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"The Shadow of the Past" is the second chapter of J. R. R. Tolkien's bestselling fantasy work, '' The Lord of the Rings'', which was published in 1954–1955. Tolkien called it "the crucial chapter"; the Tolkien scholar Tom Shippey labelled it "the vital chapter". This is because it represents both the moment that Tolkien devised the central plot of the book, and the point in the story where the protagonist, Frodo Baggins, and the reader realise that there will be a
quest A quest is a journey toward a specific mission or a goal. The word serves as a plot device in mythology and fiction: a difficult journey towards a goal, often symbolic or allegorical. Tales of quests figure prominently in the folklore of ever ...
to destroy the Ring. A sketch of it was among the first parts of the book to be written, early in 1938; later that year, it was one of three chapters of the book that he drafted. In 1944, he returned to the chapter, adding descriptions of Gollum, the Ring, and the hunt for Gollum. The chapter changes the book's tone from the first chapter's light-hearted hobbit partying, and introduces major themes of the book. These include a sense of the depth of time behind unfolding events, the power of the Ring, and the inter-related questions of providence, free will, and predestination.
Peter Jackson Sir Peter Robert Jackson (born 31 October 1961) is a New Zealand film director, screenwriter and producer. He is best known as the director, writer and producer of the ''Lord of the Rings'' trilogy (2001–2003) and the ''Hobbit'' trilogy ( ...
, in his ''Lord of the Rings'' film trilogy, splits up Gandalf's description of the Ring's history to Frodo and compresses other parts of his talk.


History


Context

The philologist and University of Oxford professor J. R. R. Tolkien had been working on his legendarium, the complex narratives that became '' The Silmarillion'', for some 20 years, and had in 1937 published the well-received children's book '' The Hobbit''. His publishers, George Allen & Unwin, asked him for a follow-up book. Over the Christmas of 1937, Tolkien began to write, without a clear idea where the story would lead, or indeed whether the audience would be children or adults. The first chapter set out in a style much like that of ''The Hobbit'', with a story of Bilbo Baggins's speech at his birthday party. As he stated, the tale "grew in the telling", becoming the epic fantasy '' The Lord of the Rings'', which was published in 1954–55.


Further ''Hobbit''-style adventures

Tolkien's biographer, Humphrey Carpenter, writes that at the end of 1937, Tolkien wrote the first chapter of ''The Lord of the Rings'', "A Long-Expected Party", but "had as yet no clear idea of what the new story was going to be about". A sketch of "The Shadow of the Past" soon followed; it was among the first parts of the book to be written, early in 1938. The scholar Christina Scull notes that Tolkien's words, "I wrote and tore up and rewrote most of it a good many times", applies as much to the start of ''The Lord of the Rings'' as to the section of book 4 to which he applied it. By beginning the work with a "long-expected" party, he was consciously echoing the "unexpected party" that began ''The Hobbit''. She suggests that he was clearly planning that the hero – whether Bilbo, or in draft variants his son or his adopted young cousin Bingo – would throw the party and then set off on ''The Hobbit''-style adventures. In February 1938 he wrote to his publisher that as he had not intended to write a sequel, he feared "I squandered all my favourite 'motifs' and characters on the original 'Hobbit'."


"The crucial chapter"

Tolkien told his publisher that "stories tend to get out of hand, and this has taken an unpremeditated turn"; a Black Rider, of unknown provenance, had appeared, searching intently for the Hobbits. But progress on the story stalled until the summer of 1938. Tolkien then had the Elf Gildor explain that the Ring had been made by the Necromancer, who wanted to find it; and the Black Riders were the Ringwraiths. He was then able to draft a dialogue between the Hobbit and Gandalf about how the Ring must be destroyed. Suddenly the ideas began to flow. It was a critical section, as it represents both the moment that Tolkien devised the central plot of the whole book, and the point in the story where the protagonist, Frodo Baggins, and the reader realize that there will be a
quest A quest is a journey toward a specific mission or a goal. The word serves as a plot device in mythology and fiction: a difficult journey towards a goal, often symbolic or allegorical. Tales of quests figure prominently in the folklore of ever ...
to destroy the Ring. The manuscripts illustrating the slow development of Tolkien's ideas are documented by Tolkien's son
Christopher Christopher is the English language, English version of a Europe-wide name derived from the Greek language, Greek name Χριστόφορος (''Christophoros'' or ''Christoforos''). The constituent parts are Χριστός (''Christós''), "Jesus ...
in '' The Return of the Shadow''. Tolkien later described "The Shadow of the Past" as "the crucial chapter". The Tolkien scholar Tom Shippey concurred, labelling it "the vital chapter", as it established the central plot of the book. In particular, it demonstrated that the Ring was immeasurably powerful and unalterably evil, so that its destruction was the only viable choice, however dangerous that might be. Tolkien sent drafts of three chapters to his publisher for comment. They were read by the 12-year-old Rayner Unwin, who had given a favourable opinion of ''The Hobbit'' to his father some years earlier; this time he reported that he had enjoyed the material, but that there was "too much Hobbit talk". Tolkien had thus made the Ring the central element of the chapter, and of the book, but it still took in
Hammond Hammond may refer to: People * Hammond Innes (1913–1998), English novelist * Hammond (surname) * Justice Hammond (disambiguation) Places Antarctica * Hammond Glacier, Antarctica Australia *Hammond, South Australia, a small settlement in South ...
and Scull's words "much further thought" for the full history of the Rings to develop. In Scull's view, he probably only finally settled the relationship of the Rings of Power to Sauron in the autumn of 1941. Christopher Tolkien discusses the manuscript evidence in '' The Treason of Isengard''. In 1944, Tolkien returned to the chapter, adding descriptions of Gollum, the Ring, and the hunt for Gollum by Gandalf, the Elves, and Aragorn.


