Griselda (Scarlatti)
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''Griselda'' is an
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
in three acts by the Italian composer
Alessandro Scarlatti Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera. ...
, the last of Scarlatti’s operas to survive completely today. The
libretto A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to the t ...
is by
Apostolo Zeno Apostolo Zeno (11 December 1668 in Venice – 11 November 1750 in Venice) was a Venetian poet, librettist, journalist, and man of letters. Early life Apostolo Zeno was born in Venice to a colonial branch of the Zeno family, an ancient Venet ...
, with revisions by an anonymous author. Zeno wrote his work in 1701 and it had already been set by Pollarolo and Antonio Maria Bononcini (
Tomaso Albinoni Tomaso Giovanni Albinoni (8 June 1671 – 17 January 1751) was an Italian composer of the Baroque era. His output includes operas, concertos, sonatas for one to six instruments, sinfonias, and solo cantatas. While famous in his day as an opera comp ...
, Giovanni Bononcini and
Antonio Vivaldi Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread a ...
would later produce versions). It is based on the story of Patient Griselda from Boccaccio's tenth day of '' The Decameron''. Scarlatti's opera was first performed at the Teatro Capranica, Rome, in January 1721 with an all-male cast (five
castrato A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to ...
s and a tenor).


Roles


Synopsis


Act 1

Years before the action begins, Gualtiero, King of Sicily, had married a poor shepherdess, Griselda. The marriage was deeply unpopular with the king's subjects and when a daughter, Costanza, was born, the king had to pretend to have her killed while secretly sending her to be brought up by Prince Corrado of Apulia. Now, faced with another rebellion from the Sicilians, Gualtiero is forced to renounce Griselda and promises to take a new wife. The proposed bride is in fact Costanza, who is unaware of her true parentage. She is in love with Corrado's younger brother, Roberto, and the thought of being forced to marry Gualtiero drives her to despair.


Act 2

Griselda returns to her home in the countryside where she is pursued by the courtier Ottone, who is in love with her. She angrily rejects his advances. Gualtiero and his followers go out hunting and come across Griselda's cottage. Gualtiero foils an attempt by Ottone to kidnap Griselda and allows her back to the court, but only as Costanza's slave.


Act 3

Ottone still resolutely pursues Griselda and Gualtiero promises him her hand as soon as he himself has married Costanza. Griselda declares she would rather die and, moved by her faithfulness, Gualtiero takes her back as his wife. He reveals the true identity of Costanza and allows her to marry Roberto.


Recordings

*''Griselda'' – Lawrence Zazzo, Dorothea Röschmann, Veronica Cangemi,
Silvia Tro Santafé Silvia Tro Santafé is a Spanish lyric-coloratura mezzo-soprano. In her early career she was best known for her interpretations of Handel and became notable for her performances of Rossini, Bellini, Donizetti, and in recent years Verdi. Earl ...
, Kobie van Rensburg,
Bernarda Fink Bernarda Fink (born 29 August 1955) is an Argentine mezzo-soprano. Born in Buenos Aires to Slovene parents who immigrated from Yugoslavia, Fink studied at the Instituto Superior de Arte del Teatro Colón in Buenos Aires. She won First Prize at th ...
,
Akademie für Alte Musik Berlin Akademie für Alte Musik Berlin (Academy for Early Music Berlin, short name: Akamus) is a German chamber orchestra founded in East Berlin in 1982. Each year Akamus gives approximately 100 concerts, ranging from small chamber works to large-scale s ...
conducted by René Jacobs (Harmonia Mundi, 2003)


References


Further reading

* ''The Viking Opera Guide'', ed. Amanda Holden (Viking, 1993) * Dorsi, Frabrizio & Rausa, Giuseppe, ''Storia dell'opera italiana'', Torino, B. Mondadori, 2000, pp. 75–76. (in Italian) * Libretto: ''Griselda : Dramma per Musica'', Roma : Tinassi, 1721 (excerpt i
italianopera.org
accessed 5 July 2011) (in Italian)
Del Teatro (in Italian)


''Magazine de l'opéra baroque (in French) * Booklet notes to the Jacobs recording


External links

* {{DEFAULTSORT:Griselda (Scarlatti, Alessandro) Operas by Alessandro Scarlatti Italian-language operas Opera seria 1721 operas Operas Operas based on books The Decameron Operas based on works by Giovanni Boccaccio