Gold Grave Goods At Grave Circles A And B
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There have been many discoveries of gold grave goods at Grave Circles A and B in the
Bronze Age The Bronze Age is a historic period, lasting approximately from 3300 BC to 1200 BC, characterized by the use of bronze, the presence of writing in some areas, and other early features of urban civilization. The Bronze Age is the second prin ...
city of
Mycenae Mycenae ( ; grc, Μυκῆναι or , ''Mykē̂nai'' or ''Mykḗnē'') is an archaeological site near Mykines in Argolis, north-eastern Peloponnese, Greece. It is located about south-west of Athens; north of Argos; and south of Corinth. ...
. Gold has always been used to show status amongst the deceased when used in
grave goods Grave goods, in archaeology and anthropology, are the items buried along with the body. They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods may be classed as a ...
. While there's evidence that the practice of grave goods and monumentalizing graves to show status was used throughout Ancient Greece from the Bronze Age and passed through the Classical Period, the goods themselves changed over time. However, using gold as a material was a constant status marker. At the Grave Circles in Mycenae, there were several grave goods found that were made out of gold; masks, cups, swords, jewelry, and more. Because there were so many gold grave goods found at this site there's a legend of Golden Mycenae. Each family group would add ostentatious grave goods to compete with the other family groups for who is the wealthiest. There was more gold found at Grave Circle A and B than in all of
Crete Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, ...
before the late Bronze Age. In many portable forms of art, and for painting, the Mycenaeans relied on the
Minoan art Minoan art is the art produced by the Bronze Age Aegean Minoan civilization from about 3000 to 1100 BC, though the most extensive and finest survivals come from approximately 2300 to 1400 BC. It forms part of the wider grouping of Aegean art ...
of Crete, which probably sometimes reached them in the form of imported objects, sometimes by imported artists and trainers of Greek artists. For
Sinclair Hood Martin Sinclair Frankland Hood, FBA (31 January 1917 – 18 January 2021), generally known as Sinclair Hood, was a British archaeologist and academic. He was Director of the British School of Archaeology at Athens from 1954 to 1962, and led t ...
, these objects (specifically those from Circle A) "raise in an acute form the related questions of how to distinguish mainland from Cretan work, and the significance of any distinction that may exist".


Masks and cups

Heinrich Schliemann Johann Ludwig Heinrich Julius Schliemann (; 6 January 1822 – 26 December 1890) was a German businessman and pioneer in the field of archaeology. He was an advocate of the historicity of places mentioned in the works of Homer and an archaeolog ...
, a German archaeologist, excavated Mycenae in 1876. Of the six shaft graves in Grave Circle A, the "
Mask of Agamemnon "Mask of Agamemnon" is the name given to a gold funeral mask discovered at the ancient Greek site of Mycenae. The mask, displayed in the National Archaeological Museum of Athens, has been described by Cathy Gere as the "''Mona Lisa'' of prehisto ...
" was found in Grave V. In addition, six of the men found in the shafts of Grave Circle A were given gold masks, and then one child who was also found with a suit of gold had a gold mask. There were 7 skulls found in Grave Circle B that, when facially reconstructed, had several similarities between them that led scholars to believe the faces were related. This suggest that there were different families buried in Grave Circle A, and that each wanted to boast their wealth and success over the other family. To make these masks they took crude gold and beat them into the shapes they wanted using a technique called repoussé. The gold vessels found, mostly cups, were clear examples of status symbols. The craftsmen of the gold vessels also used repoussé, which would require more work than a regular vessel. There was one specific gold cup found in Grave Circle A that resembles Nestor's Cup from Homer's Iliad. Even in death, families used gold for conspicuous displays of wealth.


Jewelry and weapons

The grave goods generally marked the difference between men and women. Women were found with gold jewelry, shrouds, and gold ornaments for dresses while men were found with gold masks, daggers, and swords. Several of the women's graves had gold diadems in them, and they were so fragile that the only use for them would be grave goods. All of these decorative gold grave goods were meant to be a sort of "status uniform" to distinguish their place in the community. For the most part these weapons were made to be art, and not used for battle. While there were some daggers in Grave Circle B, the majority of them came from Grave Circle A. Many of the daggers were actually made of bronze, but inlaid with gold using a Syrian technique called
niello Niello is a black mixture, usually of sulphur, copper, silver, and lead, used as an inlay on engraved or etched metal, especially silver. It is added as a powder or paste, then fired until it melts or at least softens, and flows or is pushed ...
. One of the daggers found in Grave IV in Grave Circle A depicted a lion hunt, which may represent another status marker as the lion hunt was a motif that connected power and leadership. The dagger also contained certain aspects like the hunters wearing tall oxhide shields that were common in Greek
frescoes Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster ...
. Another object found in shaft grave IV is a bull's head
rhyton A rhyton (plural rhytons or, following the Greek plural, rhyta) is a roughly conical container from which fluids were intended to be drunk or to be poured in some ceremony such as libation, or merely at table. A rhyton is typically formed in t ...
with gold horns and embellishments. Worshipping a bull was more of a Cretan practice, so this grave good implies influence of
Cretan Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, an ...
culture amongst the families in Mycenae.


Differences between Grave Circles A and B

The amount of luxury items found in both of the Mycenae Grave Circles was a true phenomenon. There are some scholars who believe that graves in the two Grave Circles represent two royal lines because the grave goods were of such high quality, but it has never been more than a speculation. Combined, the graves contained 5 generations over the years 1650-1500 BC, but Grave Circle B was started around 50 years before Grave Circle A. The majority found there were weapons and gold ornaments, and then the masks. Overall, the biggest difference between the gold grave goods is just that there are more found at Grave Circle A, but both of them show the amount of wealth that was abundant in Mycenae during the Bronze Age. It has been estimated that Circle A contained about 15 kilos of gold in total (not all of high purity); a considerable quantity, but a good deal less than in just the inner coffin of
Tutankhamun Tutankhamun (, egy, twt-ꜥnḫ-jmn), Egyptological pronunciation Tutankhamen () (), sometimes referred to as King Tut, was an Egyptian pharaoh who was the last of his royal family to rule during the end of the Eighteenth Dynasty (ruled ...
. The family groups that attributed to these graves made sure that those who died carried their status with them into death, and the use of gold was so ostentatious it brought even more attention to them.


Notes


References

* * * * * *{{cite book , first1=Richard T. , last1=Neer , year=2012 , title=Greek Art and Archaeology: A New History, C. 2500-c. 150 BCE , publisher=Thames & Hudson , isbn=978-0-500-28877-1 Mycenae Gold objects Mycenaean art Minoan art Ancient art in metal