Guilhem Fabre
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Guilhem or Guillem Fabre was a troubadour and burgher from Narbonne. He may be the same person as the dedicatee of ''En Guillems Fabres, sap fargar'', a eulogistic poem by Bernart d'Auriac. He was one of several mid- to late-thirteenth-century troubadours from Narbonne, with Bernart Alanhan and Miquel de Castillon. Guilhem's own works comprise ''On mais vei, plus trop sordejor'', a '' sirventes'' on decadence, a ''Pos dels majors princeps auzem conten'', a Crusade song. In the first, Guilhem criticises contemporary politics and religion as too worldly, relating them to the sorry state of the
Holy Land The Holy Land; Arabic: or is an area roughly located between the Mediterranean Sea and the Eastern Bank of the Jordan River, traditionally synonymous both with the biblical Land of Israel and with the region of Palestine. The term "Holy ...
at the time. In the second, inspired by piety, Guilhem blames internal wars in Christendom for the failures of the Crusades. He also suggests that the mendicant orders are partly to blame. It is universally agreed that this song was written after the loss of Jerusalem in 1244. Some scholars place it in the years 1245–58 (C. Fabre) or 1254–1269 (Karl Appel, Sergio Vatteroni). During the pontificate of
Clement IV Pope Clement IV ( la, Clemens IV; 23 November 1190 – 29 November 1268), born Gui Foucois ( la, Guido Falcodius; french: Guy de Foulques or ') and also known as Guy le Gros ( French for "Guy the Fat"; it, Guido il Grosso), was bishop of Le P ...
(1264–68) the wars between the
Guelphs and Ghibellines The Guelphs and Ghibellines (, , ; it, guelfi e ghibellini ) were factions supporting the Pope and the Holy Roman Emperor, respectively, in the Italian city-states of Central Italy and Northern Italy. During the 12th and 13th centuries, ri ...
were intense. Guilhem reveals his Ghibelline sympathies when he heaps especial blame on the pope, remarking that the pontiff himself has never led a crusade. Because of this reference to the pope, Guilhem's song cannot have been written during the papal interregnum of 1268–71. Scholar Amos Parducci suggests that it was written during the War of the Sicilian Vespers, as late as 1284–85. The contemporary troubadour Uc de Saint Circ criticised Guilhem Fabre in his ''
cobla esparsa A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) au ...
'' ''Guillelms Fabres nos fai en brau lignatge'' for using such artful phrasing that his meaning is obscured. From this criticism it can be assumed that Guilhem belonged to the '' trobar clus'' school of composition, which favoured short words, a high ratio of consonants to vowels, and generally harsh sounds and unusual rimes. The identification of "Guillelms Fabres" with Guilhem is problematic. Several internal usages suggest that Uc's criticisms may be particularly appropriate to
Guilhem Ademar Guilhem Ademar (; also spelled Guillem, Adamar, or Azemar; fl. 1190/1195–1217) was a troubadour from the Gévaudan in France. He travelled between the courts of Albi, Toulouse, Narbonne, and Spain. He achieved fame enough during his life to b ...
, in which case "Fabre" may be read as a nickname meaning " ordmith".Nathaniel B. Smith (1976), "Guilhem Fabre, Uc de Saint-Circ, and the Old Provençal Rime Dictionary", ''Romance Philology'', 29(4), 503.


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Bibliografia Elettronica dei Trovatori, v. 2.0
{{DEFAULTSORT:Guilhem Fabre 13th-century French troubadours People from Narbonne