (contributor) * 1983: Dale Pollock: ''Sky Walking: The Life and Films of George Lucas.'' . (contributor) * 1995: George Lucas, Chris Claremont: ''Shadow Moon.'' . (story) * 1996: Chris Claremont: ''Shadow Dawn.'' . (story) * 1997: Laurent Bouzereau: ''Star Wars. The Annotated Screenplays.'' (contributor) . * 2000: Terry Brooks: Star Wars: Episode I: The Phantom Menace (novelization, contributor), Del Rey Books, * 2000: Chris Claremont: ''Shadow Star.'' . (story) * 2003: R. A. Salvatore: Star Wars: Episode II – Attack of the Clones (novelization, contributor), Del Rey, * 2004: Matthew Stover: ''Shatterpoint.'' (novel, prologue), Del Rey, . * 2005: James Luceno: ''Labyrinth of Evil'' (novel, contributor), Del Rey, * 2005: Matthew Stover: ''Star Wars: Episode III – Revenge of the Sith.'', Del Rey, . (novelization, contributor & line editor) * 2007: J. W. Rinzler: ''The Making of "Star Wars". The Definitive Story Behind the Original Film.'' . (contributor) * 2012: James Luceno: ''Star Wars: Darth Plagueis''. novel (contributor), Del Rey, . * 2020: Paul Duncan: ''The Star Wars Archives. 1999–2005'' (contributor), Taschen,
Sources* * *
Further reading* * *
External links* * * * * *