Plot


Present-tense start

Frodo grows restless in his comfortable home, Bag End, in the Shire, and starts to hear rumours of a dark power growing in the East. His gardener, Sam Gamgee, who likes tales of Elves, discuss the rumours in the Green Dragon Inn with Ted Sandyman, the miller's son. Ted thinks the tales are irrelevant nonsense.'' The Fellowship of the Ring'', book 1, ch. 2, "The Shadow of the Past".


Flashback narrative

The Wizard Gandalf makes one of his rare visits to the Shire, 17 years after Bilbo's farewell birthday party. He tells Frodo about the danger he is in through the Ring that his cousin Bilbo has given him. Gandalf tells Frodo of the Ring's history: The dark lord Sauron made the Ring in Mount Doom and used it to wage war on Middle-earth until Isildur cut the Ring from Sauron's hand, destroying the dark lord's physical form. Isildur refused to destroy the Ring, however, and it eventually led him to his death in the
River Anduin The geography of Middle-earth encompasses the physical, political, and moral geography of J. R. R. Tolkien's fictional world of Middle-earth, strictly a continent on the planet of Arda but widely taken to mean the physical world, and ''Eä'', all ...
. The Ring was lost for 2000 years, until the Stoorish Hobbit Déagol found it while fishing in the Anduin. His relative Sméagol, who was fishing with Déagol, was instantly ensnared by the Ring and murdered him to take it for himself; the Ring turned him into the creature Gollum, who, centuries later, lost his "Precious" to Bilbo in the riddle game portrayed in ''The Hobbit''. Gollum went in search of Bilbo and the Ring a few years later, and was eventually captured by Sauron, who tortured him into revealing that "Baggins" from "the Shire" had the Ring. Gandalf says that Frodo must destroy the Ring by throwing it into the fires of Mount Doom. Frodo decides he must leave the Shire, and agrees with Gandalf that he will travel to Rivendell, home to Elrond, a leader of the Elves. Gandalf hears something, and catches Sam eavesdropping under the window. He tells Sam he will have to go with Frodo.


Structure

Kate Nepveu, writing for '' Tor.com'', calls the chapter "remarkable in both mechanics and content". That is because it consists in large part of Gandalf talking to Frodo and steadily providing him with information. She writes that the structure "might be frowned upon as inelegant", but nevertheless engages the reader. She notes that the subject of the conversation circles around from the danger of possessing the Ring, to its faraway history, back to the danger it poses to the Shire and to Frodo, in nine sections. She comments that, following the science fiction and fantasy author Ursula Le Guin, it could be called a "there and back again" structure. Shippey mentions another distinctive structural feature of the chapter. The whole two-book volume is narrated as a single strand with Frodo as the protagonist, except for the flashback narratives within "The Shadow of the Past" and later " The Council of Elrond". The Tolkien scholar Verlyn Flieger adds that the two chapters are similar in that "the past must be recapitulated by Gandalf or Elrond
n their respective flashback sections N, or n, is the fourteenth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''en'' (pronounced ), plural ''ens''. History ...
in order to explain the present".


Themes


Time and depth

After the light tone of the first chapter, "
A Long-Expected Party ''The Lord of the Rings'' is an epic high-fantasy novel by English author and scholar J. R. R. Tolkien. Set in Middle-earth, intended to be Earth at some time in the distant past, the story began as a sequel to Tolkien's 1937 children's b ...
", Tolkien deepens the plot. He starts to give the reader a sense of the depth of time behind the unfolding events, and the feeling that past and present are connected. Flieger writes that in the chapter, time both provides "the essential framework of the narrative ndbecomes the traveled road between past and present, connecting the two worlds." The chapter was originally titled "Ancient History". This contributes to the feeling, Lawrence Krikorian writes in ''
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'', that Tolkien is reporting a "true history of Middle-earth". Tolkien later reinforces this feeling by adding small seemingly irrelevant details and talk of locking Frodo up in a tower to write the story of the quest.


