History
Bill Wilson and Suburban Theatres
Walter Wilson was aFamous Players
The Garneau was leased to Famous Players in 1941, guaranteeing the theatre a supply of first-run pictures. Wilson managed the theatre almost continuously save two years when he managed the Capitol, and two at the Paramount. Famous Players renovated the theatre in 1960, and installed larger seats, which lowered the seating capacity to 630. Wilson retired as manager in 1971 but retained ownership of the theatre through the Suburban Theatre Group, which he continued to operate from an office in the Garneau's basement. At that time, he claimed to have seen only two movies in the previous eight years. Wilson died in January 1985.Theatre Boss (1985). Famous Players continued to operate the theatre until late 1990, when they announced they would not be renewing the lease. The theatre under Famous Players had gained a reputation for showing stodgy, uninteresting films and was being superseded by larger multiplexes.Kellogg (1990).Magic Lantern Theatres
Magic Lantern Theatres leased and reopened the Garneau as a discount theatre catering to university students in December 1991.Westgate (1991). The theatre came under pressure in 1992 when Toronto property developer Greg Sandwell applied to have the site rezoned for food and liquor service. Under this plan, the theatre would have become the Garneau Bar and Playhouse featuring dancing, indoor basketball, volleyball, and billiards.Aplin (1992). In response, Magic Lantern president Tom Hutchinson sought and found investors to purchase the theatre and preserve it as a repertory theatre."Garneau theatre boss" (1992). The Garneau remained open and continued to operate as a discount theatre until 1996 when it was renovated and switched to first-run films. Larger seats were installed, again lowering the theatre's seating capacity, this time to 527.Horton (1996). The theatre's existence was again threatened in 2001 when the University of Alberta threatened to expropriate the land under it.Gregoire (2001). The plan eventually failed when faced with community opposition and prohibitive costs. Local developer John Day purchased the Garneau from the investor group in 2007, promising "The theatre is not going anywhere".Chalmers (2007). Plans were tabled in 2009 that would have dramatically altered the structure by adding a second floor of businessesGordon (Jan 2009). These plans were abandoned after community opposition. The City of Edmonton agreed to pay $547,000 in return for an agreement to restore the building to its 1940 exterior appearance.Gordon (Oct 2009) The city designated the theatre a Municipal Historic Resource in 2009. Magic Lantern Theatres ceased operating the Garneau in June 2011 citing a rent increase.Babiak (2011).Metro Cinema Society
Edmonton's non-profit Metro Cinema Society took control of the Garneau Theatre on July 1, 2011. Representatives of Magic Lantern Theatres complained that the grant supported organization had pushed their private business out of the theatre.Drinkwater (2011). The theatre remained closed for more than two months while it underwent significant maintenance. One article noted that the carpets were cleaned "for the first time in speculation".Griwkowsky (2011). Metro officially reopened the Garneau on September 16, 2011 promising new films daily and guest curated festivals. Events staged at the Garneau annually include the Northwestfest documentary film festival, and the Rainbow Visions Film Festival for LGBTQ film.Architecture
Suburban Theatres commissioned William George Blakey as The Garneau Theatre's architect in the late 1930s. His other extant buildings include Edmonton's Christ Church, Masonic Temple, and Roxy Theatre. It is the last modernist theatre still used for its original purpose in Alberta. Blakey's design economized by featuring a raised terrace rather than a balcony. The lobby was modern, featuring curved walls, understated gumwood doors, and simple semi-circular light fixtures. The theatre itself had a bold colour scheme, with recessed neon lighting, ultramarine walls, blue chairs, red love seats, and gold highlights around the proscenium. Over the years, light fixtures from several other theatres were acquired and integrated into the Garneau. Currently, the theatre contains lighting salvaged from Edmonton's original Varscona Theatre (distinct from the currentNotes
References
* * * * * * * * * * * * * * * * * * * *External links