Gregory Mosher

Gregory Mosher (born 1949) is an American director and producer of stage productions at the Lincoln Center and Goodman Theatres, on and off-Broadway, at the Royal National Theatre, and in the West End. He is also a film director and television director, producer, and writer. He currently serves as Senior Associate Dean for the Arts at Hunter College.

Early career

Born 1949 in New York City, Mosher attended Oberlin College, Ithaca College and the Juilliard School where he was the school's first directing student. After leaving Juilliard in his third year, he moved to Chicago to assist William Woodman, head of the Goodman Theatre, who appointed him to lead the newly formed Goodman Stage 2, one of the pioneering theatres of the 1970s Chicago theatre scene. Three years later, after Woodman's resignation, he became director of the Goodman. Beginning with a new version of Richard Wright’s ''Native Son'', and focusing on new work, the Goodman soon gained wide national attention. Among his early work was the first production of David Mamet's ''American Buffalo''.

Lincoln Center

After seven seasons at the Goodman, Mosher was invited by former New York City mayor John V. Lindsay to head the theatre at Lincoln Center, which, despite the leadership of such theatre giants as Elia Kazan and Joseph Papp, had faltered through much of its twenty-year history. At the time of Lindsay's offer, the theatre had not produced a play in over four years; it had virtually no operating capital, little ability to generate it, and no community of artists to energize the stages.

Mosher launched an innovative production schedule and revolutionized marketing efforts, discarding the traditional subscriber arrangement to seek a younger, less affluent, and more diverse audience. These efforts, supported by a remarkable board and staff, and a freshly enthused giving community, quickly sparked theatrical life; the company's two houses were soon filled, and annual income rose within two years to nearly $45 million.

During this period, Mosher continued to focus on new work. While many of the creators (such as Julie Taymor) were at that time relatively unknown in New York, others were legendary; Lincoln Center and Goodman audiences saw new work from Samuel Beckett, Tennessee Williams, Arthur Miller, Leonard Bernstein, Jerome Robbins, Elaine May, Stephen Sondheim and eventual Nobel prize-winners Wole Soyinka and Derek Walcott.

Among the most celebrated of Mosher's productions were John Guare’s ''Six Degrees of Separation'', David Rabe’s ''Hurlyburly'' (starring William Hurt, Sigourney Weaver, Harvey Keitel and Christopher Walken, directed by Mike Nichols); the South African township musical '' Sarafina!'', Mike Nichols' version of '' Waiting for Godot'', ''James Joyce's The Dead'' (Tony Award for author Richard Nelson), numerous Spalding Gray premieres (including ''Swimming to Cambodia'' and ''Monster in a Box''), David Mamet's ''Speed-the-Plow'', John Leguizamo’s ''Freak'', ''Anything Goes'', the long delayed world premiere of Zora Neale Hurston and Langston Hughes’s '' Mulebone'', and the widely acclaimed revival of ''Our Town'', for which Mosher won his second Tony Award.

Lincoln Center Theater productions were adapted into a dozen feature films, presented in cast recordings, and on television for NBC and PBS. Productions at the Beaumont and the Newhouse Theaters frequently were extended or transferred for long runs on Broadway, as well as venues in England, Europe and Japan.

Broadway

In addition to Lincoln Center Theater shows on Broadway, Mosher has produced and/or directed several other productions. These include "A Streetcar Named Desire" (starring Jessica Lange and Alec Baldwin), "James Joyce's The Dead", John Leguizamo's "Freak", and the 2010 production of Arthur Miller's "A View from the Bridge" (starring Live Scheiber and Scarlett Johansson), and "That Championship Season" (starring Brian Cox, Jim Gaffigan, Chris Noth, Jason Patric, and Keifer Sutherland.

Collaboration

Mosher directed and produced the premieres of twenty-three of David Mamet's plays, beginning with ''American Buffalo'' in 1975. His Broadway production of ''Glengarry Glen Ross'' garnered Mamet the Pulitzer Prize. His collaboration with Samuel Beckett spanned the final decade of that writer's life, and included Beckett's own production of ''Endgame'', and the Lincoln Center production of '' Waiting for Godot'', directed by Mike Nichols.

His collaboration with Tennessee Williams included William's final full-length play, ''A House Not Meant to Stand'', directing and producing the 1992 Broadway revival of ''A Streetcar Named Desire'', starring Alec Baldwin and Jessica Lange, and the Kennedy Center production of ''The Glass Menagerie''.

During South Africa's apartheid period, Mosher was a frequent visitor to Johannesburg and Soweto. He organized the first-ever festival of South African drama ('' Woza Afrika!'') at Lincoln Center, showcasing theatrical productions and funneling tens of thousands of dollars to Township arts groups and individual artists. In 2015, he traveled with a young company to perform Sophocles' "Antigone" in schools, community centers, and a juvenile prison in Nairobi and the Cape Town and Johannesburg townships. In 2017, he directed the American premiere of Ferdinand Von Schirach's ''Terror'' for Miami New Drama at the Colony Theatre.

During the NEA “decency” debate of the early 1990s, Mosher, with the support of John Lindsay, was one of a very small group of arts administrators to decline the Endowment's annual grant.

Film

His film ''The Prime Gig'' (starring Vince Vaughn, Ed Harris, and Julia Ormond) played the Venice, London, and Los Angeles Film festivals. He directed (for TNT) Mamet's ''A Life in the Theatre'' (starring Jack Lemmon and Matthew Broderick), which won the CableACE Award for Best Drama, and produced the film version of ''American Buffalo'', starring Dustin Hoffman and Dennis Franz. For the BBC
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