Gollum and the Ring

"The Shadow of the Past" begins to reveal the power of the Ring. The chapter transforms the Ring from the simple plot device of '' The Hobbit'' to a central element of the book. The episcopal priest Fleming Rutledge notes that Tolkien called it "the crucial chapter". In her view, the key passage is Gandalf's narration of Gollum's "slimy and murderous deed": Gollum strangles his relative
Deagol Gollum is a fictional Tolkien's monsters, character in J. R. R. Tolkien's Middle-earth legendarium. He was introduced in the 1937 Fantasy (genre), fantasy novel ''The Hobbit'', and became important in its sequel, ''The Lord of the Rings''. Gol ...
to gain possession of the Ring. Frodo describes the act as loathsome, but Gandalf replies that Gollum's corruption "is a sad story, and it could have happened to others, even to some hobbits I have known"; Rutledge calls this "a central insight". She comments that Gandalf is hinting that Frodo should not be so quick to judge Gollum. She compares the remark to Matthew 7:1 "Judge not, that ye be not judged". Shippey summarizes Gandalf's explanations of the Ring as "three basic data". Firstly, the Ring is enormously powerful, whether in the right or the wrong hands. Secondly, it is dangerous "and ultimately fatal to all its possessors – in a sense, there are no right hands". Finally, it cannot just be set aside quietly, but that it will have to be destroyed in the place where it was made, Mount Doom. In his view, that adds up to the modern saying " Power corrupts, and absolute power corrupts absolutely". That view, of the corrupting effect of the Ring's power, could be said, he writes, to be the core of the book. Shippey compares this with the pigs-turned-farmers of
George Orwell Eric Arthur Blair (25 June 1903 – 21 January 1950), better known by his pen name George Orwell, was an English novelist, essayist, journalist, and critic. His work is characterised by lucid prose, social criticism, opposition to totalitar ...
's ''
Animal Farm ''Animal Farm'' is a beast fable, in the form of satirical allegorical novella, by George Orwell, first published in England on 17 August 1945. It tells the story of a group of farm animals who rebel against their human farmer, hoping to crea ...
'', another modern fantasy written in response to war, writing that "in an age which has seen many pigs become farmers", no reviewer has ever complained about Tolkien's "opening move" in the chapter. Shippey states that the centre of Gandalf's account in the chapter is the Rhyme of the Rings. He adds that the verse, one of many in ''The Lord of the Rings'', serves as the epigraph of the whole book and as final proof of the Ring's nature:


Providence, free will and predestination

The chapter introduces Tolkien's thinking on the interrelated questions of
providence Providence often refers to: * Providentia, the divine personification of foresight in ancient Roman religion * Divine providence, divinely ordained events and outcomes in Christianity * Providence, Rhode Island, the capital of Rhode Island in the ...
, free will, and predestination; these pervade the story. Commentators including Shippey have remarked on a statement by Gandalf in the chapter that appears to hint at a benevolent power behind the scenes: The scholar Kathleen Dubs examines the
Boethian Anicius Manlius Severinus Boethius, commonly known as Boethius (; Latin: ''Boetius''; 480 – 524 AD), was a Roman senator, consul, ''magister officiorum'', historian, and philosopher of the Early Middle Ages. He was a central figure in the tran ...
philosophy of providence that in her view Tolkien seems to follow. In this case, it is that bearing the Ring is in some way "meant" or "appointed" for Frodo, yet all the same his will is free: he can choose to accept the task or not. She quotes English literature scholar Paul Kocher's analysis of Frodo's acceptance of the quest. He writes that Gandalf, like Elrond in "The Council of Elrond", is quite tentative in his guidance. Gandalf does not assume that Frodo will do "what he was intended to do, though he should". Instead, he makes it clear to Frodo that "the decision lies with you".


War

The scholar Elizabeth Goodenough writes that the chapter's title "resonantly links not only the past and coming war against Sauron" but also both the First World War, in which Tolkien had fought, and the Second World War, during which he wrote much of ''The Lord of the Rings''. In his foreword to the second edition, Tolkien denied that either the book or the chapter reflected the Second World War:


In film

The Tolkien scholar Daniel Timmons notes that
Peter Jackson Sir Peter Robert Jackson (born 31 October 1961) is a New Zealand film director, screenwriter and producer. He is best known as the director, writer and producer of the ''Lord of the Rings'' trilogy (2001–2003) and the ''Hobbit'' trilogy ( ...
, in his ''Lord of the Rings'' film trilogy, splits up Gandalf's description of the Ring's history to Frodo. Jackson puts part of it in Bag End, and part of it much later in the darkness of the Mines of Moria. Timmons remarks that by making Frodo appear terrified by the news as late as Moria, Jackson makes Frodo appear not to have matured, whereas in the book Frodo has by then acquired a measure of wisdom and fortitude. Frodo's decision to leave the Shire is not moved but it is heavily compressed. Timmons comments that the change makes Frodo seem powerless and without initiative, whereas in the book he is reflective, speaking at length, and makes his own decision.


See also

* The Council of Elrond – where the Fellowship is assembled and the quest defined * The Scouring of the Shire – where the hobbits use their new skills to restore their home to order


References


Sources

* * * * * * * * * * – also presented as a table in * * * * * * * {{DEFAULTSORT:Shadow of the Past The Lord of the Rings