Girolamo Della Robbia
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Girolamo della Robbia (1488 – 4 August 1566) was an
Italian Renaissance sculptor Italian Renaissance sculpture was an important part of the art of the Italian Renaissance, in the early stages arguably representing the leading edge. The example of Ancient Roman sculpture hung very heavily over it, both in terms of style and t ...
, mostly in the family style of glazed
terracotta Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based ceramic glaze, unglazed or glazed ceramic where the pottery firing, fired body is porous. In applied art, craft, construction, a ...
, the youngest son of Andrea della Robbia, together with his brother
Giovanni della Robbia image:Saint Sebastian Della Robbia Louvre InvML96.jpg, 250px, ''Saint Sebastian'', Musée du Louvre, Paris. Giovanni della Robbia (1469–1529) was an Italian Renaissance sculptor, mostly in ceramics. Biography Giovanni della Robbia was the son o ...
were among the most active collaborators in the family workshop.


Biography

Della Robbia was born in Florence. In 1517, he moved to France where he worked in the court of King
Francis I of France Francis I (french: François Ier; frm, Francoys; 12 September 1494 – 31 March 1547) was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once ...
, and in 1529, he joined his brother Luca "the young". In 1525, he returned to Florence following the imprisonment of Francis I (1525–26) or because of the death of his father, which both happened in the same year. During his stay in Florence (1525–28) he probably made a monumental Crucifix out of terracotta, which is preserved in the Church of St. Peter Vinculis in San Piero in Bagno (Forlì). Also during these years, another work testifies to the presence and activities of Girolamo della Robbia's workshop, the Altoviti Emblem (1525) of Palazzo Pretorio (Certaldo). Among his most challenging and famous pieces are the Tabernacle of Fonticine in Florence and
Madonna and Child In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in ...
with St. John now at the BNCF (Biblioteca Nazionale Centrale Firenze) inspired by Raphael’s Madonna of the Louvre, which was on display during the exhibition that presented the Madonna del cardellino, also by Raphael, restored 2008-2009. He died in Paris.


Note


Bibliography

*L. Fornasari, Liletta Fornasari, Giancarlo Gentilini, ''I Della Robbia'',
Skira The festival of the Skira ( grc, Σκίρα) or Skirophoria ( grc, Σκιροφόρια) in the calendar of ancient Athens, closely associated with the Thesmophoria, marked the dissolution of the old year in May/June. Description At Athens, t ...
, 2009. *AA.VV., ''I della Robbia e l'arte nuova della scultura invetriata. Catalogo della mostra'',
Giunti Editore Giunti Editore S.p.A. is an Italian publishing house founded in Florence in 1956. The company is based in Villa La Loggia, in via Bolognese, and affiliated offices in Milan. Giunti S.p.A. is the leader of a group comprising various brands and tha ...
, Firenze 1998


See also

* Della Robbia family *
Terracotta invetriata Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous. In applied art, craft, construction, and architecture, terracotta i ...
{{DEFAULTSORT:Della Robbia, Girolamo Italian ceramists Italian potters Italian Renaissance sculptors 1488 births 1566 deaths Robbia, Della Girolamo Robbia, Della Girolamo Robbia, Della Girolamo