Goyō Hashiguchi
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was an artist in Japan. At the forefront of the '' shin-hanga'' ("new prints") movement, a revival of ''
ukiyo-e Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk t ...
'', he designed fourteen
woodblock prints Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later paper. Each page or image is crea ...
which are regarded as masterpieces of the genre.


Early life

Hashiguchi was born Hashiguchi Kiyoshi in Kagoshima Prefecture. His father Hashiguchi Kanemizu was a samurai and amateur painter in the Shijō style. His father hired a teacher in the Kano style of painting in 1899 when Kiyoshi was only ten. Kiyoshi took the name of Goyō while attending the Tokyo School of Fine Arts, from which he graduated best in his class in 1905. The name Goyō was chosen because of his fondness for the five needle pine in his father's garden.


Early career

His first commission was designing the layout and illustrations for
Natsume Sōseki , born , was a Japanese novelist. He is best known around the world for his novels ''Kokoro'', ''Botchan'', ''I Am a Cat'', '' Kusamakura'' and his unfinished work '' Light and Darkness''. He was also a scholar of British literature and writer ...
's novel ''
I Am a Cat is a satirical novel written in 1905–1906 by Natsume Sōseki about Japanese society during the Meiji period (1868–1912), particularly the uneasy mix of Western culture and Japanese traditions. Sōseki's title, ''Wagahai wa Neko de Aru'', us ...
'' in 1905. This led to design of other books by
Futabatei Shimei was a Japanese writer, translator, and literary critic. His writings are in the realist style popular in the mid to late 19th century. His work ''The Drifting Cloud'' (''Ukigumo'', 1887) is widely regarded as Japan's first modern novel. Bio ...
, , Morita Sōhei, Jun'ichirō Tanizaki, Nagai Kafū, and
Kyōka Izumi , real name , was a Japanese author of novels, short stories, and kabuki plays who was active during the prewar period. Kyōka's writing differed greatly from that of the naturalist writers who dominated the literary scene at the time. Many of ...
. In 1907 Goyō won recognition for an
ukiyo-e Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk t ...
oil painting in the first
Bunten The is a Japanese art exhibition established in 1907. The exhibition consists of five art faculties: Japanese Style and Western Style Painting, Sculpture, Craft as Art, and Sho (calligraphy). During each exhibition, works of the great masters are ...
show, but was disappointed in the unenthusiastic public acceptance of his oil paintings in future shows. In 1911 he again won recognition for an ukiyo-e poster designed for the
Mitsukoshi is an international department store chain with headquarters in Tokyo, Japan. It is a subsidiary of Isetan Mitsukoshi Holdings, which also owns the Isetan department store chain. History It was founded in 1673 with the (shop name) , sell ...
department store. Goyō became a serious student of ukiyo-e and studied books, originals and reproductions. He was especially interested in the great classical ukiyo-e artists and wrote several articles about
Utamaro Kitagawa Utamaro ( ja, 喜多川 歌麿;  – 31 October 1806) was a Japanese artist. He is one of the most highly regarded designers of ukiyo-e woodblock prints and paintings, and is best known for his '' bijin ōkubi-e'' "large-heade ...
,
Hiroshige Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format l ...
and Harunobu. From 1914, while frail and suffering from
beriberi Thiamine deficiency is a medical condition of low levels of thiamine (Vitamin B1). A severe and chronic form is known as beriberi. The two main types in adults are wet beriberi and dry beriberi. Wet beriberi affects the cardiovascular system, ...
, he contributed articles on various ukiyo-e studies to ''Art News'' (''Bijutsu-shinpō'') and ''Ukiyo-e'' magazine.


Defining works

In 1915, urged by the shin-hanga publisher Watanabe Shōzaburō, he designed a print for artisans to produce under Watanabe's direction. Goyō designed "Bathing" (''Yuami''), Watanabe wanted to continue the collaboration but Goyō had other plans. Instead, he worked in 1916–17 as supervisor of reproductions for 12 volumes called "Japanese Color Prints" (''Yamato nishiki-e'') and in the process became thoroughly familiar with the functions of artisan carvers and printers. At the same time he was drawing from live models. From 1918 until his death he personally supervised the carving, printing, and publication of his own works, producing thirteen more prints – four landscapes, one nature print depicting ducks and eight prints of women. His total production, including "Bathing", numbers fourteen prints. (After his death a few more of his designs were developed into prints by his heirs.)


Death

In late 1920, Hashiguchi's latent health problems escalated into meningitis. He supervised his last print ''Hot Spring Hotel'' from his deathbed, but could not finish it personally. He died in February 1921 at the age of 41. Goyō left several sketches from which his elder brother and nephew produced seven more prints. The carving and printing had been commissioned to Maeda Kentarō and Hirai Koichi. Goyō Hashiguchi prints are of extremely high quality and sold well despite their high prices upon publication. The tragedy of Hashiguchi was the short timespan of only two years to produce these superb masterworks - apart from his first print published with Watanabe. The blocks for the fourteen prints and many of the prints themselves were destroyed in the Great Kantō earthquake of 1923. However, Goyō reprints are currently on the market. Most reprints are marked with a small seal in the side margin, something which does not appear on original prints. Many years after Goyō's death, his brother used Goyō's remaining designs as the basis for ten more prints. These were published with the same standards as the earlier prints and in limited numbers. The printing was supervised by Goyō's nephew, Hashiguchi Yasuo. Today, works by Goyō are among the most highly prized of all shin-hanga prints.


References

* Merritt, Helen and Nanako Yamada. (1995). ''Guide to Modern Japanese Woodblock Prints, 1900-1975.'' Honolulu: University of Hawaii Press. ;
OCLC 247995392
* Helen Merritt, "Modern Japanese Woodblock Prints - The early years", published by University of Hawaii Press, Honolulu, 1990, .


External links


Goyō Hashiguchi – Japanese Woodblock Artist
Joy of Museums Virtual Tours {{DEFAULTSORT:Hashiguchi, Goyo 1880 births 1921 deaths Deaths from meningitis Japanese printmakers Artists from Kagoshima Prefecture Shin hanga artists Neurological disease deaths in Japan Infectious disease deaths in Japan